On these 1955 quartet sessions, whether on alto or tenor saxophone, we hear Charlie Mariano play some of the strongest and most impressive sides he had recorded until then. He was backed by a solid rhythm section, featuring the stabbing and leanly imaginative pianist John Williams, the striding beat of Max Bennett, and the always tasteful drumming of Mel Lewis. All the tracks are marked by a pulse and a flow and deftness which demand satisfactory attention.
https://www.freshsoundrecords.com/charlie-mariano-albums/4238-plays-alto-and-tenor.html
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En estas sesiones de cuarteto de 1955, ya sea al saxo alto o al tenor, escuchamos a Charlie Mariano tocar algunos de los lados más fuertes e impresionantes que había grabado hasta entonces. Estaba respaldado por una sólida sección rítmica, con el pianista John Williams, punzante y delgado, el ritmo de Max Bennett y la batería de Mel Lewis, siempre de buen gusto. Todos los temas están marcados por un pulso y una fluidez y destreza que exigen una atención satisfactoria.
https://www.freshsoundrecords.com/charlie-mariano-albums/4238-plays-alto-and-tenor.html
1. Johnny One Note 5:31
2. The Very Thought of You 4:00
3. Smoke Gets in Your Eyes 3:11
4. King for a Day 5:23
5. Darn that Dream 4:21
6. Floormat 4:33
7. Blues 6:43
8. I Heard You Cried Last Night 4:12
9. Manteca 3:29
10. It's You or No One 4:35
11. I Should Care 2:56
12. Give a Little Whistle 4:43
Credits:
Charlie Mariano (as, ts),
John Williams (p),
Max Bennett (b),
Mel Lewis (d)
Note:
Recorded at the Rudy Van Gelder Studio, Hackensack, N.J. on July 11, 1955.
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