There are over a million jazz recordings, but only a few hundred
tunes have been recorded repeatedly. Why did a minority of songs become
jazz standards? Why do some songs--and not others--get rerecorded by
many musicians? Shaping Jazz
answers this question and more, exploring the underappreciated yet
crucial roles played by initial production and markets--in particular,
organizations and geography--in the development of early
twentieth-century jazz.
Damon Phillips considers why places like
New York played more important roles as engines of diffusion than as the
sources of standards. He demonstrates why and when certain geographical
references in tune and group titles were considered more desirable. He
also explains why a place like Berlin, which produced jazz abundantly
from the 1920s to early 1930s, is now on jazz's historical sidelines.
Phillips shows the key influences of firms in the recording industry,
including how record companies and their executives affected what music
was recorded, and why major companies would rerelease recordings under
artistic pseudonyms. He indicates how a recording's appeal was related
to the narrative around its creation, and how the identities of its firm
and musicians influenced the tune's long-run popularity.
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