A virtuoso on the trumpet, Al Hirt was often "overqualified" for the
Dixieland and pop music that he performed. He studied classical trumpet
at the Cincinnati Conservatory (1940-1943) and was influenced by the
playing of Harry James. He freelanced in swing bands (including both
Tommy and Jimmy Dorsey, and Ray McKinley) before returning to New
Orleans in the late '40s and becoming involved in the Dixieland
movement. He teamed up with clarinetist Pete Fountain on an occasional
basis from 1955 on, and became famous by the end of the decade. An
outstanding technician with a wide range, along with a propensity for
playing far too many notes, Hirt had some instrumental pop hits in the
1960s. He also recorded swing and country music, but mostly stuck to
Dixieland in his live performances. He remained a household name
throughout his career, although one often feels that he could have done
so much more with his talent. Hirt's early Audiofidelity recordings
(1958-1960) and collaborations with Fountain are the most rewarding of
his long career; he died at his home in New Orleans on April 27, 1999.
https://www.allmusic.com/artist/al-hirt-mn0000507975/biography
///////
Biografía del artista por Scott Yanow
Un virtuoso en la trompeta, Al Hirt fue a menudo "sobrecualificado" para
el Dixieland y la música pop que interpretó. Estudió trompeta clásica
en el Conservatorio de Cincinnati (1940-1943) y fue influenciado por el
juego de Harry James. Trabajó de forma independiente en bandas de swing
(incluyendo a Tommy y Jimmy Dorsey, y Ray McKinley) antes de regresar a
Nueva Orleans a finales de los años 40 y participar en el movimiento
Dixieland. Se asoció con el clarinetista Pete Fountain de forma
ocasional desde 1955 y se hizo famoso a finales de la década. Un técnico
sobresaliente con una amplia gama, junto con una propensión a tocar
demasiadas notas, Hirt tuvo algunos éxitos de pop instrumentales en la
década de 1960. También grabó swing y música country, pero en su mayoría
se quedó con Dixieland en sus actuaciones en vivo. Se mantuvo como un
nombre familiar a lo largo de su carrera, aunque a menudo uno siente que
podría haber hecho mucho más con su talento. Las primeras grabaciones
de Audiofidelity (1958-1960) de Hirt y las colaboraciones con Fountain
son las más gratificantes de su larga carrera; Murió en su casa en Nueva
Orleans el 27 de abril de 1999.
https://www.allmusic.com/artist/al-hirt-mn0000507975/biography
A4 Panama 2:14
A5 The Birth Of The Blues 3:14
A6 Ja-Da 2:39
B1 Wolverine Blues 2:28
B2 Oh Dem Golden Slippers 2:24
B3 When The Saints Go Marching In 1:55
B4 When It's Sleepy Time Down South 3:58
B5 Muskrat Ramble 2:40
B6 Dear Old Southland 2:55
Clarinet – Pee Wee Spitelera
Conductor, Arranged By – Marty Paich
Double Bass [Bass] – Lowell Miller
Drums – Frank Hudec
Piano – Ronnie Dupont
Trombone – Jerry Hirt
Trumpet – Al Hirt
A1 Clarinet Marmalade 2:19
A2 Ol' Man River 3:02
A3 New Orleans 3:12 A4 Panama 2:14
A5 The Birth Of The Blues 3:14
A6 Ja-Da 2:39
B1 Wolverine Blues 2:28
B2 Oh Dem Golden Slippers 2:24
B3 When The Saints Go Marching In 1:55
B4 When It's Sleepy Time Down South 3:58
B5 Muskrat Ramble 2:40
B6 Dear Old Southland 2:55
Clarinet – Pee Wee Spitelera
Conductor, Arranged By – Marty Paich
Double Bass [Bass] – Lowell Miller
Drums – Frank Hudec
Piano – Ronnie Dupont
Trombone – Jerry Hirt
Trumpet – Al Hirt
This file is intended only for preview!
I ask you to delete the file from your hard drive or device after reading it.
thank for the original uploader
I ask you to delete the file from your hard drive or device after reading it.
thank for the original uploader
No comments:
Post a Comment