egroj world: Tom Petty & The Heartbreakers • Tom Petty & The Heartbreakers

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As many of you may have noticed apart from the Ulozto problem the main Mega account has been suspended, therefore the blog will be temporarily down until we can restructure and normalise the blog. I appreciate all the support you have shown me. Thank you for your understanding.

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Como muchos habrán notado aparte del problema de Ulozto la cuenta principal Mega ha sido suspendida, por consiguiente el blog se verá disminuido temporalmente hasta poder reestructurar y normalizar el blog. Agradezco todas las muestras de apoyo que me han brindado. Gracias por comprender.



Monday, March 11, 2024

Tom Petty & The Heartbreakers • Tom Petty & The Heartbreakers

 



Review
by Stephen Thomas Erlewine  
At the time Tom Petty & the Heartbreakers' debut was released in 1976, they were fresh enough to almost be considered punk. They weren't as reckless or visionary as the Ramones, but they shared a similar love for pure '60s rock and, for the Heartbreakers, that meant embracing the Byrds as much as the Stones. And that's pretty much what this album is -- tuneful jangle balanced by a tough garage swagger. At times, the attitude and the sound override the songwriting, but that's alright, since the slight songs ("Anything That's Rock 'N' Roll," to pick a random example) are still infused with spirit and an appealing surface. Petty & the Heartbreakers feel underground on this album, at least to the extent that power pop was underground in 1976; with Dwight Twilley providing backing vocals for "Strangered in the Night," the similarities between the two bands (adherence to pop hooks and melodies, love of guitars) become apparent. Petty wound up eclipsing Twilley because he rocked harder, something that's evident throughout this record. Take the closer "American Girl" -- it's a Byrds song by any other name, but he pushed the Heartbreakers to treat it as a rock & roll song, not as something delicate. There are times where the album starts to drift, especially on the second side, but the highlights -- "Rockin' Around (With You)," "Hometown Blues," "The Wild One, Forever," the AOR staples "Breakdown" and "American Girl" -- still illustrate how refreshing Petty & the Heartbreakers sounded in 1976.
https://www.allmusic.com/album/tom-petty-the-heartbreakers-mw0000191386

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Reseña
por Stephen Thomas Erlewine  
Cuando Tom Petty & the Heartbreakers publicaron su debut en 1976, eran lo bastante frescos como para ser considerados punk. No eran tan temerarios o visionarios como los Ramones, pero compartían un amor similar por el rock puro de los 60 y, para los Heartbreakers, eso significaba abrazar a los Byrds tanto como a los Stones. Y eso es más o menos lo que es este álbum: una melodiosa melodía equilibrada por una dura fanfarronería de garaje. A veces, la actitud y el sonido anulan la composición, pero no pasa nada, ya que las canciones ligeras ("Anything That's Rock 'N' Roll", por poner un ejemplo al azar) siguen estando impregnadas de espíritu y una superficie atractiva. Petty & the Heartbreakers se sienten underground en este álbum, al menos en la medida en que el power pop era underground en 1976; con Dwight Twilley haciendo coros en "Strangered in the Night", las similitudes entre las dos bandas (adhesión a los ganchos y melodías pop, amor por las guitarras) se hacen evidentes. Petty acabó eclipsando a Twilley porque él rockeaba más fuerte, algo evidente a lo largo de este disco. Por ejemplo, "American Girl" es una canción de los Byrds con cualquier otro nombre, pero él empujó a los Heartbreakers a tratarla como una canción de rock & roll, no como algo delicado. Hay momentos en los que el álbum empieza a flojear, especialmente en la segunda cara, pero los momentos álgidos - "Rockin' Around (With You)", "Hometown Blues", "The Wild One, Forever", los clásicos del AOR "Breakdown" y "American Girl"- siguen ilustrando lo refrescante que sonaba Petty & the Heartbreakers en 1976.
https://www.allmusic.com/album/tom-petty-the-heartbreakers-mw0000191386


www.tompetty.com ...


Tracks:
1 - Rockin' Around (With You) - 2:25
2 - Breakdown - 2:42
3 - Hometown Blues - 2:11
4 - The Wild One, Forever - 3:00
5 - Anything That's Rock 'N' Roll - 2:23
6 - Strangered In The Night - 3:29
7 - Fooled Again (I Don't Like It) - 3:48
8 - Mystery Man - 3:01
9 - Luna - 3:56
10 - American Girl - 3:30


Credits:
    Art Direction [Album], Design [Album] – Zox
    Design [Logo Design] – Vigon Nahas Vigon
    Drums – Stan Lynch
    Electric Bass, Cello – Ron Blair
    Guitar [Guitars Galore] – Mike Campbell
    Illustration [Logo Illustration] – Visions Graphic Design
    Layout – Los Angeles Studio
    Mastered By – Ken Perry
    Photography By [Back Cover] – Andee Cohen
    Photography By [Front Cover] – Ed Caraeff
    Piano, Organ – Benmont Tench
    Producer – Denny Cordell
    Recorded By, Mixed By – Max*, Noah Shark
    Remastered By – Joe Gastwirt
    Vocals, Guitar, Keyboards, Composed By – Tom Petty






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