Review by Scott Yanow
This LP gave listeners a good sampling of mid-1970s Pat Martino. The distinctive yet flexible guitarist teams up with Gil Goldstein (who sticks here to acoustic piano), the great bassist Richard Davis, and drummer Billy Hart. Martino plays more standards than usual (four out of six songs, including "Days of Wine and Roses" and "Blue Bossa"), and, of his two originals, "Three Base Hit" has the spirit and fire of bop. An excellent outing.
This LP gave listeners a good sampling of mid-1970s Pat Martino. The distinctive yet flexible guitarist teams up with Gil Goldstein (who sticks here to acoustic piano), the great bassist Richard Davis, and drummer Billy Hart. Martino plays more standards than usual (four out of six songs, including "Days of Wine and Roses" and "Blue Bossa"), and, of his two originals, "Three Base Hit" has the spirit and fire of bop. An excellent outing.
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Reseña de Scott Yanow
Este
LP ofreció a los oyentes una buena muestra de Pat Martino de mediados
de los años 70. El distintivo pero flexible guitarrista forma equipo con
Gil Goldstein (que aquí se ciñe al piano acústico), el gran bajista
Richard Davis y el baterista Billy Hart. Martino toca más estándares que
de costumbre (cuatro de seis canciones, incluyendo "Days of Wine and
Roses" y "Blue Bossa"), y, de sus dos originales, "Three Base Hit" tiene
el espíritu y el fuego del bop. Una salida excelente.
Tracklist A1 Exit 9:23
A2 Come Sunday 7:30
A3 Three Base Hit 4:30
B1 Days Of Wine & Roses 4:47
B2 Blue Bossa 4:57
B3 I Remember Clifford 7:48
Credits
Bass – Richard Davis
Drums – Jabali Billy Hart
Piano – Gil Goldstein
Guitar – Pat Martino
Duration 38:55
Genre: Jazz / Styles Post-Bop,Guitar Jazz, Jazz Instrument
Recording Date
February 10, 1976 / Blue Rock Studio, New York City
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