Review by Alvaro Neder
This classic 1966 Forma album, reissued on LP by Fontana in 1978 and on
CD by PolyGram Brazil in 1990, brought Baden Powell's first recordings
for his originals "Vou Por Aí" (with Aloysio de Oliveira), "Apelo," and
"Deixa" (both with Vinícius de Moraes; other fruits of the fundamental
partnership began in 1962). And there is more: the participation of
underrated harmonica player Maurício Einhorn, who adds much to the
program from the intro of the opening track, "Vou Por Aí," where
unaccompanied guitar and harmonica perform with enchanting polyphony,
building independent lines that allow room for the entrance of the
rhythm section (no reference given in the album notes, but they are
Chico Batera on drums and Edson Lobo on bass), following the exposition
of the theme by the harmonica and solos by the two instrumentalists and
the bassist. Next comes the classic "Apelo," with two choruses of guitar
improv with very discreet references to the jazz idiom, focusing in a
Brazilian language instead. The valse "A Chuva" brings with its
melancholic overtones a very lyrical solo guitar rendition in the intro;
soon it's joined by the harmonica solo and rhythm section. Samba bossa
nova is the vehicle for swinging improvisation in "Deixa" and the
long-winded "Consolação." Equally animated in the same style is "Sem
Saber" (Otto Gonçalves Filho), while "Pro Forma" (Maurício
Einhorn/Arnaldo Costa) brings for its 6/8 setting an Iberian atmosphere.
The acalanto "Tempo Feliz" (Powell/Vinícius de Moraes), in its second
recording by Powell (the first had been in the same year's live Baden
Powell ao Vivo no Teatro Santa Rosa), closes the album with delicacy,
with Powell alone at the guitar.
///////
Traducción Automática:
Review by Alvaro Neder
This classic 1966 album form, reissued on LP by Fontana in 1978 and on
CD by PolyGram Brazil in 1990, brought Baden Powell's first recordings
for his originals "Vou Por Aí" (with Aloysio de Oliveira), "Apelo," and
"Deixa" (both with Vinícius de Moraes, other fruits of the fundamental
partnership began in 1962). And there is more: the participation of
underrated harmonica player Maurício Einhorn, who adds much to the
program from the intro of the opening track, "Vou Por Aí," where
unaccompanied guitar and harmonica perform with enchanting polyphony,
building independent lines that allow room for the entrance of the
rhythm section (no reference given in the album notes, but they are
Chico Batera on drums and Edson Wolf on bass), following the exposition
of the theme by the harmonica and solos by the two instrumentalists and
the bassist. Next comes the classic "Apelo," with two choruses of guitar
improv with very discreet references to the jazz idiom, focusing on a
Brazilian language instead. The valse "A Chuva" brings with its
melancholic overtones to very lyrical solo guitar rendition in the
intro; soon it's joined by the harmonica solo and rhythm section. Samba
bossa nova is the vehicle for swinging improvisation in "Deixa" and the
long-winded "Consolação." Equally animated in the same style is "Sem
Saber" (Otto Gonçalves Filho), while "Pro Forma" (Maurício Einhorn /
Arnaldo Costa) brings for its 6/8 setting an Iberian atmosphere. The
acalanto "Tempo Feliz" (Powell / Vinícius de Moraes), in its second
recording by Powell (the first had been in the same year's live Baden
Powell ao Vivo no Teatro Santa Rosa), closes the album with delicacy,
with Powell alone at the guitar
A1 Vou Por Ai
A2 Apelo
A3 Chuva
A4 Deixa
B1 Consolacao
B2 Sem Saber
B3 Pro Forma
B4 Tempo Feliz
Label: Forma – 100 VDL
Format: Vinyl, LP, Album
Country: Brazil
Released: 1966
Genre: Jazz
Style: Bossa Nova
Bonjour, J'ai beau m'appliquer à donner le bon mot de passe (egroj), j'obtiens toujours pour réponse "mot de passe incorrect". Dommage!
ReplyDeleteBonjour.
DeleteJ'ai téléchargé le fichier, défini le mot de passe et cela a fonctionné correctement, peut-être que le fichier ne s'est pas téléchargé complètement. Veuillez réessayer.
;)