Review by Scott Yanow
Pianist Oscar Peterson has long been such a consistent performer that none of his records are throwaways, but this particular set is weaker than most. Since several of the songs are the type that in the mid-'60s would get requested (such as "People," "The Girl from Ipanema," and "The Days of Wine and Roses"), the program would not seem to have much potential, but Peterson mostly uplifts the material (although not much could be done with "People") and adds a few songs (such as his own "Goodbye, J.D." and John Lewis' "D & E"). Overall, this is a reasonably enjoyable Oscar Peterson session, featuring bassist Ray Brown and drummer Ed Thigpen.
https://www.allmusic.com/album/we-get-requests-mw0000188540
Pianist Oscar Peterson has long been such a consistent performer that none of his records are throwaways, but this particular set is weaker than most. Since several of the songs are the type that in the mid-'60s would get requested (such as "People," "The Girl from Ipanema," and "The Days of Wine and Roses"), the program would not seem to have much potential, but Peterson mostly uplifts the material (although not much could be done with "People") and adds a few songs (such as his own "Goodbye, J.D." and John Lewis' "D & E"). Overall, this is a reasonably enjoyable Oscar Peterson session, featuring bassist Ray Brown and drummer Ed Thigpen.
https://www.allmusic.com/album/we-get-requests-mw0000188540
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Reseña de Scott Yanow
El pianista Oscar Peterson ha sido durante mucho tiempo un intérprete tan constante que ninguno de sus discos es desechable, pero este conjunto en particular es más débil que la mayoría. Dado que varias de las canciones son del tipo que a mediados de los 60 se pedían (como «People», «The Girl from Ipanema» y «The Days of Wine and Roses»), el programa no parecería tener mucho potencial, pero Peterson en su mayoría eleva el material (aunque no se podía hacer mucho con «People») y añade algunas canciones (como su propia «Goodbye, J.D.» y «D & E» de John Lewis). En general, se trata de una sesión razonablemente agradable de Oscar Peterson, con el bajista Ray Brown y el batería Ed Thigpen.
https://www.allmusic.com/album/we-get-requests-mw0000188540
El pianista Oscar Peterson ha sido durante mucho tiempo un intérprete tan constante que ninguno de sus discos es desechable, pero este conjunto en particular es más débil que la mayoría. Dado que varias de las canciones son del tipo que a mediados de los 60 se pedían (como «People», «The Girl from Ipanema» y «The Days of Wine and Roses»), el programa no parecería tener mucho potencial, pero Peterson en su mayoría eleva el material (aunque no se podía hacer mucho con «People») y añade algunas canciones (como su propia «Goodbye, J.D.» y «D & E» de John Lewis). En general, se trata de una sesión razonablemente agradable de Oscar Peterson, con el bajista Ray Brown y el batería Ed Thigpen.
https://www.allmusic.com/album/we-get-requests-mw0000188540
Credits:
Bass – Ray Brown
Drums – Ed Thigpen
Engineer [Director If Engineering] – Val Valentin
Engineer [Recording Engineer] – Bob Simpson
Piano – Oscar Peterson
Producer – Jim Davis
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