Biography by Ron Wynn:
A versatile guitarist and onetime head of the guitar department at the University of Bridgeport, Sal Salvador was a capable soloist and accompanist whose single-string style, shaped by his early interest in the music of Charlie Christian, was augmented by extensive studies of guitar technique. Salvador's years of research, playing, and analysis eventually led to his writing guitar methodology books, among them Sal Salvador's Chord Method for Guitar and Sal Salvador's Single String Studies for Guitar in the '50s and '60s. He became interested in jazz during his teens, and began playing professionally in Springfield, MA, in 1945. He worked with Terry Gibbs and Mundell Lowe in New York at the end of the '40s, then joined Stan Kenton's orchestra in 1952. Salvador worked with Kenton until the end of 1953, and appeared on the New Concepts of Artistry in Rhythm album. He led bebop bands featuring Eddie Costa and Phil Woods. Salvador was featured in the film Jazz on a Summer's Day and headed a big band in the late '50s and early '60s. He worked in a guitar duo with Alan Hanlon in the early '70s, and began recording again as a leader later in the decade. He re-formed his big band in the '80s, and was named to his position at the University of Bridgeport. Salvador led recordings for Blue Note (1953), Capitol, Bethlehem, Decca, Jazz Unlimited, Dauntless (1963), Bee Hive, GP, and Stash; he died September 22, 1999, at the age of 73.
https://www.allmusic.com/artist/sal-salvador-mn0000241002/biography
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Biografía de Ron Wynn:
Un guitarrista versátil y una vez jefe del departamento de guitarra de la Universidad de Bridgeport, Sal Salvador era un solista y acompañante capaz cuyo estilo de una sola cuerda, formado por su temprano interés en la música de Charlie Christian, fue aumentado por extensos estudios de la técnica de la guitarra. Los años de investigación, interpretación y análisis de Salvador finalmente lo llevaron a escribir libros de metodología de la guitarra, entre ellos el Método de Acordes para Guitarra de Sal Salvador y los Estudios de Cuerdas Sueltas para Guitarra de Sal Salvador en los años 50 y 60. Se interesó en el jazz durante su adolescencia, y comenzó a tocar profesionalmente en Springfield, MA, en 1945. Trabajó con Terry Gibbs y Mundell Lowe en Nueva York a finales de los años 40, y luego se unió a la orquesta de Stan Kenton en 1952. Salvador trabajó con Kenton hasta finales de 1953, y apareció en el álbum New Concepts of Artistry in Rhythm. Dirigió bandas de bebop con Eddie Costa y Phil Woods. Salvador apareció en la película Jazz on a Summer's Day y dirigió una gran banda a finales de los 50 y principios de los 60. Trabajó en un dúo de guitarras con Alan Hanlon a principios de los 70, y comenzó a grabar de nuevo como líder a finales de la década. Volvió a formar su gran banda en los 80, y fue nombrado para su puesto en la Universidad de Bridgeport. Salvador dirigió grabaciones para Blue Note (1953), Capitol, Bethlehem, Decca, Jazz Unlimited, Dauntless (1963), Bee Hive, GP y Stash; murió el 22 de septiembre de 1999, a la edad de 73 años.
https://www.allmusic.com/artist/sal-salvador-mn0000241002/biography
A1 - To Beat Or Not To Beat
A2 - That Old Feeling
A3 - Satin Doll
A4 - But Beautiful
A5 - Venice Anyone
A6 - Secret Love
B1 - The Mad Pad
B2 - I'm Glad There Is You (In This World Of Ordinary People)
B3 - Bleecker Street Blues
B4 - The Dancing Beat
B5 - The Continental
B6 - I Concentrate On You
Credits:
Alto Saxophone – Vinnie Dean
Baritone Saxophone – Jack Furlong
Bass – Bucky Calla
Drums – Charlie Persip
Guitar – Sal Salvador
Mellophone – Ray Starling
Piano – John Bunch
Tenor Saxophone – Mike Citron
Tenor Saxophone, Arranged By – Larry Wilcox
Trombone – Eddie Bert, Willie Dennis
Trumpet – Danny Stiles, Jerry Kail, Jerry Tyree
1959
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