Don Elliott • At The Modern Jazz Room

 

Biography by Ron Wynn
An extremely popular player in the '50s, Don Elliott was a fine soloist in the swing mode. He first studied piano and accordion, then played baritone horn and mellophone in his high school band. He switched to trumpet while playing in local dance bands, and as a teen worked with fellow teen Bill Evans. Elliott studied harmony at the Institute of Musical Art in New York in the mid-'40s, then played trumpet in an army band. Following that, he studied arranging and vibes at the University of Miami in 1947. When he returned to New York, Elliott played with George Shearing, Teddy Wilson, and Benny Goodman. He later performed and recorded with Terry Gibbs and Buddy Rich before forming his own band. Elliott took "miscellaneous instrument" honors in Down Beat five straight years in the late '50s. During the '60s and '70s, he did Broadway shows and composed film scores and songs for radio and television commercials. He returned to jazz in 1975, serving as a guest soloist with the New York Jazz Repertory Company at Carnegie Hall.
https://www.allmusic.com/artist/don-elliott-mn0000150073/biography

///////

Biografía de Ron Wynn
Un jugador muy popular en los años 50, Don Elliott era un buen solista en el modo de swing. Primero estudió piano y acordeón, luego tocó el cuerno barítono y el melófono en la banda de su instituto. Se pasó a la trompeta mientras tocaba en bandas de baile locales, y de adolescente trabajó con su compañero Bill Evans. Elliott estudió armonía en el Instituto de Arte Musical de Nueva York a mediados de los 40, y luego tocó la trompeta en una banda del ejército. Después de eso, estudió arreglos y vibraciones en la Universidad de Miami en 1947. Cuando regresó a Nueva York, Elliott tocó con George Shearing, Teddy Wilson y Benny Goodman. Más tarde tocó y grabó con Terry Gibbs y Buddy Rich antes de formar su propia banda. Elliott recibió honores de "instrumentos varios" en el Down Beat cinco años seguidos a finales de los 50. Durante los años 60 y 70, hizo espectáculos en Broadway y compuso partituras de películas y canciones para anuncios de radio y televisión. Volvió al jazz en 1975, sirviendo como solista invitado con la New York Jazz Repertory Company en el Carnegie Hall.
https://www.allmusic.com/artist/don-elliott-mn0000150073/biography

Tracks:
1. It Might As Well Be Spring (4:23)
2. But Not For Me (6:36)
3. Isn't It Romantic (5:38)
4. Embessy (3:05)
5. It Could Happen To You (5:00)
6. I Only Have Eyes For You (5:00)
7. I Remember You (5:21)
8. Moonlight In Vermont (3:23)

Don Elliott - trumpet, vibes, bongo & vocal
Bob Corwin - piano
Ernie Furtado - bass
Jimmy Campbell - drums

Chicago's Modern Jazz Room in July, 1956

 

This file is intended only for preview!
I ask you to delete the file from your hard drive or device after reading it.
thank for the original uploader