When asked to describe what music means to them, most people talk
about its power to express or elicit emotions. As a melody can produce a
tear, tingle the spine, or energize athletes, music has a deep impact
on how we experience and encounter the world. Because of the elusiveness
of these musical emotions, however, little has been written about how
music creates emotions and how musical emotion has changed its meaning
for listeners across the last millennium.
In this sweeping
landmark study, author Michael Spitzer provides the first history of
musical emotion in the Western world, from Gregorian chant to Beyoncé.
Combining intellectual history, music studies, philosophy, and cognitive
psychology, A History of Emotion in Western Music
introduces current approaches to the study of emotion and formulates an
original theory of how musical emotion works. Diverging from
psychological approaches that center listeners' self-reports or
artificial experiments, Spitzer argues that musical emotions can be
uncovered in the techniques and materials of composers and performers.
Together with its extensive chronicle of the historical evolution of
musical style and emotion, this book offers a rich union of theory and
history.
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