Sunday, September 13, 2026

Beyond and Beforeː Progressive Rock since the 1960s



 Editorial Reviews
"Examining every aspect of progressive rock - words and music, theatre and politics - Hegarty and Halliwell deftly unpick the tangled threads of tradition and radicalism that make up the genre's tapestry. In addition to shedding vital new light on an often maligned and misunderstood phase in rock's history, this probing and incisive study tracks prog's continued and unexpected reverberations through popular music long after punk had supposedly vanquished and banished it." Simon Reynolds, author of Retromania: Pop Culture's Addiction to Its Own Past and Rip It Up and Start Again: Postpunk 1978-84

"Beyond and Before is a wonderful account of both the rich legacy and the ongoing story of progressive rock in all its forms. At last, here is a book that gives prog its due respect as a vital part of the history of rock music, without tying it to a simplistic narrative of over-ambition, decadence and decline. The best thing about the book is its comprehensive, nuanced definition of what counts as progressive. In Hegarty and Halliwell's capable hands we journey from such unlikely precursors of the concept album as Frank Sinatra and Duke Ellington, through the 1970s Golden Age of Jethro Tull, Genesis and Pink Floyd to contemporary exponents as various as Spock's Beard, Porcupine Tree and The Decemberists." - Greg Walker, Regius Professor of Rhetoric and English Literature,
University of Edinburgh

"This is a great book. Hegarty and Halliwell have rescued progressive rock from the condescension of history by crafting a work that is smart, sympathetic, and impressively sweeping in its coverage of a much derided, yet enormously diverse and influential transnational music. Whether your taste is Porcupine Tree or Pink Floyd, Epica or ELP, Mike Oldfield or Midlake, there is plenty to admire and ponder in this ambitious and compelling account. By offering an expanded definition of prog rock in terms of its roots, musical and lyrical characteristics, geographic sources, artwork, performance practices, and legacies, Beyond and Before offers an exhilarating read." - Brian Ward, Professor of American Studies at the University of Manchester

"Beyond and Before provides a genuinely superb exploration of the amphibious identity of post-60s rock. As an artist who has navigated through various musical subcultures over the years, I am impressed with the broad scope and meticulous research of this comprehensive text." - Benjamin A. Vierling, www.bvierling.com.

"As broad as it is long, this book is the first I have read that is neither condescending nor overly polemic in its dealing with the subject. The wide area of music that it covers thankfully takes in much more than the usual suspects. Having followed the genre (sometimes unknowingly) since my first single purchase of 'See Emily Play' I was always bemused by the catch-all heading of 'Progressive Rock' back in the 1970s in which Floyd and other bands I liked fell. However, it has been so long established I guess we have to live with it despite the pejorative status amongst sections of the music press. If they were to read this book then perhaps they might be better informed. It is a fascinating read with entries about Gabriel as much as Gong, Miles as much as Marillion, Bernstein as much as Bowie. A brilliant book - the standard upon which any that follow must be measured against." - Mark Wilkinson, www.the-masque.com

“This is a great book. Hegarty and Halliwell have rescued progressive rock from the condescension of history by crafting a work that is smart, sympathetic, and impressively sweeping in its coverage of a much derided, yet enormously diverse and influential transnational music. Whether your taste is Porcupine Tree or Pink Floyd, Epica or ELP, Mike Oldfield or Midlake, there is plenty to admire and ponder in this ambitious and compelling account. By offering an expanded definition of prog rock in terms of its roots, musical and lyrical characteristics, geographic sources, artwork, performance practices, and legacies, Beyond and Before offers an exhilarating read.” - Brian Ward, Professor of American Studies at the University of Manchester

"Beautifully written and full of insightful and fascinating information and analysis. I recommend it highly." - David Tibet,
www.copticcat.com

"Beyond and Before is a very well researched and insightful book covering a lot of ground in the music world. It strikes just the right balance between academic and popular writing, which is no mean feat. I learnt a lot reading this and particularly enjoyed chapter 12 on post-progressive rock, which highlights the wonderful band Talk Talk from that era. It’s totally engaging and well worth a read if you’re any kind of music fan." - James Marsh, Artist, Designer, Author, www.jamesmarsh.com


Amazon ...


Sigurdur Flosason DeLux 4tet • Here and Now

 


Review from Jazz thing (by Hans-Jürgen Schaal):
The DeLux 4tet combines a heavy midtempo beat with spacious, emotional passages and dynamic arcs. Sigurdur Flosason's alto saxophone moves between Nordic-sounding lyricism and bebop-inspired phrasing, while Michel Reis, Marc Demuth and Jeff Herr provide highly accomplished support. The album remains consistently fascinating and enjoyable.
https://www.jazzthing.de/review/sigurdur-flosason-delux-4tet-here-and-now/

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Resena de Jazz thing (por Hans-Jürgen Schaal):
El DeLux 4tet combina un ritmo pesado de medio tiempo con pasajes espaciosos y emotivos y arcos dinamicos. El saxofon alto de Sigurdur Flosason se mueve entre un lirismo de sonido nordico y un fraseo inspirado en el bebop, mientras Michel Reis, Marc Demuth y Jeff Herr aportan un acompanamiento de gran nivel. El album resulta fascinante y disfrutable de principio a fin.
https://www.jazzthing.de/review/sigurdur-flosason-delux-4tet-here-and-now/


Saturday, September 12, 2026

Herbie Mann • Flamingo Vol 2


Buddy Collette • Nice Day



Review by Scott Yanow
A Nice Day is a nice recording for multireedist Buddy Collette who plays alto, clarinet, flute and tenor during the three sessions heard on the CD reissue. Five of the ten selection's are Collette's originals and, although the title cut and "Fall Winds" (which was renamed "Desert Sands") are both better-known for the versions he recorded with the Chico Hamilton Quintet than for these renditions, the original runthroughs are also excellent. Collette is the main voice throughout this set of lightly swinging music although he gets support from the fine rhythm sections (which include either Don Friedman, Dick Shreve or Calvin Jackson on piano). Overall this set serves as a good all-around showcase for Buddy Collette's playing and writing talents.
 
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 Reseña de Scott Yanow
A Nice Day es una buena grabación para el multireedista Buddy Collette, que toca el alto, el clarinete, la flauta y el tenor durante las tres sesiones que se escuchan en la reedición del CD. Cinco de las diez selecciones son originales de Collette y, aunque el corte del título y "Fall Winds" (que fue rebautizado como "Desert Sands") son más conocidos por las versiones que grabó con el Chico Hamilton Quintet que por estas interpretaciones, los pases originales también son excelentes. Collette es la voz principal a lo largo de este conjunto de música ligeramente oscilante, aunque recibe el apoyo de las excelentes secciones rítmicas (que incluyen a Don Friedman, Dick Shreve o Calvin Jackson al piano). En general, este conjunto sirve como un buen escaparate de los talentos de Buddy Collette para tocar y escribir.





Little Richard • The Fabulous - LP London HA U 2193