Review by Scott Yanow
Take
Twelve was trumpeter Lee Morgan's only recording during an off-period
that lasted from mid-1961 to late 1963. Morgan (who sounds in fine form)
leads a quintet with tenor saxophonist Clifford Jordan, pianist Barry
Harris, bassist Bob Cranshaw and drummer Louis Hayes through four of his
originals, Jordan's "Little Spain," and the title cut, an Elmo Hope
composition. The superior material uplifts the set from being a mere
"blowing" date but it generally has the spontaneity of a jam session.
It's one of Lee Morgan's lesser-known dates.
https://www.allmusic.com/album/take-twelve-mw0000203606
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Reseña de Scott Yanow
Take
Twelve fue la única grabación del trompetista Lee Morgan durante un
período de inactividad que duró desde mediados de 1961 hasta finales de
1963. Morgan (que suena en buena forma) dirige un quinteto con el
saxofonista tenor Clifford Jordan, el pianista Barry Harris, el bajista
Bob Cranshaw y el baterista Louis Hayes a través de cuatro de sus
originales, "Little Spain" de Jordan, y el corte del título, una
composición de Elmo Hope. El material superior eleva el conjunto de ser
una mera fecha de "soplado", pero en general tiene la espontaneidad de
una jam session. Es una de las citas menos conocidas de Lee Morgan.
https://www.allmusic.com/album/take-twelve-mw0000203606
1 - Raggedy Ann - 6:46
2 - A Waltz For Fran - 4:55
3 - Lee-Sure Time - 8:27
4 - Little Spain - 7:45
5 - Take Twelve - 4:55
6 - Second's Best (Take 5) - 7:08
7 - Second's Best (Take 1) - 7:29
Credits:
Bass – Bob Cranshaw
Composed By – Lee Morgan (tracks: 1 to 3, 6, 7)
Drums – Louis Hayes
Engineer – Ray Fowler
Piano – Barry Harris
Producer – Orrin Keepnews
Remastered By – Joe Tarantino
Tenor Saxophone – Clifford Jordan
Trumpet – Lee Morgan
Notes:
Recorded in New York City; January 24, 1962 (Plaza Sound Studios).
Label: Original Jazz Classics – OJCCD-310-2, Jazzland – JLP-980
Released: 1989
Genre: Jazz
Style: Hard Bop
https://www.discogs.com/Lee-Morgan-Quintet-Take-Twelve/release/19416136
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thank for the original uploader
Casi toda ejecución de Lee Morgan se convirtió acto seguido en un clásico.
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