Influenced by Milt Jackson, Cal
Tjader and Lionel Hampton, who hailed him as one of the greatest vibes
players on the scene today, Johnny Lyttle (born October 13, 1932) was
noted for his brilliant technique and a personal sound ideal for the
kind of grooving organ combo he led on Blue Vibes and Happy Ground, his
debut albums from the 60s included here.
He was good
enough to record with the best Louis Armstrong, Hampton, Wynton Kelly,
even Miles Davis but, despite a prolific recording career, never
achieved iconic status as a jazzman. That was probably more due to his
desire for control over his music, which made him refuse to sign up for
any major label, than to any lack of talent on his part. After these
early recordings gave notice of his talent as a vibes player, chart
success soon followed for Lyttle with albums like A Groove, The Loop and
Moonchild, which increasingly featured his own compositions.
Whether
swinging at uptempo or delivering a soulful ballad, all his work has
the irresistible, soul-stirring warmth of a player admiringly nicknamed
Fast Hands by his peers.
///////
Influenciado
por Milt Jackson, Cal Tjader y Lionel Hampton, que lo aclamaron como
uno de los más grandes intérpretes de las vibraciones en la escena
actual, Johnny Lyttle (nacido el 13 de octubre de 1932) se destacó por
su brillante técnica y un sonido personal ideal para el tipo de
combinación de órganos que lideró en Blue Vibes y Happy Ground, sus
álbumes de debut de los años 60 incluidos aquí.
Fue lo
suficientemente bueno como para grabar con los mejores Louis Armstrong,
Hampton, Wynton Kelly, incluso Miles Davis pero, a pesar de una
prolífica carrera discográfica, nunca alcanzó el estatus de icono como
jazzista. Eso se debió probablemente más a su deseo de control sobre su
música, que le hizo negarse a firmar con cualquier sello importante, que
a la falta de talento por su parte. Después de que estas primeras
grabaciones dieran cuenta de su talento como intérprete de vibráfono, el
éxito en las listas de éxitos pronto siguió para Lyttle con álbumes
como A Groove, The Loop y Moonchild, que presentaban cada vez más sus
propias composiciones.
Ya sea balanceándose en el
uptempo o entregando una balada conmovedora, todo su trabajo tiene la
irresistible y conmovedora calidez de un jugador apodado admirablemente
"Fast Hands" por sus compañeros.
A1 Gunky 4:31
A2 The New Village Caller 4:48
A3 Didn't We? 3:51
A4 Lela 3:43
B1 The Soulful Rebel Suite
B1.1 The Soulful Rebel 4:26
B1.2 High Treason 3:34
B1.3 The Struggle 3:35
B1.4 Inner Peace 4:24
B2 Does Anybody Really Know What Time It Is? 4:19
Congas – Ray Barretto
Drums – Jozell Carter
Electric Bass – Ron Carter
Guitar – David Spinozza
Organ – Billy Nunn
Producer – Orrin Keepnews
Vibraphone – Johnny Lytle
Recorded at Decca Sound Studios (New York); July 15, 1971
Label:Milestone Records MSP 9036
Released:1972
Genre:Jazz / Style: soul jazz
THE SOULFUL REBEL
Johnny Lytle
New York City: July 15, 1971
Billy Nunn (org, el-p); David Spinozza (el-g); Ron Carter (el-b); Jozell Carter (d); Johnny Lytle (vib, marimba); Ray Barretto (cga).
a. Gunky (Johnny Lytle) - 4:31
b. The New Village Caller (Johnny Lytle) - 4:48
c. Didn't We? (Jimmy Webb) - 3:51
d. Lela (Johnny Lytle) - 3:43
e. The Soulful Rebel Suite (Johnny Lytle)
- The Soulful Rebel - 4:26
- High Treason - 3:34
- The Struggle - 3:35
- Inner Peace - 4:24
f. Does Anybody Really Know What Time It Is? (Robert Lamm) - 4:19
Producer: Orrin Keepnews
Engineer: Elvin Campbell
Notes: Orrin Keepnews
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