The hardest working, most in demand guitarist in jazz for over half a century from his Blue Note debut in 1956 through to the second millennium, Kenny Burrell was described by his first employer. Dizzy Gillespie, as the grand master of jazz guitar. A guitarist who could hold his own with sheets-of-sound era John Coltrane; funk it up with Jimmy Smith: create a stone cold jazz classic in Midnight Blue: hold his own with orchestras and be just as happy with a swinging trio. This concert was performed at the Newport Jazz Festival, New York, July 4th 1976 and broadcast by Voice of America, and features Kenny's working trio with Lisle Atkinson on bass and Freddie Warts on drums.
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El guitarrista más trabajador y solicitado del jazz durante más de medio siglo, desde su debut en Blue Note en 1956 hasta el segundo milenio, Kenny Burrell fue descrito por su primer empleador. Dizzy Gillespie, como el gran maestro de la guitarra de jazz. Un guitarrista que podía estar a la altura de John Coltrane en la época de las sábanas, tocar funk con Jimmy Smith, crear un clásico del jazz en Midnight Blue, tocar con orquesta y ser igual de feliz con un trío de swing. Este concierto fue interpretado en el Festival de Jazz de Newport, Nueva York, el 4 de julio de 1976 y retransmitido por Voice of America, y presenta al trío de trabajo de Kenny con Lisle Atkinson al bajo y Freddie Warts a la batería.
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