egroj world: J.R. Monterose-Hugh Brodie • Bebop Loose & Live

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Friday, January 26, 2024

J.R. Monterose-Hugh Brodie • Bebop Loose & Live

 



Review by Scott Yanow
Tenor saxophonist J.R. Monterose final recording has some strong moments. He performs a very long (over 18½-minute) version of "Blue Bossa" with pianist Larry Ham, bassist Pat O'Leary, drummer Tom Melito and high-powered fellow tenor Hugh Brodie. While Brodie has his own "Kiamesha" as a feature, Monterose is the only horn on lengthy renditions of "Green Dolphin Street" and "What's New."  In better shape than he had been for his Uptown set of 1979, J.R. sounds fairly distinctive and pushes himself. Unfortunately, he never did emerge from obscurity.
https://www.allmusic.com/album/bebop-loose-live-mw0000915137


Biography by Scott Yanow
J.R. Monterose (not to be confused with fellow tenor Jack Montrose) is most famous for a gig that he personally did not enjoy, playing with Charles Mingus in 1956 and recording on Mingus' breakthrough album Pithecanthropus Erectus. He grew up in Utica, NY, played in territory bands in the Midwest, and then moved to New York City in the early '50s. Monterose played with Buddy Rich (1952) and Claude Thornhill and recorded with (among others) Teddy Charles, Jon Eardley, and Eddie Bert. After leaving Mingus (whom he did not get along with), Monterose played with Kenny Dorham's Jazz Prophets and recorded a strong set for Blue Note as a leader. Although he performed into the 1980s (doubling on soprano in later years), Monterose never really became famous. In addition to his Blue Note date, he led sets for Jaro (a 1959 session later reissued by Xanadu), Studio 4 (which was reissued by V.S.O.P.), a very obscure 1969 outing for the Dutch label Heavy Soul Music (1969), and, during 1979-1981, albums for Progressive, Cadence, and two for Uptown.
https://www.allmusic.com/artist/jr-monterose-mn0000117136#biography

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Reseña de Scott Yanow
La grabación final del saxofonista tenor J. R. Monterose tiene algunos momentos fuertes. Interpreta una versión muy larga (más de 18½ minutos) de "Blue Bossa" con el pianista Larry Ham, el bajista Pat O'Leary, el baterista Tom Melito y el tenor Hugh Brodie. Si bien Brodie tiene su propia "Kiamesha" como característica, Monterose es la única bocina en las largas interpretaciones de "Green Dolphin Street" y " What's New."En mejor forma de lo que había estado para su set Uptown de 1979, J. R. suena bastante distintivo y se esfuerza. Desafortunadamente, él nunca emergió de la oscuridad.
https://www.allmusic.com/album/bebop-loose-live-mw0000915137


Biografía de Scott Yanow
J. R. Monterose (que no debe confundirse con su compatriota tenor Jack Montrose) es más famoso por un concierto que personalmente no disfrutó, tocando con Charles Mingus en 1956 y grabando en el álbum revelación de Mingus, Pithecanthropus Erectus. Creció en Utica, Nueva York, tocó en bandas territoriales en el Medio Oeste y luego se mudó a la ciudad de Nueva York a principios de los años 50. Monterose tocó con Buddy Rich (1952) y Claude Thornhill y grabó con (entre otros) Teddy Charles, Jon Eardley y Eddie Bert. Después de dejar a Mingus (con quien no se llevaba bien), Monterose tocó con Jazz Prophets de Kenny Dorham y grabó un set fuerte para Blue Note como líder. Aunque actuó hasta la década de 1980 (doblando a soprano en años posteriores), Monterose nunca se hizo realmente famoso. Además de su fecha Blue Note, dirigió sets para Jaro (una sesión de 1959 reeditada más tarde por Xanadu), Studio 4( que fue reeditada por V. S. O. P.), una salida muy oscura de 1969 para el sello holandés Heavy Soul Music (1969) y, durante 1979-1981, álbumes para Progressive, Cadence y dos para Uptown.
https://www.allmusic.com/artist/jr-monterose-mn0000117136#biography


Tracks:
1 - Blue Bossa - 18:43
2 - Kiamesha - 7:35
3 - Green Dolphin Street - 9:27
4 - What's New - 14:17

Credits:
    Bass – Pat O'Leary
    Cover, Photography – Bob Rusch
    Drums – Tom Melito
    Executive-Producer – Thomas Lord
    Layout – Susan Rusch
    Piano – Larry Ham
    Producer – Bob Rusch
    Tenor Saxophone – Hugh Brodie (tracks: A1, A2)
    Tenor Saxophone, Soprano Saxophone – J.R. Monterose (tracks: A1, B1, B2)
    Typography [Typesetting] – Kea Rusch

Recorded December 4, 1981, at Alger's Pub, Potsdam, NY.

Label: - Cadence Jazz Records – CJR 1013
Country: - US
Released: - 1982
Genre: - Jazz
Style: - Bop
https://www.discogs.com/release/4273366-JR-Monterose-Hugh-Brodie-Bebop-Loose-Live






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