Art Blakey & The Jazz Messengers, Quincy Jones, Count Basie, Duke Ellington, Django Reinhardt, Howard Roberts, Clifford Brown, Jimmy Smith, Wes Montgomery, Lou Donaldson, Anita O'Day, Charlie Parker, Stanley Turrentine ...
... an eclectic world of art and music ... un ecléctico mundo de arte y música ...
Art Blakey & The Jazz Messengers, Quincy Jones, Count Basie, Duke Ellington, Django Reinhardt, Howard Roberts, Clifford Brown, Jimmy Smith, Wes Montgomery, Lou Donaldson, Anita O'Day, Charlie Parker, Stanley Turrentine ...
Insect
Surfers were originally formed in the summer of 1979 in Washington,
D.C. Touring the U.S. extensively, they also released several
independent lp's and singles that placed as high as #25 on the national
college radio charts.
Founding member David Arnson regrouped the
band after moving to Los Angeles in 1985 with guitarist/sax player Dan
"Dano" Sullivan. They have since been featured on bills with such
artists as Chris Isaak, B-52's, Jonathan Richman, Pylon, The Ventures,
Dick Dale, Surfaris, etc. Before 1986, the INSECT SURFERS also played on
the same stages as Iggy Pop, The Stranglers, Psychedelic Furs, Joan
Jett, Echo and the Bunnymen, Revillos, etc.
https://www.discogs.com/artist/500581-Insect-Surfers
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Bob Marley, the most prominent reggae musician of all time, was
truly an icon. He lived a life about as full as his 36 years on this
earth would allow. By the time he was 16, he was in the studio making
records, and although superstardom didn’t come to him immediately,
Marley never ceased his pursuit of it. He also never ceased in his
pursuit of wisdom and spiritual wellbeing.
In later life, Marley
became a champion for political freedom and even managed to get two
vehemently opposed political leaders to shake hands on stage—all to the
backdrop of a reggae groove. Bob Marley was many things to many
people—in this book, we explore all facets of his unique personality.
Review by Scott Yanow
Pharoah Sanders and singer Leon Thomas had a reunion on this Theresa recording on two of the numbers (most notably "Sun Song") and, although the magic of "The Creator Has a Master Plan" is not recaptured, the music is still enjoyable. The other four numbers are instrumentals featuring Sanders' tenor with keyboardist William Henderson, bassist Ray Drummond and drummer Idris Muhammad. Sanders does a close impression of late-'50s John Coltrane on "Body and Soul" and "Too Young to Go Steady" and shows a bit more heat on the other two numbers. But fans of his most passionate dates are advised to get a sampling of the earlier Impulse recordings instead.
https://www.allmusic.com/album/shukuru-mw0000200791
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Reseña de Scott Yanow
Pharoah Sanders y el cantante Leon Thomas se reencontraron en esta grabación de Theresa en dos de los números (sobre todo en "Sun Song") y, aunque no se recupera la magia de "The Creator Has a Master Plan", la música sigue siendo agradable. Los otros cuatro números son instrumentales en los que aparece el tenor de Sanders con el teclista William Henderson, el bajista Ray Drummond y el batería Idris Muhammad. Sanders imita al John Coltrane de finales de los 50 en "Body and Soul" y "Too Young to Go Steady" y muestra un poco más de calor en los otros dos números. Pero a los fans de sus fechas más apasionadas se les recomienda que se hagan con una muestra de las primeras grabaciones de Impulse.
https://www.allmusic.com/album/shukuru-mw0000200791
www.pharoahsanders.com ...
www.pharoahsanders.com/shukuru ...
Biography by Scott Yanow
A
talented and flashy trumpeter, Jonah Jones hit upon a formula in 1955
that made him a major attraction for a decade; playing concise versions
of melodic swing standards and show tunes muted with a quartet. But
although the non-jazz audience discovered Jones during the late '50s,
he had already been a very vital trumpeter for two decades. Jones started out playing on a Mississippi riverboat in the 1920s. He
freelanced in the Midwest (including with Horace Henderson), was
briefly with Jimmie Lunceford (1931), had an early stint with Stuff
Smith (1932-1934), and then spent time with Lil Armstrong's short-lived
orchestra and the declining McKinney's Cotton Pickers. Jones became famous for his playing with Stuff Smith's Onyx club band (1936-1940), recording many exciting solos.
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Biografía de Scott Yanow
Un
talentoso y llamativo trompetista, Jonah Jones encontró una fórmula en
1955 que lo convirtió en una gran atracción durante una década; tocando
versiones concisas de estándares de swing melódico y melodías de
espectáculo silenciadas con un cuarteto. Pero
aunque el público no especializado descubrió a Jones a finales de los
50, ya había sido un trompetista muy vital durante dos décadas. Jones empezó a tocar en un barco del Mississippi en los años 20. Trabajó
como freelance en el Medio Oeste (incluyendo a Horace Henderson),
estuvo brevemente con Jimmie Lunceford (1931), tuvo una temprana
estancia con Stuff Smith (1932-1934), y luego pasó un tiempo con la
orquesta de corta duración de Lil Armstrong y la decadente McKinney's
Cotton Pickers.