Wilbur Bernard Ware (8 de septiembre de 1923, Chicago, Illinois, Estados Unidos – 9 de septiembre de 1979, Filadelfia, Pensilvania, Estados Unidos), fue un contrabajista de jazz estadounidense y bajista habitual del sello discográfico «Riverside» en la década de 1950. Su pertenencia a esa casa discográfica, le permitió tocar y grabar regularmente en esa década con algunos de los mejores músicos de jazz de la época, como: Johnny Griffin, Kenny Dorham, Kenny Drew, J.R. Monterose, Toots Thielemans, Sonny Clark, Tina Brooks, Zoot Sims y Grant Green y Thelonious Monk, entre otros. En gran parte autodidacta, Ware tenía un enfoque del bajo poco ortodoxo pero muy singular y de percusión.
Wilbur Ware creció en Chicago, donde aprendió por sí mismo a tocar la batería, el banjo y el bajo mientras tocaba en la iglesia. En la década de 1940, trabajó con Stuff Smith, Sonny Stitt y Roy Eldridge. Grabó con Sun Ra a principios de la década de 1950, y más tarde, en la década de 1950, tras establecerse en la ciudad de Nueva York, tocó con Eddie Vinson, Art Blakey y Buddy DeFranco. Su único álbum grabado como líder y lanzado durante su vida fue «The Chicago Sound», de 1957 cuando trabajaba para Riverside. Hizo álbumes instructivos de jazz para Music Minus One. En 1958, Wilbur Ware fue uno de los 57 músicos de jazz que aparecieron en la famosa fotografía de Art Kane, titulada: «Un gran día en Harlem».
Ware fue miembro del cuarteto de Thelonious Monk de 1957 a 1958, y uno de sus álbumes más famosos fue formado parte del trío con el que Sonny Rollins, actuó y grabó en 1957 en el Village Vanguard de New York. Como tantos otros músicos de aquella época, Wilbur Ware tenía adición a los narcóticos, lo que provocó la interrupción de su carrera entre 1963 y 1969. Tras salir de prisión Wilbur Ware retomó con fuerza su carrera profesional y tocó con Clifford Jordan, Elvin Jones y Sonny Rollins. Murió de enfisema en Filadelfia, Pensilvania, en 1979.
https://apoloybaco.com/jazz/wilbur-ware/
Wilbur Ware creció en Chicago, donde aprendió por sí mismo a tocar la batería, el banjo y el bajo mientras tocaba en la iglesia. En la década de 1940, trabajó con Stuff Smith, Sonny Stitt y Roy Eldridge. Grabó con Sun Ra a principios de la década de 1950, y más tarde, en la década de 1950, tras establecerse en la ciudad de Nueva York, tocó con Eddie Vinson, Art Blakey y Buddy DeFranco. Su único álbum grabado como líder y lanzado durante su vida fue «The Chicago Sound», de 1957 cuando trabajaba para Riverside. Hizo álbumes instructivos de jazz para Music Minus One. En 1958, Wilbur Ware fue uno de los 57 músicos de jazz que aparecieron en la famosa fotografía de Art Kane, titulada: «Un gran día en Harlem».
Ware fue miembro del cuarteto de Thelonious Monk de 1957 a 1958, y uno de sus álbumes más famosos fue formado parte del trío con el que Sonny Rollins, actuó y grabó en 1957 en el Village Vanguard de New York. Como tantos otros músicos de aquella época, Wilbur Ware tenía adición a los narcóticos, lo que provocó la interrupción de su carrera entre 1963 y 1969. Tras salir de prisión Wilbur Ware retomó con fuerza su carrera profesional y tocó con Clifford Jordan, Elvin Jones y Sonny Rollins. Murió de enfisema en Filadelfia, Pensilvania, en 1979.
https://apoloybaco.com/jazz/wilbur-ware/
///////
Wilbur Bernard Ware (9 September 1923, Chicago, Illinois, United States – 9 September 1979, Philadelphia, Pennsylvania, United States) was an American jazz double bassist and regular bassist for the Riverside record label in the 1950s. His affiliation with that record label allowed him to play and record regularly during that decade with some of the best jazz musicians of the time, such as Johnny Griffin, Kenny Dorham, Kenny Drew, J.R. Monterose, Toots Thielemans, Sonny Clark, Tina Brooks, Zoot Sims, Grant Green, and Thelonious Monk, among others. Largely self-taught, Ware had an unorthodox but very unique and percussive approach to the bass.
Wilbur Ware grew up in Chicago, where he taught himself to play the drums, banjo, and bass while playing in church. In the 1940s, he worked with Stuff Smith, Sonny Stitt, and Roy Eldridge. He recorded with Sun Ra in the early 1950s, and later in the 1950s, after settling in New York City, he played with Eddie Vinson, Art Blakey, and Buddy DeFranco. His only album recorded as a leader and released during his lifetime was 1957's The Chicago Sound, when he was working for Riverside. He made instructional jazz albums for Music Minus One. In 1958, Wilbur Ware was one of 57 jazz musicians who appeared in Art Kane's famous photograph, entitled “A Great Day in Harlem”.
Ware was a member of Thelonious Monk's quartet from 1957 to 1958, and one of his most famous albums was part of the trio with which Sonny Rollins performed and recorded in 1957 at the Village Vanguard in New York. Like so many other musicians of that era, Wilbur Ware was addicted to narcotics, which caused his career to be interrupted between 1963 and 1969. After leaving prison, Wilbur Ware resumed his professional career with vigour and played with Clifford Jordan, Elvin Jones and Sonny Rollins. He died of emphysema in Philadelphia, Pennsylvania, in 1979.
Wilbur Ware grew up in Chicago, where he taught himself to play the drums, banjo, and bass while playing in church. In the 1940s, he worked with Stuff Smith, Sonny Stitt, and Roy Eldridge. He recorded with Sun Ra in the early 1950s, and later in the 1950s, after settling in New York City, he played with Eddie Vinson, Art Blakey, and Buddy DeFranco. His only album recorded as a leader and released during his lifetime was 1957's The Chicago Sound, when he was working for Riverside. He made instructional jazz albums for Music Minus One. In 1958, Wilbur Ware was one of 57 jazz musicians who appeared in Art Kane's famous photograph, entitled “A Great Day in Harlem”.
Ware was a member of Thelonious Monk's quartet from 1957 to 1958, and one of his most famous albums was part of the trio with which Sonny Rollins performed and recorded in 1957 at the Village Vanguard in New York. Like so many other musicians of that era, Wilbur Ware was addicted to narcotics, which caused his career to be interrupted between 1963 and 1969. After leaving prison, Wilbur Ware resumed his professional career with vigour and played with Clifford Jordan, Elvin Jones and Sonny Rollins. He died of emphysema in Philadelphia, Pennsylvania, in 1979.
https://apoloybaco.com/jazz/wilbur-ware/
Tracks:
1 - Mamma-Daddy - 3:53
2 - Body And Soul - 3:15
3 - Desert Sands - 5:28
4 - 31st And State - 6:27
5 - Lullaby Of The Leaves - 2:56
6 - Latin Quarters - 4:37
7 - Be-Ware - 4:28
8 - The Man I Love - 7:21
Credits:
Alto Saxophone – John Jenkins (2)
Bass – Wilbur Ware
Drums – Frank Dunlop* (tracks: 2, 8), Wilbur Campbell (tracks: 1, 3 to 7)
Engineer – Jack Higgins
Piano – Junior Mance
Producer, Liner Notes – Orrin Keepnews
Remastered By – Phil De Lancie
Tenor Saxophone – Johnny Griffin
Recorded in New York; October 19 and November 18, 1957.
Originally released as RLP-12-252 on Riverside, 1957.
Label: Riverside Records – RLP 12-252
Series: Riverside Contemporary Series
Country: US
Released: Mar 1958
Genre: Jazz
Style: Hard Bop
https://www.discogs.com/release/6496353-Wilbur-Ware-Quintet-Featuring-Johnny-Griffin-The-Chicago-Sound
Tracks:
1 - Mamma-Daddy - 3:53
2 - Body And Soul - 3:15
3 - Desert Sands - 5:28
4 - 31st And State - 6:27
5 - Lullaby Of The Leaves - 2:56
6 - Latin Quarters - 4:37
7 - Be-Ware - 4:28
8 - The Man I Love - 7:21
Credits:
Alto Saxophone – John Jenkins (2)
Bass – Wilbur Ware
Drums – Frank Dunlop* (tracks: 2, 8), Wilbur Campbell (tracks: 1, 3 to 7)
Engineer – Jack Higgins
Piano – Junior Mance
Producer, Liner Notes – Orrin Keepnews
Remastered By – Phil De Lancie
Tenor Saxophone – Johnny Griffin
Recorded in New York; October 19 and November 18, 1957.
Originally released as RLP-12-252 on Riverside, 1957.
Label: Riverside Records – RLP 12-252
Series: Riverside Contemporary Series
Country: US
Released: Mar 1958
Genre: Jazz
Style: Hard Bop
https://www.discogs.com/release/6496353-Wilbur-Ware-Quintet-Featuring-Johnny-Griffin-The-Chicago-Sound
No comments:
Post a Comment