Review
by Stephen Thomas Erlewine
Originally
released in 1980 as The Royal Albert Hall Concert but quickly retitled
when the label discovered the show it captures was recorded in
California at the Oakland Coliseum on January 31, 1970, The Concert is
as simple as its name.
The album simply captures Creedence
Clearwater Revival at the height of their powers, when they were the
most popular American rock & roll band. They released three albums
in 1969, all of which went into the Top 10. They had three number two
singles that year ("Proud Mary," "Bad Moon Rising," "Green River") and
one number three single ("Down on the Corner"). They were simply a
phenomenon and this record shows why. It's not as good as a compilation
of hit singles; CCR were the rare excellent live band whose studio
recordings were as ferocious as their stage work, and those were better
detailed, too.
Still, it's a pretty terrific little record, since
the band is in fine form, tearing through the hits and such album
favorites as "Tombstone Shadow," "Don't Look Now," "Born on the Bayou,"
"The Midnight Special," and "Keep on Chooglin'." Only hardcore fans
really need to pick up this record and they might not even spin it all
that often. But when they do, they'll wind up satisfied.
https://www.allmusic.com/album/the-concert-mw0000189642
///////
Reseña
por Stephen Thomas Erlewine
Publicado
originalmente en 1980 como The Royal Albert Hall Concert, pero
rápidamente retitulado cuando la discográfica descubrió que el
espectáculo que recoge había sido grabado en California, en el Oakland
Coliseum, el 31 de enero de 1970, The Concert es tan sencillo como su
nombre.
El álbum recoge simplemente a Creedence Clearwater Revival
en la cima de su poderío, cuando eran la banda de rock & roll más
popular de Estados Unidos. En 1969 publicaron tres álbumes, todos ellos
entre los 10 primeros. Ese año consiguieron tres números dos ("Proud
Mary", "Bad Moon Rising", "Green River") y un número tres ("Down on the
Corner"). Eran sencillamente un fenómeno y este disco demuestra por qué.
No es tan bueno como una recopilación de singles de éxito; CCR era la
rara banda excelente en directo cuyas grabaciones de estudio eran tan
feroces como su trabajo sobre el escenario, y éstas también estaban
mejor detalladas.
Aún así, es un disco bastante bueno, ya que la
banda está en plena forma, desgranando los éxitos y las canciones
favoritas del álbum como "Tombstone Shadow", "Don't Look Now", "Born on
the Bayou", "The Midnight Special" y "Keep on Chooglin'". Sólo los fans
más acérrimos tienen que hacerse con este disco, y puede que ni siquiera
lo toquen a menudo. Pero cuando lo hagan, acabarán satisfechos.
https://www.allmusic.com/album/the-concert-mw0000189642
1. Born On The Bayou
2. Green River
3. Tombstone Shadow
4. Don't Look Now
5. Travelin' Band
6. Who'll Stop The Rain
7. Bad Moon Rising
8. Proud Mary
9. Fortunate Son
10. Commotion
11. The Midnight Special
12. Night Time Is The Right Time
13. Down On The Corner
14. Keep On Chooglin'
Credits:
Art Direction – Phil Carroll
Bass, Backing Vocals – Stu Cook
Composed By – J.C. Fogerty* (tracks: 1 to 10, 13, 14)
Drums – Doug Clifford
Lead Guitar, Lead Vocals, Harp – John Fogerty
Liner Notes – Greg Shaw (2)
Photography By – Jim Marshall (3)
Recorded By – Russ Gary
Remastered By – George Horn
Rhythm Guitar, Backing Vocals – Tom Fogerty
Recorded at the Oakland Coliseum, Oakland, California on January 31, 1970.



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