The Oxford Handbook of Computer Music
offers a state-of-the-art cross-section of the most field-defining
topics and debates in computer music today. A unique contribution to the
field, it situates computer music in the broad context of its creation
and performance across the range of issues - from music cognition to
pedagogy to sociocultural topics - that shape contemporary discourse in
the field.
Fifty years after musical tones were produced on a
computer for the first time, developments in laptop computing have
brought computer music within reach of all listeners and composers.
Production and distribution of computer music have grown tremendously as
a result, and the time is right for this survey of computer music in
its cultural contexts. An impressive and international array of music
creators and academics discuss computer music's history, present, and
future with a wide perspective, including composition, improvisation,
interactive performance, spatialization, sound synthesis, sonification,
and modeling. Throughout, they merge practice with theory to offer a
fascinating look into computer music's possibilities and enduring
appeal.
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