Review by Ron Wynn
Pianist Ray Bryant solidified his reputation with this outstanding 1957 trio release. It displayed his facility with the blues, speed, gospel influence, and interpretive abilities on such songs as John Lewis' "Django" and Clifford Brown's "Daahoud." It also contained Bryant's funky originals "Splittin" and "Blues Changes," and was punctuated by Ike Isaacs' careful bass work and Specs Wright's loose, in the groove drumming. This set has recently been reissued by Fantasy, and the remastering provides a fine sonic framework for Bryant's heady, unpredictable, and often exciting playing.
Pianist Ray Bryant solidified his reputation with this outstanding 1957 trio release. It displayed his facility with the blues, speed, gospel influence, and interpretive abilities on such songs as John Lewis' "Django" and Clifford Brown's "Daahoud." It also contained Bryant's funky originals "Splittin" and "Blues Changes," and was punctuated by Ike Isaacs' careful bass work and Specs Wright's loose, in the groove drumming. This set has recently been reissued by Fantasy, and the remastering provides a fine sonic framework for Bryant's heady, unpredictable, and often exciting playing.
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Reseña de Ron Wynn
El pianista Ray Bryant solidificó su reputación con este sobresaliente lanzamiento de trío en 1957. Mostró su facilidad con el blues, la velocidad, la influencia del gospel y sus habilidades interpretativas en canciones como "Django" de John Lewis y "Daahoud" de Clifford Brown. También contenía los originales funky de Bryant "Splittin" y "Blues Changes", y estaba puntuado por el cuidadoso trabajo de Ike Isaacs en el bajo y el suelto de Specs Wright, en la batería del groove. Este conjunto ha sido recientemente reeditado por Fantasy, y la remasterización proporciona un fino marco sónico para la embriagadora, impredecible y a menudo excitante interpretación de Bryant.
El pianista Ray Bryant solidificó su reputación con este sobresaliente lanzamiento de trío en 1957. Mostró su facilidad con el blues, la velocidad, la influencia del gospel y sus habilidades interpretativas en canciones como "Django" de John Lewis y "Daahoud" de Clifford Brown. También contenía los originales funky de Bryant "Splittin" y "Blues Changes", y estaba puntuado por el cuidadoso trabajo de Ike Isaacs en el bajo y el suelto de Specs Wright, en la batería del groove. Este conjunto ha sido recientemente reeditado por Fantasy, y la remasterización proporciona un fino marco sónico para la embriagadora, impredecible y a menudo excitante interpretación de Bryant.
1. Golden Earrings (Livigston-Evans-Young) 4:50
2. Angel Eyes (Dennis--Brent) 3:19
3. Blues Changes (Ray Bryant) 4:58
4. Splittin' (Ray Bryant) 4:37
5. Django (John Lewis) 5:00
6. The Thrill Is Gone (Brown--Henderson) 4:51
7. Daahoud (Clifford Brown) 4:00
8. Sonar (Wiggins--Clarke) 3:21
2. Angel Eyes (Dennis--Brent) 3:19
3. Blues Changes (Ray Bryant) 4:58
4. Splittin' (Ray Bryant) 4:37
5. Django (John Lewis) 5:00
6. The Thrill Is Gone (Brown--Henderson) 4:51
7. Daahoud (Clifford Brown) 4:00
8. Sonar (Wiggins--Clarke) 3:21
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