Review by Richie Unterberger
A CD reissue that combines Jones' fifth and sixth Prestige LPs, Noway! (1970) and What It Is (1971), onto one disc. Grover Washington, Jr. (tenor sax) and Bernard Purdie (drums) are the key accompanists on both sessions. Noway! is a set of pretty funky early-1970s soul-jazz, though the covers of fairly straight pop numbers ("Georgia on My Mind," the Jackson 5's "I'll Be There") are kind of undistinguished. Better are the originals "No Way" and "Holdin' Back" (by Jones) and "Sunshine Alley" (by organist Butch Cornell), which have a more convincing groove. "No Way" is the toughest, with funk guitar lines betraying some influence from James Brown; "Holdin' Back" sounds a bit like a jazzy instrumental treatment of the kind of songs Marvin Gaye used to record in his early Motown days. Using the same personnel, Jones offers more good-natured funk-soul-jazz on What It Is. After getting a couple of contemporary pop covers (of Bill Withers' "Ain't No Sunshine" and Carole King's "I Feel the Earth Move") out of the way, it's mostly Jones originals. On his slower moments, as in "Fadin'" and Sonny Thompson's "Let Them Talk," he shows the influence of straight jazz players such as Wes Montgomery; "What It Is" and "Inside Job" are more cut-to-the-chase funk riffs. Jones has his cult following, but as soul-jazz goes, this is kind of run-of-the-mill: good for background, but not captivating foreground listening.
A CD reissue that combines Jones' fifth and sixth Prestige LPs, Noway! (1970) and What It Is (1971), onto one disc. Grover Washington, Jr. (tenor sax) and Bernard Purdie (drums) are the key accompanists on both sessions. Noway! is a set of pretty funky early-1970s soul-jazz, though the covers of fairly straight pop numbers ("Georgia on My Mind," the Jackson 5's "I'll Be There") are kind of undistinguished. Better are the originals "No Way" and "Holdin' Back" (by Jones) and "Sunshine Alley" (by organist Butch Cornell), which have a more convincing groove. "No Way" is the toughest, with funk guitar lines betraying some influence from James Brown; "Holdin' Back" sounds a bit like a jazzy instrumental treatment of the kind of songs Marvin Gaye used to record in his early Motown days. Using the same personnel, Jones offers more good-natured funk-soul-jazz on What It Is. After getting a couple of contemporary pop covers (of Bill Withers' "Ain't No Sunshine" and Carole King's "I Feel the Earth Move") out of the way, it's mostly Jones originals. On his slower moments, as in "Fadin'" and Sonny Thompson's "Let Them Talk," he shows the influence of straight jazz players such as Wes Montgomery; "What It Is" and "Inside Job" are more cut-to-the-chase funk riffs. Jones has his cult following, but as soul-jazz goes, this is kind of run-of-the-mill: good for background, but not captivating foreground listening.
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Reseña de Richie Unterberger
Una reedición en CD que combina el quinto y sexto LP de Jones, Noway! (1970) y What It Is (1971), en un solo disco. Grover Washington, Jr. (saxo tenor) y Bernard Purdie (batería) son los acompañantes clave en ambas sesiones. ¡De ninguna manera! es un conjunto de soul-jazz bastante funky de principios de la década de 1970, aunque las versiones de números pop bastante sencillos ("Georgia on My Mind", "I'll Be There" de los Jackson 5) son algo poco distinguidas. Mejores son los originales "No Way" y "Holdin 'Back" (de Jones) y "Sunshine Alley" (del organista Butch Cornell), que tienen un ritmo más convincente. "No Way" es el más duro, con líneas de guitarra funk que traicionan alguna influencia de James Brown; "Holdin 'Back" suena un poco como un tratamiento instrumental de jazz del tipo de canciones que Marvin Gaye solía grabar en sus primeros días en Motown. Utilizando el mismo personal, Jones ofrece más funk-soul-jazz afable en What It Is. Después de sacar un par de versiones de pop contemporáneo (de "Ain't No Sunshine" de Bill Withers y "I Feel the Earth Move" de Carole King), la mayoría son originales de Jones. En sus momentos más lentos, como en "Fadin '" y "Let Them Talk" de Sonny Thompson, muestra la influencia de músicos de jazz heterosexuales como Wes Montgomery; "What It Is" e "Inside Job" son riffs funk más sencillos. Jones tiene seguidores de culto, pero en lo que respecta al soul-jazz, esto es algo común y corriente: bueno para el fondo, pero no para cautivar la escucha en primer plano.
Una reedición en CD que combina el quinto y sexto LP de Jones, Noway! (1970) y What It Is (1971), en un solo disco. Grover Washington, Jr. (saxo tenor) y Bernard Purdie (batería) son los acompañantes clave en ambas sesiones. ¡De ninguna manera! es un conjunto de soul-jazz bastante funky de principios de la década de 1970, aunque las versiones de números pop bastante sencillos ("Georgia on My Mind", "I'll Be There" de los Jackson 5) son algo poco distinguidas. Mejores son los originales "No Way" y "Holdin 'Back" (de Jones) y "Sunshine Alley" (del organista Butch Cornell), que tienen un ritmo más convincente. "No Way" es el más duro, con líneas de guitarra funk que traicionan alguna influencia de James Brown; "Holdin 'Back" suena un poco como un tratamiento instrumental de jazz del tipo de canciones que Marvin Gaye solía grabar en sus primeros días en Motown. Utilizando el mismo personal, Jones ofrece más funk-soul-jazz afable en What It Is. Después de sacar un par de versiones de pop contemporáneo (de "Ain't No Sunshine" de Bill Withers y "I Feel the Earth Move" de Carole King), la mayoría son originales de Jones. En sus momentos más lentos, como en "Fadin '" y "Let Them Talk" de Sonny Thompson, muestra la influencia de músicos de jazz heterosexuales como Wes Montgomery; "What It Is" e "Inside Job" son riffs funk más sencillos. Jones tiene seguidores de culto, pero en lo que respecta al soul-jazz, esto es algo común y corriente: bueno para el fondo, pero no para cautivar la escucha en primer plano.
No Way!
1 No Way 7:16
2 If You Were Mine 4:48
3 Georgia On My Mind 5:59
4 Sunshine Alley 7:09
5 I'll Be There 4:02
6 Holdin' Back 6:45
What It Is
7 Ain't No Sunshine 5:32
8 I Feel The Earth Move 6:11
9 Fadin' 6:57
10 What It Is 7:04
11 Let Them Talk 5:49
12 Inside Job 6:17
No Way! (Prestige 10004) recorded , November 23, 1970.
What It Is (Prestige 10036) recorded August 16, 1971.
Release Date January 26, 1999
Duration: 01:13:49
Genre: Jazz
Styles: Soul Jazz, Guitar Jazz, Jazz Instrument
Recording Date: November 23, 1970 & August, 1971
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