Pianist Larry Fuller isn't exactly coy about the substance of this
record. Exuberance is an obvious through-line as he works his way across
a dozen charmers that frequently live up to the promise of the title in
different ways.
Leading an ace trio with J.J. Shakur on bass and Lewis Nash on drums,
Fuller finds his way into this realm with a peppy and all-too-short take
on Wes Montgomery's "Fried Pies." Then he continues along the path
paved with positivity, emanating a beautifully reserved glow on the
Stevie Wonder-penned title track and gleefully working through the
bass-bolstered swing of Ray Brown's "Lined With A Groove." By the time
he gets to "Jane's Theme," a work of intoxicating mystery dedicated to
his wife and hinting at a familiar Chick Corea favorite, it's clear that
Fuller is a pianist fueled by passion.
The remaining tracks do nothing to alter the atmosphere established
early on: "The Mooch"—an original, not the Ellington classic with an "e"
at the end— finds the pianist at his most ebullient; "Cubano Chant"
shows Fuller flying as Shakur and Nash serve as stokers; the coupling of
"Bossa Beguine" and "Bossa Nova Do Marilla" plays off the titular
style, first with heat and then by clinging to fragile heart; and a "Got
My Mojo Workin'" finale extols the virtues of swagger.
Even when dipping into deeper emotional wells on a "Mona Lisa" serenade
or a reflective "Never Let Me Go," Fuller's artistic certitude radiates
warmth. His sincere enthusiasm for the music is never in doubt, even for
second, and it makes for a serious selling point here.
https://www.allaboutjazz.com/overjoyed-larry-fuller-capri-records-review-by-dan-bilawsky.php
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El pianista Larry Fuller no es precisamente tímido sobre la sustancia de
este disco. La exuberancia es una línea obvia mientras se abre camino
entre una docena de encantadores que frecuentemente cumplen con la
promesa del título de diferentes maneras.
Liderando un trío con J.J. Shakur en el bajo y Lewis Nash en la batería,
Fuller encuentra su camino en este reino con una animada y demasiado
corta interpretación de "Fried Pies" de Wes Montgomery. Luego continúa a
lo largo del camino pavimentado con positividad, emanando un brillo
hermosamente reservado en la pista del título de Stevie Wonder y
trabajando alegremente a través del swing del bajo de "Lined With A
Groove" de Ray Brown. Cuando llega a "Jane's Theme", una obra de
misterio embriagador dedicada a su esposa e insinuando una favorita de
Chick Corea, está claro que Fuller es un pianista alimentado por la
pasión.
Las pistas restantes no alteran la atmósfera establecida desde el
principio: "The Mooch", un original, no el clásico de Ellington con una
"e" al final, encuentra al pianista en su momento más exuberante;
"Cubano Chant" muestra a Fuller volando mientras Shakur y Nash sirven de
fogoneros; el acoplamiento de "Bossa Beguine" y "Bossa Nova Do Marilla"
juega con el estilo titular, primero con calor y luego aferrándose a un
corazón frágil; y un final de "Got My Mojo Workin'" ensalza las
virtudes de la fanfarronería.
Incluso cuando se sumerge en pozos emocionales más profundos en una
serenata de "Mona Lisa" o en un reflexivo "Never Let Me Go", la certeza
artística de Fuller irradia calidez. Su sincero entusiasmo por la música
nunca se pone en duda, ni siquiera por segunda vez, y es un argumento
de venta serio aquí.
https://www.allaboutjazz.com/overjoyed-larry-fuller-capri-records-review-by-dan-bilawsky.php
Traducción realizada con la versión gratuita del traductor www.DeepL.com/Translator
Track Listing:
Fried Pies; Overjoyed; Lined With A Groove; Jane's Theme; The Mooch; How Long Has This Been Going On?; Cubano Chant; Mona Lisa; Bossa Beguine; Bossa Nova Do Marilla; Never Let Me Go; Got My Mojo Workin'.
Credits:
Larry Fuller: piano;
Hassan Shakur: bass;
Lewis Nash: drums.
Label: Capri Records
Release: 2019
Label: Capri Records
Release: 2019
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