egroj world: Joe Reisman And His Orchestra • Party Night At Joe's

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As many of you may have noticed apart from the Ulozto problem the main Mega account has been suspended, therefore the blog will be temporarily down until we can restructure and normalise the blog. I appreciate all the support you have shown me. Thank you for your understanding.

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Como muchos habrán notado aparte del problema de Ulozto la cuenta principal Mega ha sido suspendida, por consiguiente el blog se verá disminuido temporalmente hasta poder reestructurar y normalizar el blog. Agradezco todas las muestras de apoyo que me han brindado. Gracias por comprender.



Sunday, March 27, 2022

Joe Reisman And His Orchestra • Party Night At Joe's

 



Joseph Reisman (September 16, 1924, Dallas - September 15, 1987, Los Angeles) was an American musician (tenor and baritone saxophone, clarinet), bandleader, arranger, and record producer in the swing era.

Reisman studied at Baylor University and at the University of Texas at El Paso. He began his music career as a saxophonist in bands like Glen Gray's Casa Loma Orchestra, Louis Prima, Bob Crosby, Sam Donahue, Frankie Masters, and Jack Teagarden. As an arranger he worked for Ray Bauduc and Gene Williams. At the end of the 1940s he gave up an active career as a musician, and worked as an arranger and producer in the Hollywood studios. He arranged and conducted for Patti Page, accompanying her on her hits "How Much Is That Doggie in the Window", "Tennessee Waltz", and "Mockingbird Hill", and for Perry Como, including on "Catch a Falling Star" and "Papa Loves Mambo".[1] He also worked on productions by Eartha Kitt ("Sho-Jo-Ji (The Hungry Raccoon)"), Sarah Vaughan, June Valli, Georgia Gibbs, Ann-Margret, Lena Horne, André Previn and the Ames Brothers.

In the mid-1950s he was the musical director of several television shows, including NBC's Shower of Stars and The Oldsmobile Hour; He also worked for RCA Victor and Roulette Records. At RCA and Roulette, he also recorded several albums in an easy listening style, and had a minor hit with a cover version of Ross Bagdasarian's "Armen's Theme". At the beginning of the 1960s, Reisman returned to RCA and then worked as a producer for Henry Mancini for almost thirty years, starting with his album Our Man in Hollywood (1964).

He died of a heart attack one day before his 63rd birthday on September 15, 1987 in Los Angeles. In 1996, his widow donated his collection of scores to the New York Public Library for the Performing Arts.
https://en.wikipedia.org/wiki/Joe_Reisman

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Joseph Reisman (16 de septiembre de 1924, Dallas - 15 de septiembre de 1987, Los Ángeles) fue un músico estadounidense (saxofón tenor y barítono, clarinete), director de orquesta, arreglista y productor discográfico de la era del swing.

Reisman estudió en la Universidad de Baylor y en la Universidad de Texas en El Paso. Comenzó su carrera musical como saxofonista en bandas como la Casa Loma Orchestra de Glen Gray, Louis Prima, Bob Crosby, Sam Donahue, Frankie Masters y Jack Teagarden. Como arreglista trabajó para Ray Bauduc y Gene Williams. A finales de la década de 1940 abandonó su carrera como músico y trabajó como arreglista y productor en los estudios de Hollywood. Hizo arreglos y dirigió para Patti Page, acompañándola en sus éxitos "How Much Is That Doggie in the Window", "Tennessee Waltz" y "Mockingbird Hill", y para Perry Como, incluso en "Catch a Falling Star" y "Papa Loves Mambo". [También trabajó en producciones de Eartha Kitt ("Sho-Jo-Ji (The Hungry Raccoon)"), Sarah Vaughan, June Valli, Georgia Gibbs, Ann-Margret, Lena Horne, André Previn y los Ames Brothers.

A mediados de la década de 1950 fue el director musical de varios programas de televisión, como Shower of Stars y The Oldsmobile Hour de la NBC; también trabajó para RCA Victor y Roulette Records. En RCA y Roulette, también grabó varios álbumes de estilo easy listening, y tuvo un pequeño éxito con una versión de "Armen's Theme" de Ross Bagdasarian. A principios de los años sesenta, Reisman volvió a RCA y luego trabajó como productor para Henry Mancini durante casi treinta años, empezando por su álbum Our Man in Hollywood (1964).

Murió de un ataque al corazón un día antes de cumplir 63 años, el 15 de septiembre de 1987 en Los Ángeles. En 1996, su viuda donó su colección de partituras a la Biblioteca Pública de Nueva York para las Artes Escénicas.
https://en.wikipedia.org/wiki/Joe_Reisman


Tracklist:
1. Seven Come Eleven
2. Southern Fried
3. Start Off Right
4. Stompin' At The Savoy
5. Bubble Boogie
6. Jersey Bounce
7. Charleston Alley
8. The Major And The Minor
9. Light 'N' Polite
10. Five O'Clock Whistle
11. Warm Up
12. Let's Go Home


Credits:
    Bass – Milt Hinton, Wendell Marshall
    Drums – Don Lamond
    Guitar – Tony Mottola
    Leader – Joe Reisman
    Photography By [Photo] – Irv Bahrt
    Piano – Irving Joseph
    Saxophone – Boomie Richman*, Albert Klink*, Charles O'Kane, Romeo Penque, Sam Marowitz, Stanley Webb, Walter Levinsky*
    Trombone – Chauncey Welsch, Joseph Bennett, Thomas Mitchell, Urbie Green
    Trumpet – Al De Risi, Bernie Glow, Carl Severinsen*, Jimmy Maxwell, Joe Wilder

Label: RCA Victor – CPS-73, RCA Victor – CPS 73
Released: 1957
Genre: Jazz
Style: Big Band
https://www.discogs.com/release/6477751-Joe-Reisman-And-His-Orchestra-Party-Night-At-Joes







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