Best known as a pianist, Marvin Jenkins (1932-2005) was also a skilled flute player, tenor saxophonist, organist and a proficient composer. In the early 60s, in addition to working with guitarist Barney Kessels quartet, he recorded three excellent piano trio albums as leader.
The first, Marv Jenkins Arrives (1960), an auspicious debut on the small Los Angeles label Orovox, moved a&r Neal Hefti to sign him for Reprise Records, where he recorded A Tribute to My People (1961), and Good Little Man (1962). Bassists Jack Bruce and Stanley Gilbert and drummer Kenny Dennis contributed to the good groove achieved on both.
Jenkins touch was heavy and swinging, funky without being trite. Despite naming Erroll Garner and Oscar Peterson as influences, he sounded like neither. The twelve selections of the fourth album in this set, Big City, produced by Palomar Records in 1965, served as good vehicles for his talents as pianist, singer and composer, in a groovy session backed by some West Coast jazz stalwarts. That year, still with Palomar, he had a hit single, Ive Got the Blues, added here as a bonus.
Jenkins was an underrated jazzman who spent 25 years of his career as an accompanist to singer/actress Della Reese, and is best known today for his piano work on Marvin Gayes classic 1973 recording Lets Get It On.
///////
Más conocido como pianista, Marvin Jenkins (1932-2005) fue también un hábil flautista, saxofonista tenor, organista y compositor competente. A principios de los 60, además de trabajar con el cuarteto del guitarrista Barney Kessels, grabó tres excelentes álbumes de trío de piano como líder.
El primero, Marv Jenkins Arrives (1960), un auspicioso debut en el pequeño sello de Los Ángeles, Orovox, movió a a&r Neal Hefti a contratarlo para Reprise Records, donde grabó A Tribute to My People (1961), y Good Little Man (1962). Los bajistas Jack Bruce y Stanley Gilbert y el baterista Kenny Dennis contribuyeron al buen ritmo logrado en ambos.
El toque de Jenkins era pesado y swing, funky sin ser trillado. A pesar de nombrar a Erroll Garner y Oscar Peterson como influencias, no sonaba como ninguno de los dos. Las doce selecciones del cuarto álbum de este conjunto, Big City, producido por Palomar Records en 1965, sirvieron como buenos vehículos para sus talentos como pianista, cantante y compositor, en una sesión groovy respaldada por algunos estandartes del jazz de la costa oeste. Ese año, aún con Palomar, tuvo un single de éxito, Ive Got the Blues, añadido aquí como un bonus.
Jenkins fue un jazzista subestimado que pasó 25 años de su carrera como acompañante de la cantante y actriz Della Reese, y es más conocido hoy en día por su trabajo de piano en el clásico de Marvin Gayes de 1973, Lets Get It On.
1. Don't Get Around Much Anymore
2. St. Louis Blues
3. Someday Sweetheart
4. Don't Be That Way
5. Misty
6. Cherry
7. Undecided
8. Canadian Sunset
9. When It's Sleepy Time Down South
10. Hallelujah, I Love Her So
11. Basin Street Blues
12. One O'Clock Jump
LP-Rip
Label: Reprise Records – R96013
Country: US
Released: 1961
Genre: Jazz
https://www.discogs.com/master/696381-Marv-Jenkins-A-Tribute-To-My-People
This file is intended only for preview!
I ask you to delete the file from your hard drive or device after reading it.
thank for the original uploader
No comments:
Post a Comment