As music columnist for The Nation,
Gene Santoro has established himself as an important new critical
voice, able to write well on a broad spectrum of popular music and jazz
without losing touch with the cutting edge of today's music scene. About
Nat "King" Cole, Santoro comments: "adjectives can't describe the
swinging, ingratiating self-confidence laced with tenderness that colors
Nat "King" Cole's singing. His baritone/tenor is so airy and elemental,
so palpably physical, it invites you in, then surrounds you
glowingly..." And on the highly successful rock band Living Colour,
Santoro is no less evocative: "hardcore metal raveups slam into bluesy
ballads and psychedelicized pop, lilting Caribbean inflections collide
with hiphop scrambles of prerecorded material and touches of funk."
Dancing in Your Head
gathers Santoro's liveliest reviews and essays for the first time,
introducing a fresh and provocative perspective on several decades of
musicians and their work. Santoro covers a wide musical vista, from the
legendary blues singer Robert Johnson to Public Enemy's controversial
rap lyrics, from the long running clash between blues and African
American gospel to the rock iconoclast Neil Young, from the great James
Brown to George Hay, the founder of the Grand Ole Opry. Documenting the
evolution of jazz, rock and roll, and rap, Santoro's observations are
incisive, honest, and reflective. Of his early exposure to Jimi Hendrix,
John Coltrane and Bela Bartok, Santoro remarks, "That sense of wonder
and discovery is what happens when you've been hit by art's immediate
vatic power. It has never left me, has been touched and renewed by each
encounter I've valued." Santoro examines the staying power of music
legends Lou Reed, Eric Clapton, the Grateful Dead, and Sun Ra, the
freewheeling
jazz artist who prefers to call himself a tone artist rather than a
musician. Special highlights include several pieces on Miles Davis; book
reviews, including one on Gunther Schuller's two-volume History of Jazz;
a lively and detailed profile of the Neville Brothers; and a discussion
of jazz great Ornette Coleman that compares him to Orson Welles and
Charles Ives.
Taken together the pieces in Dancing In Your Head
examine the historical roots of today's popular music while offering
insight into performers and trends that dominate the current scene.
Balancing a critical and historical sensibility with an unharnessed
enthusiasm for all forms of music, Santoro is an ideal guide to the old
and new.
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