egroj world: Terry Snyder & The All-Stars • Percussion Lounge

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As many of you may have noticed apart from the Ulozto problem the main Mega account has been suspended, therefore the blog will be temporarily down until we can restructure and normalise the blog. I appreciate all the support you have shown me. Thank you for your understanding.

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Como muchos habrán notado aparte del problema de Ulozto la cuenta principal Mega ha sido suspendida, por consiguiente el blog se verá disminuido temporalmente hasta poder reestructurar y normalizar el blog. Agradezco todas las muestras de apoyo que me han brindado. Gracias por comprender.



Thursday, September 1, 2022

Terry Snyder & The All-Stars • Percussion Lounge



One of the leading percussionists of the SABPM era, Terry Snyder worked with Bert Block's studio groups, the Bert Block Orchestra, a standard big band, and the Bell Music Orchestra, which anticipated the SABPM era with its arrangements for celesta, bells, and drums. He became a featured player on New York City radio station WNEW in 1940.

Snyder was Perry Como's favorite drummer, and he worked with Como on recordings, radio, and television from the late 1940s until his death. He sat in with a variety of groups through the early 1950s, from classical schmaltz pianist Shura to Stan Freeman's harpsichord album to light jazz combos led by Bill Clifton. He worked with Enoch Light and Lew Davies on the first four "Persuasive Percussion" LPs on Command, then was hired away by United Artists to debut their competing "Wall-to-Wall Sound" series of gatefold LPs.

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Uno de los principales percusionistas de la era SABPM, Terry Snyder trabajó con los grupos de estudio de Bert Block, la Bert Block Orchestra, una big band estándar, y la Bell Music Orchestra, que anticipó la era SABPM con sus arreglos para celesta, campanas y tambores. Se convirtió en un jugador destacado en la estación de radio de la ciudad de Nueva York WNEW en 1940.

Snyder era el baterista favorito de Perry Como, y trabajó con Como en grabaciones, radio y televisión desde finales de la década de 1940 hasta su muerte. A principios de la década de 1950 formó parte de una gran variedad de grupos, desde el pianista clásico de Schmaltz Shura hasta el álbum de clavicémbalo de Stan Freeman, pasando por los combos de jazz ligero dirigidos por Bill Clifton. Trabajó con Enoch Light y Lew Davies en los primeros cuatro LPs de "Percusión Persuasiva" a la orden, y luego fue contratado por United Artists para estrenar su serie de LPs de gatefold "Wall-to-Wall Sound". 


1 - I Surrender Dear
2 - Orchids In the Moonlight
3 - I'm In the Mood for Love
4 - Taboo
5 - Out off Nowhere
6 - The Breeze and I
7 - Dearly Beloved
8 - La Cucaracha
9 - Love Is a Many-Splendored Thing
10 - My Heart Belongs to Daddy
11 - I Love Paris
12 - Blue Tango
13 - Aloha Oe
14 - Japanese Sandman
15 - Blue Is to Night
16 - Whatever Lola Wants
17 - Misirlou
18 - Lady of Spain
19 - In a Persian Market
20 - Brazil
21 - Mambo Jambo
22 - Yours Is My Heart Alone
23 - Miami Beach Rhumba
24 - Rock-A Bongo Boogie

Género: Jazz, Pop
Estilo: Space-Age, Big Band, Easy Listening
Año: 1959




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