Biography by Scott Yanow
Bobby Timmons became so famous for the gospel and funky blues clichés in
his solos and compositions that his skills as a Bud Powell-inspired
bebop player have been long forgotten. After emerging from the
Philadelphia jazz scene, Timmons worked with Kenny Dorham (1956), Chet
Baker, Sonny Stitt, and the Maynard Ferguson Big Band. He was partly
responsible for the commercial success of both Art Blakey's Jazz
Messengers and Cannonball Adderley's Quintet. For Blakey (who he was
with during 1958-1959), Timmons wrote the classic "Moanin'" and, after
joining Adderley in 1959, his song "This Here" (followed later by "Dat
Dere") became a big hit; it is little wonder that Adderley was
distressed when, in 1960, Timmons decided to return to the Jazz
Messengers. "Dat Dere" particularly caught on when Oscar Brown, Jr.
wrote and recorded lyrics that colorfully depicted his curious son.
Timmons, who was already recording as a leader for Riverside, soon
formed his own trio but was never able to gain the commercial success
that his former bosses enjoyed. Stereotyped as a funky pianist (although
an influence on many players including Les McCann, Ramsey Lewis, and
much later on Benny Green), Timmons' career gradually declined. He
continued working until his death at age 38 from cirrhosis of the liver.
https://www.allmusic.com/artist/bobby-timmons-mn0000765435/biography
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Biografía de Scott Yanow
Bobby Timmons se hizo tan famoso por el gospel y los clichés del blues
funky en sus solos y composiciones que sus habilidades como bebopista
inspirado en Bud Powell han sido olvidadas hace tiempo. Después de salir
de la escena del jazz de Filadelfia, Timmons trabajó con Kenny Dorham
(1956), Chet Baker, Sonny Stitt y la Maynard Ferguson Big Band. Fue en
parte responsable del éxito comercial de Art Blakey's Jazz Messengers y
Cannonball Adderley's Quintet. Para Blakey (con quien estuvo durante
1958-1959), Timmons escribió el clásico "Moanin'" y, después de unirse a
Adderley en 1959, su canción "This Here" (seguida más tarde por "Dat
Dere") se convirtió en un gran éxito; no es de extrañar que Adderley se
angustiara cuando, en 1960, Timmons decidió volver a los Jazz
Messengers. "Dat Dere" fue particularmente popular cuando Oscar Brown,
Jr. escribió y grabó letras que representaban coloridamente a su curioso
hijo. Timmons, que ya estaba grabando como líder de Riverside, pronto
formó su propio trío, pero nunca fue capaz de obtener el éxito comercial
que sus antiguos jefes disfrutaban. Estereotipado como un pianista
funky (aunque influye en muchos músicos como Les McCann, Ramsey Lewis, y
mucho más tarde Benny Green), la carrera de Timmons fue decayendo
gradualmente. Continuó trabajando hasta su muerte a los 38 años por
cirrosis hepática.
https://www.allmusic.com/artist/bobby-timmons-mn0000765435/biographyTracklist:
1 - Autumn Leaves
2 - So Tired
3 - Goodbye
4 - Dat Dere (Theme)
5 - They Didn't Believe Me
6 - Dat Dere
7 - Popsy
8 - I Didn't Know What Time It Was
9 - Softly, As In A Morning Sunrise
10 - Dat Dere (Theme)
Credits:
Bass – Ron Carter
Design [Album Design] – Ken Deardoff
Drums – Albert Heath
Engineer [Recording Engineer] – Ray Fowler
Liner Notes – Joe Goldberg
Photography By [Back Liner Photos] – Steve Shapiro*
Photography By [Photo, Front Cover] – Donald Silverstein
Piano – Bobby Timmons
Producer – Orrin Keepnews
Notes:
Recorded "live" at the Village Vanguard
New York; October 1, 1961
Label: Riverside Records – RLP 391, Riverside Records – 391
Released: 1961
Genre: Jazz
Style: Soul-Jazz
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