Biography: by Steve Huey
Soul-jazz vibraphonist Freddie McCoy was never a hit with the critics,
spending most of his time laying down coolly funky grooves and covering
contemporary R&B and pop tunes (or doing original material in a
similarly accessible vein). However, his albums later became underground
collector's items among acid jazz and rare-groove enthusiasts. McCoy
started out with Johnny "Hammond" Smith in 1961, then signed with
Prestige and cut his first album, Lonely Avenue, in 1963. Over the next
five years, McCoy cut seven albums for the label, highlighted by 1965's
Spider Man, 1967's Beans and Greens, and 1968's Listen Here. His groups
usually featured pianist/organist Joanne Brackeen, in some of her first
work after temporarily retiring to raise her family. McCoy later
recorded for the small Buddah subsidiary Cobblestone, debuting with
Gimme Some!, a circa-1971 jazz-funk session featuring some trippy
electric piano work. However, the label was short-lived, and McCoy
disappeared from jazz after its demise.
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Biografía: por Steve HueyEl
vibrafonista de soul-jazz Freddie McCoy nunca tuvo éxito entre los
críticos, ya que dedicó la mayor parte de su tiempo a crear ritmos
frescos y funky y a versionar temas contemporáneos de R&B y pop (o a
hacer material original en una línea igualmente accesible). Sin
embargo, sus álbumes se convirtieron más tarde en piezas de
coleccionista underground entre los entusiastas del acid jazz y el
rare-groove. McCoy empezó con Johnny "Hammond" Smith en 1961, luego firmó con Prestige y grabó su primer álbum, Lonely Avenue, en 1963. Durante
los cinco años siguientes, McCoy grabó siete álbumes para el sello,
entre los que destacan Spider Man, de 1965, Beans and Greens, de 1967, y
Listen Here, de 1968. Sus
grupos solían contar con la pianista/organista Joanne Brackeen, en
algunos de sus primeros trabajos tras retirarse temporalmente para criar
a su familia. McCoy grabó más tarde para la pequeña filial de Buddah, Cobblestone, y debutó con Gimme Some!, una sesión de jazz-funk de alrededor de 1971 que incluía algunos trabajos de piano eléctrico triposo. Sin embargo, el sello duró poco y McCoy desapareció del jazz tras su desaparición.
Tracks listing:
A1 Soul Yogi
A2 Salem Soul Song
A3 Sorry 'Bout That
A4 I Am A Walrus
A5 Pet Sounds
B1 What Now My Love
B2 Mysterioso
B3 Ride On
B4 Autumn Leaves
Credits and session recording:
Freddie McCoy (vib) JoAnne Brackeen (p, org) Steve Wolfe (sitar)
Wally Richardson (g) Lawrence Evans (el-b)
Ray Appleton (d) Dave Blume (arr)
Rudy Van Gelder Studio, Englewood Cliffs, NJ, January 24, 1968
Ride On
Pet Sounds
I Am The Walrus
Salem Soul Song
Sorry 'Bout That
Peter Dimitriades, Emanuel Green,
Joseph Malignaggi (vln) replaces Wolfe, Richardson
Rudy Van Gelder Studio, Englewood Cliffs, NJ, February 5, 1968
Soul Yogi
What Now, My Love?
Mysterioso
Autumn Leaves
PRESTIGE RECORDS 1968 PR 7561
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