Review by Lindsay Planer
This mid-'90s DCC Jazz edition of the John Coltrane (tenor sax)/Paul Quinichette (tenor sax) title Cattin' with Coltrane and Quinichette (1958) contains the same excellent remastering and bonus tracks as its standard silver pressing -- without the superfluous expense of a 24-karat gold disc. Audiophile pressing or naught, what remains as the centerpiece are the selections that the co-leads cut during a mid-May 1957 session with Mal Waldron (piano), plus a rhythm section consisting of Julian Euell (bass) and Ed Thigpen (drums). Waldron -- who penned all the album's originals -- proves why he is one of the best composer/arrangers for Coltrane. His stylish tickling of the 88s sets the pace with a stealthy and sinister platform for Coltrane's bluesy blowing, followed by Quinichette's exceedingly soulful solo. "Sunday" exemplifies why Quinichette was considered as a sonic successor to Lester Young. Both of the primary constituents put forth much of their respective selves, with Quinichette's reserved and thoughtful input balancing Coltrane's inspired torrent of notes. Somewhat darker in tone, "Anatomy" is a springboard for indulging the development of singular and personable statements from Coltrane and company. Another key component to Cattin' is the unification of Quinichette and Coltrane on "Vodka." The pair is joined by Waldron for a few energetic and lyrical submissions before converging for a sublime conclusion that will make enthusiasts pine for more. In terms of the extras, "Green Is Blue," "You Belong to Me," and "Birdland Jump" are all credited to the Paul Quinichette Quintet and do not feature Coltrane.
https://www.allmusic.com/album/cattin-with-coltrane-and-quinichette-mw0000180165
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Reseña de Lindsay Planer
Esta edición de mediados de los 90 de DCC Jazz del título de John Coltrane (saxo tenor)/Paul Quinichette (saxo tenor) Cattin' with Coltrane and Quinichette (1958) contiene la misma excelente remasterización y temas extra que su edición estándar de plata - sin el gasto superfluo de un disco de oro de 24 quilates. Prensaje audiófilo o nada, lo que queda como pieza central son las selecciones que los co-líderes cortaron durante una sesión a mediados de mayo de 1957 con Mal Waldron (piano), además de una sección rítmica formada por Julian Euell (bajo) y Ed Thigpen (batería). Waldron, autor de todos los temas originales del álbum, demuestra por qué es uno de los mejores compositores y arreglistas de Coltrane. Sus elegantes cosquillas a los 88s marcan el ritmo con una plataforma sigilosa y siniestra para el soplido bluesero de Coltrane, seguido por el solo extremadamente conmovedor de Quinichette. "Sunday" ejemplifica por qué Quinichette fue considerado como un sucesor sónico de Lester Young. Ambos componentes principales ponen mucho de su parte, con la reservada y reflexiva aportación de Quinichette equilibrando el inspirado torrente de notas de Coltrane. De tono algo más oscuro, "Anatomy" es un trampolín para permitir el desarrollo de declaraciones singulares y personales de Coltrane y compañía. Otro componente clave de Cattin' es la unificación de Quinichette y Coltrane en "Vodka". A la pareja se le une Waldron para unas presentaciones enérgicas y líricas antes de converger para una conclusión sublime que hará que los entusiastas suspiren por más. En cuanto a los extras, "Green Is Blue", "You Belong to Me" y "Birdland Jump" se atribuyen al Paul Quinichette Quintet y no incluyen a Coltrane.
https://www.allmusic.com/album/cattin-with-coltrane-and-quinichette-mw0000180165
1 Cattin' 7:20
2 Sunday 6:58
3 Exactly Like You 6:45
4 Anatomy 8:48
5 Vodka 9:02
6 Tea for Two 8:05
Credits:
John Coltrane saxo tenor (excepto en tracks 3 y 6
Paul Quinichette saxo tenor
Julian Euell bajo doble
Mal Waldron piano
Ed Thigpen batería
Label: Prestige – 7158
Country: US
Released: 1959
Genre: Jazz
Style: Hard Bop
https://www.discogs.com/release/3818640-John-Coltrane-And-Paul-Quinichette-Cattin-With-Coltrane-And-Quinichette
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