Biography by Scott Yanow
Although a swing-oriented pianist, Lou Stein has always been able to fit comfortably in Dixieland, bop, and commercial settings. His first major association was with Ray McKinley's band in 1942. While in the service, Stein played domestically with Glenn Miller's Army Air Force Band, although he did not go overseas. He gained recognition for his work with Charlie Ventura (1946-1947) and for his most famous composition "East of Suez." After that period ended, Stein became a studio musician but found time to perform and record with the Lawson-Haggart Band, Benny Goodman, Sarah Vaughan, the Sauter-Finegan Orchestra, Louie Bellson, Red Allen, Coleman Hawkins, and Lester Young, in addition to recording a few albums as a leader. In later years he played with Joe Venuti (1969-1972), Flip Phillips, and recorded his own 1994 album for Pullen.
https://www.allmusic.com/artist/lou-stein-mn0000282004/biography
Although a swing-oriented pianist, Lou Stein has always been able to fit comfortably in Dixieland, bop, and commercial settings. His first major association was with Ray McKinley's band in 1942. While in the service, Stein played domestically with Glenn Miller's Army Air Force Band, although he did not go overseas. He gained recognition for his work with Charlie Ventura (1946-1947) and for his most famous composition "East of Suez." After that period ended, Stein became a studio musician but found time to perform and record with the Lawson-Haggart Band, Benny Goodman, Sarah Vaughan, the Sauter-Finegan Orchestra, Louie Bellson, Red Allen, Coleman Hawkins, and Lester Young, in addition to recording a few albums as a leader. In later years he played with Joe Venuti (1969-1972), Flip Phillips, and recorded his own 1994 album for Pullen.
https://www.allmusic.com/artist/lou-stein-mn0000282004/biography
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Biografía de Scott Yanow
Aunque es un pianista orientado al swing, Lou Stein siempre ha sido capaz de encajar cómodamente en entornos de Dixieland, bop y comerciales. Su primera asociación importante fue con la banda de Ray McKinley en 1942. Mientras estuvo en el servicio, Stein tocó en el país con la Banda de la Fuerza Aérea del Ejército de Glenn Miller, aunque no se fue al extranjero. Ganó reconocimiento por su trabajo con Charlie Ventura (1946-1947) y por su composición más famosa "East of Suez". Después de ese período, Stein se convirtió en un músico de estudio pero encontró tiempo para actuar y grabar con la Lawson-Haggart Band, Benny Goodman, Sarah Vaughan, la Orquesta Sauter-Finegan, Louie Bellson, Red Allen, Coleman Hawkins y Lester Young, además de grabar algunos álbumes como líder. En años posteriores tocó con Joe Venuti (1969-1972), Flip Phillips, y grabó su propio álbum en 1994 para Pullen.
https://www.allmusic.com/artist/lou-stein-mn0000282004/biography
Aunque es un pianista orientado al swing, Lou Stein siempre ha sido capaz de encajar cómodamente en entornos de Dixieland, bop y comerciales. Su primera asociación importante fue con la banda de Ray McKinley en 1942. Mientras estuvo en el servicio, Stein tocó en el país con la Banda de la Fuerza Aérea del Ejército de Glenn Miller, aunque no se fue al extranjero. Ganó reconocimiento por su trabajo con Charlie Ventura (1946-1947) y por su composición más famosa "East of Suez". Después de ese período, Stein se convirtió en un músico de estudio pero encontró tiempo para actuar y grabar con la Lawson-Haggart Band, Benny Goodman, Sarah Vaughan, la Orquesta Sauter-Finegan, Louie Bellson, Red Allen, Coleman Hawkins y Lester Young, además de grabar algunos álbumes como líder. En años posteriores tocó con Joe Venuti (1969-1972), Flip Phillips, y grabó su propio álbum en 1994 para Pullen.
https://www.allmusic.com/artist/lou-stein-mn0000282004/biography
01. Route 88, Jazzville - 2:20
02. Whistle-Stop Town - 2:40
03. Getting In A Hassle - 2:24
04. State Street Strut - 3:10
05. The Blue Wailer - 2:37
06. Diggin' Dixie - 2:12
07. Swingtime Session - 2:39
08. Moods (Bop Moods) - 2:51
09. Ridin' High - 2:09
10. Wending My Way Back Home - 2:16
11. Look, Look - 2:33
12. Hello, G'bye, Hello - 2:52
Lou Stein - piano
Tony Mottola - guitar
Arnold Fishkind, Bob Carter, Jack Lesberg - bass
Cliff Leeman - drums
Michael Hucko - clarinet
Bernie Privin, Billy Butterfield - trumpet
Recorded August 26, 1952 (09:30 - 12:30) at Columbia Recording Studio 207 East 30th Street, New York City
02. Whistle-Stop Town - 2:40
03. Getting In A Hassle - 2:24
04. State Street Strut - 3:10
05. The Blue Wailer - 2:37
06. Diggin' Dixie - 2:12
07. Swingtime Session - 2:39
08. Moods (Bop Moods) - 2:51
09. Ridin' High - 2:09
10. Wending My Way Back Home - 2:16
11. Look, Look - 2:33
12. Hello, G'bye, Hello - 2:52
Lou Stein - piano
Tony Mottola - guitar
Arnold Fishkind, Bob Carter, Jack Lesberg - bass
Cliff Leeman - drums
Michael Hucko - clarinet
Bernie Privin, Billy Butterfield - trumpet
Recorded August 26, 1952 (09:30 - 12:30) at Columbia Recording Studio 207 East 30th Street, New York City
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