Stomping the Blues

 

 

In this classic work of American music writing, renowned critic Albert Murray argues beautifully and authoritatively that “the blues as such are synonymous with low spirits. Not only is its express purpose to make people feel good, which is to say in high spirits, but in the process of doing so it is actually expected to generate a disposition that is both elegantly playful and heroic in its nonchalance.” 

In Stomping the Blues Murray explores its history, influences, development, and meaning as only he can. More than two hundred vintage photographs capture the ambiance Murray evokes in lyrical prose. Only the sounds are missing from this lyrical, sensual tribute to the blues.

 

Albert-Murray ...

Vinyl Freak: Love Letters to a Dying Medium

      

From scouring flea markets and eBay to maxing out their credit cards, record collectors will do just about anything to score a long-sought-after album. In Vinyl Freak, music writer, curator, and collector John Corbett burrows deep inside the record fiend’s mind, documenting and reflecting on his decades-long love affair with vinyl. Discussing more than 200 rare and out-of-print LPs, Vinyl Freak is composed in part of Corbett's long-running DownBeat magazine column of the same name, which was devoted to records that had not appeared on CD. In other essays where he combines memoir and criticism, Corbett considers the current vinyl boom, explains why vinyl is his preferred medium, profiles collector subcultures, and recounts his adventures assembling the Alton Abraham Sun Ra Archive, an event so all-consuming that he claims it cured his record-collecting addiction. Perfect for vinyl newbies and veteran crate diggers alike, Vinyl Freak plumbs the motivations that drive Corbett and collectors everywhere. 

 

Contemporary Ceramics: Selections from the Collection in the Metropolitan Museum of Art

 

A companion to Chinese art

 

Exploring the history of art in China from its earliest incarnations to the present day, this comprehensive volume includes two dozen newly-commissioned essays spanning the theories, genres, and media central to Chinese art and theory throughout its history.

• Provides an exceptional collection of essays promoting a comparative understanding of China’s long record of cultural production
• Brings together an international team of scholars from East and West, whose contributions range from an overview of pre-modern theory, to those exploring calligraphy, fine painting, sculpture, accessories, and more
• Articulates the direction in which the field of Chinese art history is moving, as well as providing a roadmap for historians interested in comparative study or theory
• Proposes new and revisionist interpretations of the literati tradition, which has long been an important staple of Chinese art history
• Offers a rich insight into China’s social and political institutions, religious and cultural practices, and intellectual traditions, alongside Chinese art history, theory, and criticism

Jazz Styles

 

For undergraduate courses in Jazz History, Jazz Survey, Evolution of Jazz, Introduction to Jazz, and Jazz Appreciation. America's most widely used introduction to jazz, it teaches the chronology of jazz by showing students how to listen and what to notice in each style. Though originally conceived for nonmusicians and written at a college freshmen reading level, Jazz Styles also has been widely adopted in courses for musicians because of its point-by-point specification of each style's musical characteristics and its technical appendix. The text helps students hear how the styles differ and why the top names are important.

 

Mark Gridley (Author) 

 

Experiencing Jazz: A Listener's Companion

 

In Experiencing Jazz: A Listener’s Companion, writer, teacher, and renowned jazz drummer Michael Stephans offers a much-needed survey in the art of listening to and enjoying this dynamic, ever-changing art form. More than mere entertainment, jazz provides a pleasurable and sometimes dizzying listening experience with an extensive range in structure and form, from the syncopated swing of big bands to the musical experimentalism of small combos. As Stephans illustrates, listeners and jazz artists often experience the essence of the music together—an experience unique in the world of music.

Experiencing Jazz demonstrates how the act of listening to jazz takes place on a deeply personal level and takes readers on a whirlwind tour of the genre, instrument by instrument—offering not only brief portraits of key musicians like Joe Lovano and John Scofield, but also their own commentaries on how best to experience the music they create. Throughout, jazz takes center stage as a personal transaction that enriches the lives of both musician and listener. Written for anyone curious about the genre, this book encourages further reading, listening, and viewing, helping potential listeners cultivate an understanding and appreciation of the jazz art and how it can help—in drummer Art Blakey’s words—“wash away the dust of everyday life.”

 

  Michael Stephans (Author)

 

Shall We Play That One Together ʔː The Life and Art of Jazz Piano Legend Marian McPartland

 

In a world dominated by men, Marian McPartland distinguished herself as one of the greatest jazz pianists of her age

Born in the UK as Margaret Marian Turner, Marian McPartland learned to play classical piano, but was passionately attracted to the rhythms of American jazz. Entertaining troops in WWII Europe, she met her future husband, Jimmy McPartland, a cocky young trumpet player who was the protege of the great Bix Beiderbecke. They were married and, together, they made jazz history. At first, Marian played second fiddle to Jimmy in Chicago, but when they moved to New York, Marian and her trio took up residence at the famous Hickory House where she thrilled the crowds from her perch on a stage in the middle of large oval bar. From there she went on to triumphs at places like the Montreaux Jazz Festival. Possibly, her greatest accomplishment was the creation of NPR's long-running show Piano Jazz.

More than the life story of one of our greatest artists, Shall We Play That One Together? by Paul de Barros chronicles an age when jazz was a vital art form. Just as inviting as Marian's signature question on Piano Jazz, Shall We Play That One Together? is an invitation to readers everywhere to listen to the score of a bygone age.

 

Masters of Jazz Guitar • Charles Alexander

 

Written by some of the world's leading jazz authorities, this stunning book honors the brilliant artistry and music of selected virtuoso jazz guitarists past and present, reveals how they have redefined jazz over the years, and explores key developments for the guitar in the world of jazz since the early 1900s. It also includes two hundred compelling color photographs that bring the players and their instruments to life.

Charles Alexander (Author)

 

Impressionist and Post Impressionist Paintings • The Metropolitan Museum of Art

 

Nature in Ornament, Lewis F. Day 1892

 

Nature in Ornament
Lewis F. Day
Format pdf / year 1892/524 pages / language: English

 

In Search of the Blues A Journey to the Soul of Black Texas

 

The rich, complex lives of African Americans in Texas were often neglected by the mainstream media, which historically seldom ventured into Houston's Fourth Ward, San Antonio's East Side, South Dallas, or the black neighborhoods in smaller cities. When Bill Minutaglio began writing for Texas newspapers in the 1970s, few large publications had more than a token number of African American journalists, and they barely acknowledged the things of lasting importance to the African American community. Though hardly the most likely reporter—as a white, Italian American transplant from New York City—for the black Texas beat, Minutaglio was drawn to the African American heritage, seeking its soul in churches, on front porches, at juke joints, and anywhere else that people would allow him into their lives. His nationally award-winning writing offered many Americans their first deeper understanding of Texas's singular, complicated African American history.

This eclectic collection gathers the best of Minutaglio's writing about the soul of black Texas. He profiles individuals both unknown and famous, including blues legends Lightnin' Hopkins, Amos Milburn, Robert Shaw, and Dr. Hepcat. He looks at neglected, even intentionally hidden, communities. And he wades into the musical undercurrent that touches on African Americans' joys, longings, and frustrations, and the passing of generations. Minutaglio's stories offer an understanding of the sweeping evolution of music, race, and justice in Texas. Moved forward by the musical heartbeat of the blues and defined by the long shadow of racism, the stories measure how far Texas has come . . . or still has to go.

 

Bill Minutaglio (Author)

1001 Record Collector Dreams Folk, Psychedelic, Progressive, Garage, Beat, Rock

 

Hans Pokora (Author)

Music in the Nineteenth Century

 

 

Richard Taruskin (Author)  

Walter Frisch (Author, Series Editor) 

 

Jazz and Culture in a Global Age

 

 

Noted jazz scholar, biographer, and critic Stuart Nicholson has written an entertaining and enlightening consideration of the music’s global past, present, and future. Jazz’s emergence on the world scene coincided with America’s rise as a major global power. The uniqueness of jazz’s origins—America’s singularly original gift of art to the world, developed by African Americans—adds a level of complexity to any appreciation of jazz’s global presence. In this volume, Nicholson covers such diverse and controversial topics as jazz in the iPod musical economy, issues of globalization and authenticity, jazz and American exceptionalism, jazz as colonial tip of the sword, global interpretation, and the limits of jazz as a genre. Nicholson caps the volume with fascinating and anecdote-rich discussions of jazz as a form of “modernism” in the twentieth century, the history of jazz fads (such as the cakewalk) that elicited very different reactions among American and European audiences, and a hearty defense of Paul Whiteman and his efforts to legitimize jazz as art.

Stuart Nicholson has written a thought-provoking and opinionated work that should equally engage and enrage all manner of jazz lovers, scholars, and aficionados.

 

Stuart Nicholson (Author) 

 

1000 Masterpieces of Decorative Art

From ancient Sumerian pottery to Tiffany stained glass, decorative art had been a fundamental part of the human experience for generations. While fine art is confined to galleries and museums, decorative art is the art of the every day, combining beauty with functionality in objects ranging from the prosaic to the fantastical. In this work, authors Albert Jacquemart and Emile Bayard celebrate the beauty and artistic potential behind even the most quotidian object. Readers will walk away from this text with a newfound appreciation for the subtle artistry of the manufactured world.

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Desde la antigua cerámica sumeria hasta los vitrales de Tiffany, el arte decorativo ha sido una parte fundamental de la experiencia humana durante generaciones. Mientras que las bellas artes se limitan a las galerías y museos, el arte decorativo es el arte de todos los días, combinando la belleza con la funcionalidad en objetos que van desde lo prosaico a lo fantástico. En esta obra, los autores Albert Jacquemart y Emile Bayard celebran la belleza y el potencial artístico que hay detrás incluso del objeto más cotidiano. Los lectores se alejarán de este texto con una nueva apreciación del arte sutil del mundo manufacturado.

 

 

 

Albert Jacquemart , Emile Bayard (Authors) 

 

 

 

Sight Readings Photographers and American Jazz, 1900–1960

 

Jazz photography has attracted increasing attention in recent years. Photographs of musicians are popular with enthusiasts, while historians and critics are keen to incorporate photographs as illustrations. Yet there has been little interrogation of these photographs and it is noticeable that what has become known as the jazz photography 'tradition' is dominated by a small number of well-known photographers and 'iconic' images.

Many photographers, including African American photojournalists, studio photographers, early twentieth-century émigrés, the Jewish exiles of the 1930s and vernacular snapshots are frequently overlooked. Drawing on ideas from contemporary photographic theory supported by extensive original archival research, Sight Readings is a thorough exploration of twentieth century jazz photography, and it includes discussions of jazz as a visual subject, its attraction to different types of photographers and offers analysis of why and how they approached the subject in the way they did.

One of the remarkable things about this book is its movement back and forth between detailed archive research, the empirical documentation of photographers, their techniques, working practices, equipment etc., and cultural theory, the sophisticated discussion of aesthetics, cultural sociology, the politics of identity, etc.  The result is both a fine scholarly achievement and an engaging labour of love.

 

www.intellectbooks.com

 

Jazz • Scott Deveaux & Gary Giddins

The story of jazz for the general reader as it has never been told before, from the inside out: a comprehensive, eloquent, scrupulously researched page-turner.

In this vivid history of jazz, a respected critic and a leading scholar capture the excitement of America’s unique music with intellectual bite, unprecedented insight, and the passion of unabashed fans. They explain what jazz is, where it came from, and who created it and why, all within the broader context of American life and culture. Emphasizing its African American roots, Jazz traces the history of the music over the last hundred years. From ragtime and blues to the international craze for swing, from the heated protests of the avant-garde to the radical diversity of today’s artists, Jazz describes the travails and triumphs of musical innovators struggling for work, respect, and cultural acceptance set against the backdrop of American history, commerce, and politics. With vibrant photographs by legendary jazz chronicler Herman Leonard, Jazz is also an arresting visual history of a century of music. 38 photos

Gary Giddins, Scott DeVeaux (Authors)

Metropolitan Museum Of Art, 400 jpg HQ

400 imágenes indizadas de Claude Monet, Auguste Renoir, Henri de Toulouse-Lautrec, Paul Gauguin, Camille Pissarro, Vincent van Gogh, Edgar Degas, Jean-Auguste-Dominique Ingres, Camille Corot, Édouard Manet, Paul Cézanne, Eugène Delacroix, Alexandre-Gabriel Decamps, André Giroux, Gustave Courbet, entre otros.

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400 indexed images of Claude Monet, Auguste Renoir, Henri de Toulouse-Lautrec, Paul Gauguin, Camille Pissarro, Vincent van Gogh, Edgar Degas, Jean-Auguste-Dominique Ingres, Camille Corot, Édouard Manet, Paul Cézanne, Eugène Delacroix, Alexandre-Gabriel Decamps, André Giroux, Gustave Courbet, among others.

The History of Jazz • Ted Gioia

Jazz is the most colorful and varied art form in the world and it was born in one of the most colorful and varied cities, New Orleans. From the seed first planted by slave dances held in Congo Square and nurtured by early ensembles led by Buddy Belden and Joe "King" Oliver, jazz began its long winding odyssey across America and around the world, giving flower to a thousand different forms--swing, bebop, cool jazz, jazz-rock fusion--and a thousand great musicians. Now, in The History of Jazz, Ted Gioia tells the story of this music as it has never been told before, in a book that brilliantly portrays the legendary jazz players, the breakthrough styles, and the world in which it evolved.

Here are the giants of jazz and the great moments of jazz history--Jelly Roll Morton ("the world's greatest hot tune writer"), Louis Armstrong (whose O-keh recordings of the mid-1920s still stand as the most significant body of work that jazz has produced), Duke Ellington at the Cotton Club, cool jazz greats such as Gerry Mulligan, Stan Getz, and Lester Young, Charlie Parker's surgical precision of attack, Miles Davis's 1955 performance at the Newport Jazz Festival, Ornette Coleman's experiments with atonality, Pat Metheny's visionary extension of jazz-rock fusion, the contemporary sounds of Wynton Marsalis, and the post-modernists of the Knitting Factory. Gioia provides the reader with lively portraits of these and many other great musicians, intertwined with vibrant commentary on the music they created. Gioia also evokes the many worlds of jazz, taking the reader to the swamp lands of the Mississippi Delta, the bawdy houses of New Orleans, the rent parties of Harlem, the speakeasies of Chicago during the Jazz Age, the after hours spots of corrupt Kansas city, the Cotton Club, the Savoy, and the other locales where the history of jazz was made. And as he traces the spread of this protean form, Gioia provides much insight into the social context in which the music was born. He shows for instance how the development of technology helped promote the growth of jazz--how ragtime blossomed hand-in-hand with the spread of parlor and player pianos, and how jazz rode the growing popularity of the record industry in the 1920s. We also discover how bebop grew out of the racial unrest of the 1940s and '50s, when black players, no longer content with being "entertainers," wanted to be recognized as practitioners of a serious musical form. Jazz is a chameleon art, delighting us with the ease and rapidity with which it changes colors. Now, in Ted Gioia's The History of Jazz, we have at last a book that captures all these colors on one glorious palate. Knowledgeable, vibrant, and comprehensive, it is among the small group of books that can truly be called classics of jazz literature.

 

 

 

Ted Gioia (Author)

The Industrial Arts of the Nineteenth Century

Arte y Ornamentación, s.XIX
M. Digby Wyatt (1851)
El arte y la ornamentación aplicados a distintos objetos, pdf de 160 páginas en color.
Formato pdf - 160 pág.  

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Art and Ornamentation, 19th century
M. Digby Wyatt (1851)
The art and ornamentation applied to different objects, pdf of 160 pages in color.
Pdf format - 160 p.