Exploring
the history of art in China from its earliest incarnations to the
present day, this comprehensive volume includes two dozen
newly-commissioned essays spanning the theories, genres, and media
central to Chinese art and theory throughout its history.
- Provides an exceptional collection of essays promoting a comparative understanding of China’s long record of cultural production
- Brings
together an international team of scholars from East and West, whose
contributions range from an overview of pre-modern theory, to those
exploring calligraphy, fine painting, sculpture, accessories, and more
- Articulates
the direction in which the field of Chinese art history is moving, as
well as providing a roadmap for historians interested in comparative
study or theory
- Proposes
new and revisionist interpretations of the literati tradition, which
has long been an important staple of Chinese art history
- Offers
a rich insight into China’s social and political institutions,
religious and cultural practices, and intellectual traditions, alongside
Chinese art history, theory, and criticism
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