New and Groovy is the eighth album led by American jazz vibraphonist Johnny Lytle which was recorded in 1966 for the Tuba label.
Review by Craig Lytle
Featuring selections like "Come and Get It," "Too Close for Comfort" and the hard boppin' "Selim," New and Groovy was appropriately titled. The soul of Lytle's vibes came with an ambience that's reflected in each one of these compositions, most of them written by the Ohioan. The vibesman's masterful articulation surfaces on the number he wrote in tribute to Miles Davis, "Selim" (Miles spelled backwards). Wynton Kelly, Davis' pianist during the trumpeter's bebop days, jams his way through the first several verses with his prudent key strokes before yielding to Lytle's swinging entrance. The song retains that zestful intensity throughout. With a fast-paced, gospel-seasoned rhythm backed by a hammering tambourine, Lytle masquerades his way through "The Pulpit" as his vibes personify a preacher delivering an uplifting sermon. Songs like "Screamin' Loud" earned Lytle the nickname "fast hands." In the vamp of the song, he wails away on two bars of the vibraphone. He admirably increases his hand speed to a rate where the sound is identical to that of a telephone ringing. Before settling into a jazzy, flowing groove, "Too Close for Comfort" begins with an intermittent intro and percussive backbeat; Lytle enunciates each note with fervor. This album remains one of the top jazz albums in Europe.
https://www.allmusic.com/album/new-and-groovy-mw0000927797
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New and Groovy es el octavo álbum dirigido por el vibrafonista de jazz americano Johnny Lytle que fue grabado en 1966 para el sello Tuba.
Reseña de Craig Lytle
Con selecciones como "Come and Get It", "Too Close for Comfort" y "Selim", New and Groovy fue titulado apropiadamente. El alma de las vibraciones de Lytle vino con un ambiente que se refleja en cada una de estas composiciones, la mayoría de ellas escritas por los Ohioanos. La magistral articulación del vibráfono aparece en el número que escribió en homenaje a Miles Davis, "Selim" (Miles deletreado al revés). Wynton Kelly, el pianista de Davis durante los días del bebop del trompetista, se abre paso a través de los primeros versos con sus prudentes pulsaciones de teclas antes de ceder ante la entrada oscilante de Lytle. La canción conserva esa intensidad tan intensa en todo momento. Con un ritmo de ritmo rápido y de sabor evangélico, respaldado por una pandereta martilleante, Lytle se hace pasar por "El Púlpito" mientras sus vibraciones personifican a un predicador que da un sermón edificante. Canciones como "Screamin' Loud" le valieron a Lytle el apodo de "manos rápidas". En el vampiro de la canción, llora sobre dos barras del vibráfono. Incrementa admirablemente la velocidad de su mano a una velocidad en la que el sonido es idéntico al de un timbre telefónico. Antes de instalarse en un ritmo jazzístico y fluido, "Too Close for Comfort" comienza con una introducción intermitente y un ritmo de percusión; Lytle enuncia cada nota con fervor. Este álbum sigue siendo uno de los mejores álbumes de jazz de Europa.
https://www.allmusic.com/album/new-and-groovy-mw0000927797
A1 The Snapper 2:15
A2 Summertime 4:11
A3 Selim 3:29
A4 The Sadow Of Your Smile 3:36
A5 Come And Get It 4:15
B1 The Pulpit 3:57
B2 Too Close For Comfort 3:45
B3 Chanukah 2:26
B4 Screamin' Loud 2:42
B5 El Marcel 3:53
Bass George Duvivier
Conga Montego Joe
Drums Jimmy Cobb, William "Peppy" Hinnant
Organ Milt Harris
Piano Wynton Kelly
Producer Orrin Keepnews
Vibes Johnny Lytle
Recorded January 21 & 22, 1966
New York City
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