Review by Scott Yanow
Music was a slight departure from pianist Michel Petrucciani's usual Bill Evans-influenced recordings of the period. Petrucciani uses synthesizers (his and Adam Holzman's) on all but two selections, but these are very much in the background, making the ensembles sound a little larger than they actually are. Petrucciani's ten originals range from romantic ("Memories of Paris") and manic ("My Bebop Tune") to charming ("Lullaby") and funky ("Play Me") with a generous supply of Latin-tinged pieces and one rhythmic vocal by Tania Maria; Joe Lovano (on soprano) and the accordion of Gil Goldstein make one appearance apiece. Worth investigating.
https://www.allmusic.com/album/music-mw0000654323
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Reseña de Scott Yanow
La música se apartó ligeramente de las grabaciones habituales del pianista Michel Petrucciani, influenciadas por Bill Evans de la época. Petrucciani usa sintetizadores (los suyos y los de Adam Holzman) en todas las selecciones excepto en dos, pero estos están muy al fondo, haciendo que los conjuntos suenen un poco más grandes de lo que realmente son. Los diez originales de Petrucciani van desde lo romántico ("Memorias de París") y lo maníaco ("Mi canción de Bebop") hasta lo encantador ("Canción de cuna") y lo funky ("Tócame") con un generoso suministro de piezas con matices latinos y una voz rítmica de Tania María; Joe Lovano (en soprano) y el acordeón de Gil Goldstein hacen una aparición cada uno. Vale la pena investigar.
https://www.allmusic.com/album/music-mw0000654323
01. Looking Up
02. Memories of Paris03. My Bebop Tune
04. Brazilian Suite No 2
05. Bite
06. Lullaby
07. O Nana Oye
08. Play Me
09. Happy Birthday Mr. K
10. Thinking of Wayne
TANIA MARIA vocal
JOE LOVANO soprano saxophone
ANTHONY JACKSON electric bass
CHRIS WALKER electric bass
ANDY McKEE acoustic bass
LENNY WHITE drums
VICTOR JONES drums
FRANK COLON percussion
ROMERO LUMAMBO acoustic guitar
GIL GOLDSTEIN accordion
ADAM HOLZMAN synthesizer
MICHEL PETRUCCIANI steinway piano, synthesizer, B-3 organ and vocal
All compositions by Michel Petrucciani
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