Review by Stephen Cook
Dizzy
Gillespie brings together tenor saxophonists Sonny Stitt and Sonny
Rollins for four extended cuts, and in the process comes up with one of
the most exciting "jam session" records in the jazz catalog. While the
rhythm section of pianist Ray Bryant, bassist Tommy Bryant, and drummer
Charlie Persip provides solid rhythmic support, Stitt and Rollins get
down to business trading fours and reeling off solo fireworks.
Apparently, Gillespie had stoked the competitive fires before the
session with phone calls and some gossip, the fallout of which becomes
palpable as the album progresses. On "The Eternal Triangle," in
particular, Stitt and Rollins impress in their roles as tenor titans,
with Stitt going in for sheer muscle as that most stout of bebop cutters
and Rollins opting for some pacing as a more thematic player. In the
midst of the rivalry (certainly some torch was being passed, since
Rollins was soon to become the top tenor saxophonist in jazz), an
embarrassment of solo riches comes tumbling out of both these men's
horns. Gillespie adds his own split commentary on the proceedings with a
casual solo on "After Hours" and a competitively blistering statement
on "I Know That You Know." With an at ease rendition of "On the Sunny
Side of the Street" rounding things out, Sonny Side Up comes off as both
a highly enjoyable jazz set and something of an approximation of the
music's once-revered live cutting session.
https://www.allmusic.com/album/sonny-side-up-mw0000188698
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Reseña de Stephen Cook
Dizzy
Gillespie reúne a los saxofonistas tenores Sonny Stitt y Sonny Rollins
para cuatro cortes extendidos, y en el proceso da lugar a uno de los
discos de "jam session" más emocionantes del catálogo de jazz. Mientras
la sección rítmica formada por el pianista Ray Bryant, el bajista Tommy
Bryant y el batería Charlie Persip proporciona un sólido apoyo rítmico,
Stitt y Rollins se ponen manos a la obra intercambiando cuatros y
lanzando fuegos artificiales en solitario. Al parecer, Gillespie había
avivado el fuego de la competencia antes de la sesión con llamadas
telefónicas y algunos cotilleos, cuyas consecuencias se hacen palpables a
medida que avanza el álbum. En "The Eternal Triangle", en particular,
Stitt y Rollins impresionan en sus papeles de titanes del tenor, con
Stitt apostando por el músculo como el más robusto de los cortadores de
bebop y Rollins optando por un poco de ritmo como jugador más temático.
En medio de la rivalidad (ciertamente se estaba pasando la antorcha, ya
que Rollins pronto se convertiría en el mejor saxofonista tenor del
jazz), una gran cantidad de solos sale de las trompas de estos dos
hombres. Gillespie añade su propio comentario dividido en los
procedimientos con un solo casual en "After Hours" y una declaración
competitiva en "I Know That You Know". Con una interpretación a gusto de
"On the Sunny Side of the Street", Sonny Side Up se presenta como un
conjunto de jazz muy agradable y una aproximación a la sesión de corte
en vivo de la música.
https://www.allmusic.com/album/sonny-side-up-mw0000188698
Tracklist:
1 - On The Sunny Side Of The Street - 5:41
2 - The Eternal Triangle - 14:10
3 - After Hours - 12:19
4 - I Know That You Know - 5:27
Credits:
Bass – Tommy Bryant
Drums – Charlie Persip
Liner Notes [Original] – Nat Hentoff
Photography By [Cover] – Burt Goldblatt
Piano – Ray Bryant
Producer [Original Recordings] – Norman Granz
Tenor Saxophone – Sonny Rollins, Sonny Stitt
Trumpet – Dizzy Gillespie
Vocals – Gillespie (tracks: 1)
Notes:
Recorded December 19, 1957 in New York City.
Label: Verve Records – 314 521 426-2
Series: Verve Master Edition –
Released: 1997
Genre: Jazz
Style: Hard Bop
https://www.discogs.com/Dizzy-Gillespie-Sonny-Stitt-Sonny-Rollins-Sonny-Side-Up/release/2317244
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