Made in Nusantara
serves as a comprehensive introduction to the history, sociology,
ethnography, and musicology of historical and contemporary popular music
in maritime Southeast Asia.
Each essay covers major
figures, styles, and social contexts of genres of a popular nature in
the Nusantara region including Malaysia, Indonesia, Brunei, Singapore,
and the Philippines. Through a critical investigation of specific genres
and their spaces of performance, production, and consumption, the
volume is organised into four thematic areas: 1) issues in Nusantara
popular music; 2) history; 3) artists and genres; and 4) national vs.
local industries.
Written by scholars working in the region, Made in Nusantara
brings local perspectives to the history and analysis of popular music
and critically considers conceptualisations developed in the West,
rendering it an intriguing read for students and scholars of popular and
global music.
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