Ray Bryant • The Madison Time & A Hollywood Jazz Beat

Although he could always play bop, Ray Bryant's playing combined together older elements (including blues, boogie-woogie, gospel, and even stride) into a distinctive, soulful, and swinging style; no one played "After Hours" quite like him. The younger brother of bassist Tommy Bryant and the uncle of Kevin and Robin Eubanks (his sister is their mother), Bryant started his career playing with Tiny Grimes in the late '40s. He became the house pianist at The Blue Note in Philadelphia in 1953, where he backed classic jazz greats (including Charlie Parker, Miles Davis, and Lester Young) and made important contacts. He accompanied Carmen McRae (1956-1957), recorded with Coleman Hawkins and Roy Eldridge at the 1957 Newport Jazz Festival (taking a brilliant solo on an exciting version of "I Can't Believe That You're in Love with Me"), and played with Jo Jones' trio (1958). Bryant settled in New York in 1959; played with Sonny Rollins, Charlie Shavers, and Curtis Fuller; and soon had his own trio. He had a few funky commercial hits (including "Little Susie" and "Cubano Chant") that kept him working for decades. Bryant recorded often throughout his career (most notably for Epic, Prestige, Columbia, Sue, Cadet, Atlantic, Pablo, and Emarcy), and even his dates on electric piano in the '70s are generally rewarding. However, Bryant was heard at his best when playing the blues on unaccompanied acoustic piano. After a lengthy illness, Ray Bryant died in Queens, New York on June 2, 2011; he was 79 years old. ~by Scott Yanow

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Aunque siempre podía tocar bop, la forma de tocar de Ray Bryant combinaba elementos más antiguos (incluyendo blues, boogie-woogie, gospel e incluso stride) en un estilo distintivo, conmovedor y swing; nadie tocaba "After Hours" como él. El hermano menor del bajista Tommy Bryant y el tío de Kevin y Robin Eubanks (su hermana es su madre), Bryant comenzó su carrera tocando con Tiny Grimes a finales de los años 40. Se convirtió en el pianista de house en The Blue Note en Filadelfia en 1953, donde apoyó a grandes del jazz clásico (incluidos Charlie Parker, Miles Davis y Lester Young) e hizo contactos importantes. Acompañó a Carmen McRae (1956-1957), grabó con Coleman Hawkins y Roy Eldridge en el Festival de Jazz de Newport de 1957 (con un brillante solo en una emocionante versión de "I Can't Believe That You're in Love with Me"), y jugó con el trío de Jo Jones (1958). Bryant se instaló en Nueva York en 1959; tocó con Sonny Rollins, Charlie Shavers y Curtis Fuller; y pronto tuvo su propio trío. Tuvo algunos éxitos comerciales funky (incluyendo "Little Susie" y "Cubano Chant") que lo mantuvieron trabajando durante décadas. Bryant grabó a menudo a lo largo de su carrera (sobre todo para Epic, Prestige, Columbia, Sue, Cadet, Atlantic, Pablo y Emarcy), e incluso sus citas con el piano eléctrico en los años 70 son generalmente gratificantes. Sin embargo, Bryant se escuchó mejor cuando tocaba blues en un piano acústico no acompañado. Después de una larga enfermedad, Ray Bryant murió en Queens, Nueva York, el 2 de junio de 2011; tenía 79 años. ~ por Scott Yanow

 

 

 

Tracks: 

01. The Madison Time, Part 1 (3:05)

02. The Madison Time, Part 2 (2:42)
03. Centerpiece (4:21)
04. Split T, Part 1 (4:03)
05. Split T, Part 2 (5:18)
06. Hit It!, Part 1 (3:13)
07. Hit It!, Part 2 (4:08)
08. Young Buddy (3:59)
09. The Huckle-Buck (5:06)
10. On Green Dolphin Street (2:15)
11. Ruby (3:07)
12. Invitation (2:56)
13. Secret Love (2:18)
14. An Affair To Remember (2:29)
15. The High And The Mighty (2:08)
16. Exodus (1:59)
17. Laura (4:30)
18. Three Coins In The Fountain (3:20)
19. El Cid (2:20)
20. Tonight (1:50)
21. True Love (2:09)

Time: 67:27
Released: 2013

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