egroj world: Steve Khan • The Blue Man

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As many of you may have noticed apart from the Ulozto problem the main Mega account has been suspended, therefore the blog will be temporarily down until we can restructure and normalise the blog. I appreciate all the support you have shown me. Thank you for your understanding.

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Como muchos habrán notado aparte del problema de Ulozto la cuenta principal Mega ha sido suspendida, por consiguiente el blog se verá disminuido temporalmente hasta poder reestructurar y normalizar el blog. Agradezco todas las muestras de apoyo que me han brindado. Gracias por comprender.



Friday, December 29, 2023

Steve Khan • The Blue Man

 


Biography
by Matt Collar
Guitarist Steve Khan is a gifted jazz-based performer whose adept skills have found him working with his own groups and as an in-demand session artist. Born in Los Angeles in 1947, Khan grew up in a musical family, the son of famed lyricist Sammy Cahn. Initially, he studied drums and piano in his adolescence before settling on the guitar around age 20. He honed his skills while attending U.C.L.A., after which he moved to New York City and quickly found work in variety of jazz, pop, and R&B settings. During this period he shared the stage with such luminaries as Maynard Ferguson, Buddy Rich, the Brecker Brothers, Joe Zawinul's Weather Update, and others.

As a recording artist, Khan made his debut alongside fellow guitarist Larry Coryell on 1976's Two for the Road. He then delivered several well-received albums for Columbia, including 1977's Tightrope, 1978's The Blue Man, and 1979's Arrows. Also during this period, he found session work appearing on albums by Ashford & Simpson, Rupert Holmes, Steely Dan, and Billy Joel. In 1980, he delivered the Thelonious Monk-themed Evidence. A year later, he formed the fusion quartet Eyewitness, which continued to work throughout the 1980s. Several more well-regarded albums followed in the '90s, including 1992's Headline, 1994's Crossings, and 1997's Got My Mental with John Patitucci and Jack DeJohnette.

He then joined the Caribbean Jazz Project for 2000's New Horizons and 2001's Paraiso. Khan returned to his solo work in 2006, reuniting with DeJohnette and Patitucci for The Green Field, followed by 2007's Borrowed Time. He then brought along fellow Eyewitness alums Anthony Jackson, Dennis Chambers, and Manolo Badrena for 2011's Parting Shot, followed in 2014 by the salsa-infused Subtext. In 2016 he released Backlog, which featured guest spots from longtime associates like Randy Brecker, Bob Mintzer, Mike Mainieri, and others.
https://www.allmusic.com/artist/steve-khan-mn0000028138/biography

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Biografía
por Matt Collar
El guitarrista Steve Khan es un talentoso intérprete de jazz cuyas habilidades adeptas lo han encontrado trabajando con sus propios grupos y como un artista de sesión en demanda. Nacido en Los Ángeles en 1947, Khan creció en una familia musical, hijo del famoso letrista Sammy Cahn. Inicialmente, estudió batería y piano en su adolescencia antes de decidirse por la guitarra alrededor de los 20 años. Perfeccionó sus habilidades mientras asistía a la UCLA, después de lo cual se mudó a la ciudad de Nueva York y rápidamente encontró trabajo en una variedad de escenarios de jazz, pop y R&B. Durante este período, compartió el escenario con luminarias como Maynard Ferguson, Buddy Rich, The Brecker Brothers, Weather Update de Joe Zawinul y otros.

Como artista de grabación, Khan hizo su debut junto al guitarrista Larry Coryell en Two for the Road de 1976. Luego entregó varios álbumes bien recibidos para Columbia, incluidos Tightrope de 1977, The Blue Man de 1978 y Arrows de 1979. También durante este período, encontró trabajo de sesión que aparecía en álbumes de Ashford & Simpson, Rupert Holmes, Steely Dan y Billy Joel. En 1980, entregó la Evidencia temática de Thelonious Monk. Un año después, formó el cuarteto de fusión Eyewitness, que continuó trabajando durante la década de 1980. Varios álbumes más bien considerados siguieron en los años 90, incluyendo Headline de 1992, Crossings de 1994 y Got My Mental de 1997 con John Patitucci y Jack DeJohnette.

Luego se unió al Proyecto de Jazz Caribeño para New Horizons del 2000 y Paraíso del 2001. Khan regresó a su trabajo en solitario en 2006, reuniéndose con DeJohnette y Patitucci para The Green Field, seguido de Borrowed Time de 2007. Luego trajo a sus compañeros de Eyewitness, Anthony Jackson, Dennis Chambers y Manolo Badrena para la Foto de despedida de 2011, seguida en 2014 por el Subtexto con salsa. En 2016 lanzó Backlog, que contó con anuncios invitados de asociados de toda la vida como Randy Brecker, Bob Mintzer, Mike Mainieri y otros.
https://www.allmusic.com/artist/steve-khan-mn0000028138/biography


Tracks:
1 - Daily Bulls 7:02
2 - The Blue Man 6:01
3 - Some Down Time 5:25
4 - The Little Ones 5:52
5 - Daily Valley 4:52
6 - An Eye Over Autumn (For Folon) 8:48


Credits:
    Alto Saxophone – David Sanborn
    Arranged By, Producer, Guitar – Steve Khan
    Bass – Will Lee
    Coordinator [Production Coordinator] – Christine Martin
    Cover – Folon*
    Design – Paula Scher
    Drums – Steve Gadd
    Engineer – Doug Epstein
    Guitar – David Spinozza, Jeff Mironov
    Keyboards – Don Grolnick
    Mastered By [Original] – Vladimir Meller*
    Percussion – Ralph MacDonald, Rick Marotta
    Reissue Producer – Moto Uehara
    Remastered By – Kouji Suzuki*
    Synthesizer – Bob James
    Tenor Saxophone – Michael Brecker
    Trumpet – Randy Brecker

Rec Date:
1978 at Sound Media, NY

Label:    Columbia – 496853 2
Series:    Master Sound
Country:    UK & Europe
Released:   
Genre:    Jazz
Style:    Fusion
https://www.discogs.com/release/2631736-Steve-Khan-The-Blue-Man







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