When Bill Harris recorded his first album as a leader in 1956, he had already been the electric guitar accompanist for The Cloversone of the most outstanding R&B vocal groupssince 1949. Fellow guitarist Mickey Baker recommended him to Mercury/EmArcys A&R head, Bob Shad, and it is to Shads credit that he gave Harris so much scope on his debut. The full colored natural sound of Harriss unamplified Spanish guitar is a rare and interesting pleasure. In the words of Nat Hentoff, the blues-soul of Harris courses richly through everything he plays.
On his second album for the label, The Harris Touch, Bill was backed by a conventional rhythm section and a bongo player. The session featured the excellent piano work of Hank Jones, with three of the tunes vehicles to showcase of Harriss electric guitar. On the Mercury/Wing album, Harris again performs solo, displaying his remarkable feeling for the unamplified guitar in both jazz and semi-classical contexts. The fourth album on this set is also a solo recital, recorded during a Bill Harris concert in Washington in 1962. Harris plays with engaging easiness in a live program which mainly includes material from the other three albums, demonstrating his abilities as an improviser of lovely, rhythmically resilient variations.
Down Beat magazine defined his style as a combination of beauty, lyricism, charm and solid strength. This collection of performances is both a masterpiece of guitar versatility and a master class in improvisation.
https://www.freshsoundrecords.com/bill-harris-albums/5955-the-blues-soul-of-bill-harris-complete-mercury-recordings-1956-1959-bonus-tracks-4-lps-on-2-cds.html
///////
Cuando Bill Harris grabó su primer álbum como líder en 1956, ya había sido el acompañante de guitarra eléctrica de The Cloversone de los grupos vocales de R&B más destacados desde 1949. Su compañero de guitarra Mickey Baker lo recomendó al jefe de Mercury/EmArcys A&R, Bob Shad, y es un mérito de Shads el haberle dado a Harris tanto margen en su debut. El sonido natural a todo color de la guitarra española sin amplificar de Harriss es un raro e interesante placer. En palabras de Nat Hentoff, el alma del blues de Harris recorre ricamente todo lo que toca.
En su segundo álbum para la discográfica, The Harris Touch, Bill estaba respaldado por una sección rítmica convencional y un bongó. La sesión presentó el excelente trabajo de piano de Hank Jones, con tres de los vehículos de la melodía para mostrar la guitarra eléctrica de Harriss. En el álbum Mercury/Wing, Harris vuelve a actuar en solitario, mostrando su notable sentimiento por la guitarra sin amplificar en contextos tanto de jazz como de semi-clásico. El cuarto álbum de este conjunto es también un recital en solitario, grabado durante un concierto de Bill Harris en Washington en 1962. Harris toca con una facilidad atractiva en un programa en vivo que incluye principalmente material de los otros tres álbumes, demostrando sus habilidades como improvisador de encantadoras variaciones rítmicas.
La revista Down Beat definió su estilo como una combinación de belleza, lirismo, encanto y fuerza sólida. Esta colección de actuaciones es una obra maestra de la versatilidad de la guitarra y una clase magistral de improvisación.
https://www.freshsoundrecords.com/bill-harris-albums/5955-the-blues-soul-of-bill-harris-complete-mercury-recordings-1956-1959-bonus-tracks-4-lps-on-2-cds.html
CD 1
01. Stompin' at the Savoy (Webb-Sampson-Goodman) 2:17
02. Moonglow (Hudson-De Lang-Mills) 2:32
03. Cherokee (Noble) 1:29
04. Out of Nowhere (Heyman-Green) 2:58
05. Ethyl (Harris) 2:42
06. Possessed (Harris) 2:43
07. Perdido (Lengsflder-Drake-Tizol) 2:37
08. I Can't Get Started (Duke-Gershwin) 1:47
09. Dreaming (Harris) 2:33
10. K.C. Shuffle (Harris) 2:15
11. Ivanhoe (Pullian) 2:07
12. Lover (Hart-Rodgers) 2:20
13. Spring (Harris) 1:40 (*)
14. Bakers Dozen (Harris) 1:44
15. Golden Sunset (Harris-Howitt) 2:36
16. Honeysuckle Rose (Razaf-Waller) 2:55
17. Midnight Blue (Harris-Moody) 3:02
18. Yesterdays (Harbach-Kern) 1:53
19. The Harris Touch (Harris) 3:27
20. All the Things You Are (Kern-Hammerstein II) 2:54
21. 'S Wonderful (G. & I.Gershwin) 2:17
22. Sometimes Im Happy (Youmans-Caesar) 2:35
23. Rock Bottom Blues (Harris-Jones) 4:19
24. The Man I Love (G. & I.Gershwin) 2:33
(*) Spring was originally issued on the album The Harris Touch, but recorded at the Bill Harris session
CD 2
01. Lullaby of Birdland (Shearing) 2:37
02. Blue Angel (Harris) 2:01
03. The Song Is You (Hammerstein II-Kern) 2:40
04. Daahoud (Brown) 1:58
05. Ethyl (Harris) 2:03
06. Wind Song (Harris) 2:01
07. Ol' Man River (Hammerstein II-Kern) 2:33
08. Once in a While (Edwards-Green) 2:49
09. Poinciana [Song of the Tree] (Simon-Lliso-Bernier) 2:03
10. Concerto for Jazz Guitar (Your Majesty) (Malachi-Harris) 3:11
11. Jordu (Jordan) 1:43
12. Lover (Hart-Rodgers) 6:45
13. All the Things You Are (Kern-Hammerstein II) 1:42
14. Poinciana [Song of the Tree] (Simon-Lliso-Bernier) 2:27
15. Well You Needn't (Monk) 3:21
16. "Intaglio Monk" Parts 1 & 2 (Harris) 6:02
17. Stompin at the Savoy (Webb-Sampson-Goodman) 2:18
18. Possessed (Harris) 1:18
19. Cherokee (Noble) 4:36
20. The Song Is You (Hammerstein II-Kern) 3:31
21. Where Is Big Joe Williams Blues (Harris) 3:17
22. Ethyl (Harris) 3:25
Album Details:
Sources CD 1:
Tracks #1-12, from the album "Bill Harris" (Mercury/EmArcy MG 36097)
Tracks #13-24, from the album "The Harris Touch" (Mercury/EmArcy MG 36113)
Sources CD 2:
Tracks #1-11, from the album "Great Guitar Sounds" (Mercury/Wing MGW 12220)
Tracks #12-22, from the album "Caught in the Act" (Jazz Guitar JGLP 100)
Personnel on "Bill Harris":
Bill Harris, guitar solos.
Recorded in New York City, 1956
Personnel on "The Harris Touch":
Bill Harris, classical and electric guitar; Hank Jones, piano and celeste; unidentified bassist, drummer, and bongo player.
Recorded in New York City, May 2 (#15,16,18,21,23,24) & 21 (#13,14,17,19,20), 1957
Personnel on "Great Guitar Sounds":
Bill Harris, guitar solos.
Recorded in New York City, 1959
Personnel on "Caught in the Act":
Bill Harris, guitar solos.
Recorded at Cafritz Auditorium, Washington D.C., December, 1962
Original recordings produced by Bob Shad
Live recordings produced by Bill Harris
Release: 2013
MORE Guitar Jazz ...
This file is intended only for preview!
I ask you to delete the file from your hard drive or device after reading it.
thank for the original uploader
No comments:
Post a Comment