Review
by Stephen Thomas Erlewine
J.R. Monterose's first session as a leader was a thoroughly enjoyable set of swinging, straight-ahead bop that revealed him as a saxophonist with a knack for powerful, robust leads in the vein of Sonny Rollins and Coleman Hawkins. With a stellar supporting group of pianist Horace Silver, trumpeter Ira Sullivan, bassist Wilbur Ware, and drummer "Philly" Joe Jones, Monterose has recorded a set of bop that swings at a measured pace and offers many delightful moments. Throughout the session, Monterose sounds vigorous, whether he's delivering hard-swinging solos or waxing lyrical. With his bluesy vamps and soulful solos, Silver is equally impressive, while Sullivan's spotlights are alternately punchy and skilled; similarly, the rhythm section is tight, letting the music breathe while keeping the groove. In fact, the quality of the music is so strong, J.R. Monterose qualifies as one of the underappreciated gems in Blue Note's mid-'50s catalog.
https://www.allmusic.com/album/jr-monterose-mw0000263590
Biography
by Scott Yanow
J.R. Monterose (not to be confused with fellow tenor Jack Montrose) is most famous for a gig that he personally did not enjoy, playing with Charles Mingus in 1956 and recording on Mingus' breakthrough album Pithecanthropus Erectus. He grew up in Utica, NY, played in territory bands in the Midwest, and then moved to New York City in the early '50s. Monterose played with Buddy Rich (1952) and Claude Thornhill and recorded with (among others) Teddy Charles, Jon Eardley, and Eddie Bert. After leaving Mingus (whom he did not get along with), Monterose played with Kenny Dorham's Jazz Prophets and recorded a strong set for Blue Note as a leader. Although he performed into the 1980s (doubling on soprano in later years), Monterose never really became famous. In addition to his Blue Note date, he led sets for Jaro (a 1959 session later reissued by Xanadu), Studio 4 (which was reissued by V.S.O.P.), a very obscure 1969 outing for the Dutch label Heavy Soul Music (1969), and, during 1979-1981, albums for Progressive, Cadence, and two for Uptown.
https://www.allmusic.com/artist/jr-monterose-mn0000117136/biography
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Reseña
por Stephen Thomas Erlewine
La primera sesión de J.R. Monterose como líder fue un conjunto muy agradable de swing y bop directo que lo reveló como un saxofonista con una habilidad para las pistas poderosas y robustas en la línea de Sonny Rollins y Coleman Hawkins. Con un grupo de apoyo estelar formado por el pianista Horace Silver, el trompetista Ira Sullivan, el bajista Wilbur Ware y el baterista "Philly" Joe Jones, Monterose ha grabado un conjunto de bop que se balancea a un ritmo medido y ofrece muchos momentos deliciosos. A lo largo de la sesión, Monterose suena vigoroso, ya sea en los solos de swing duro o en los líricos. Silver es igualmente impresionante con sus solos de blues y soul, mientras que los focos de Sullivan son alternativamente punzantes y hábiles; asimismo, la sección rítmica es ajustada, dejando que la música respire mientras mantiene el ritmo. De hecho, la calidad de la música es tan fuerte que J.R. Monterose califica como una de las gemas infravaloradas del catálogo de Blue Note de mediados de los 50.
https://www.allmusic.com/album/jr-monterose-mw0000263590
Biografía
por Scott Yanow
J.R. Monterose (no hay que confundirlo con el tenor Jack Montrose) es más famoso por una actuación que no disfrutó personalmente, tocar con Charles Mingus en 1956 y grabar en el álbum pionero de Mingus, Pithecanthropus Erectus. Creció en Utica (Nueva York), tocó en bandas territoriales en el Medio Oeste y luego se trasladó a Nueva York a principios de los años 50. Monterose tocó con Buddy Rich (1952) y Claude Thornhill y grabó con (entre otros) Teddy Charles, Jon Eardley y Eddie Bert. Después de dejar a Mingus (con quien no se llevaba bien), Monterose tocó con los Jazz Prophets de Kenny Dorham y grabó un sólido conjunto para Blue Note como líder. Aunque actuó hasta la década de 1980 (doblando como soprano en años posteriores), Monterose nunca llegó a ser realmente famoso. Además de su fecha en Blue Note, dirigió conjuntos para Jaro (una sesión de 1959 que luego fue reeditada por Xanadu), Studio 4 (que fue reeditado por V.S.O.P.), una salida muy oscura de 1969 para el sello holandés Heavy Soul Music (1969), y, durante 1979-1981, álbumes para Progressive, Cadence, y dos para Uptown.
https://www.allmusic.com/artist/jr-monterose-mn0000117136/biography
1 - Wee-Jay
2 - The Third
3 - Bobbie Pin
4 - Marc V
5 - Ka-Link
6 - Beauteous
7 - Wee-Jay
Credits:
Bass – Wilbur Ware
Design – Reid Miles
Drums – "Philly" Joe Jones
Liner Notes – Leonard Feather
Photography By – Francis Wolff
Piano – Horace Silver
Producer – Alfred Lion
Recorded By, Remastered By – Rudy Van Gelder
Tenor Saxophone – J. R. Monterose*
Trumpet – Ira Sullivan
Recorded October 21, 1956.
Label: Blue Note – 50999-2-15387-28
Series: RVG Edition
Country: US
Genre: Jazz
Style: Bop
https://www.discogs.com/es/master/392604-JR-Monterose-JR-Monterose
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