Review by Scott Yanow
In the 1950s, Herbie Mann frequently shared the spotlight on record dates with other flutists. This V.S.O.P. LP, a reissue of a set originally for Mode and also out for awhile on Premier, matches Mann (who here also plays piccolo, clarinet and tenor) with Buddy Collette (switching between flute, clarinet, tenor and alto) in a quintet with pianist Jimmy Rowles, bassist Buddy Clark and drummer Mel Lewis. The results are generally pleasing, if somewhat lightweight, with such obscure tunes as "Here's Buddy," Rowles' "Pop Melody," "Here's Pete" and Mann's "Theme from 'Theme From'" alternating with three standards and Chico Hamilton's "Morning After." The most interesting aspect to this lightly swinging music is the constant switching around of the lead voices on their various horns.
https://www.allmusic.com/album/flute-fraternity-mw0000037566
In the 1950s, Herbie Mann frequently shared the spotlight on record dates with other flutists. This V.S.O.P. LP, a reissue of a set originally for Mode and also out for awhile on Premier, matches Mann (who here also plays piccolo, clarinet and tenor) with Buddy Collette (switching between flute, clarinet, tenor and alto) in a quintet with pianist Jimmy Rowles, bassist Buddy Clark and drummer Mel Lewis. The results are generally pleasing, if somewhat lightweight, with such obscure tunes as "Here's Buddy," Rowles' "Pop Melody," "Here's Pete" and Mann's "Theme from 'Theme From'" alternating with three standards and Chico Hamilton's "Morning After." The most interesting aspect to this lightly swinging music is the constant switching around of the lead voices on their various horns.
https://www.allmusic.com/album/flute-fraternity-mw0000037566
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Reseña de Scott Yanow
En la década de 1950, Herbie Mann compartió con frecuencia el centro de atención en fechas récord con otros flautistas. Este LP de V. S. O. P., reedición de un set originalmente para Mode y también disponible por un tiempo en Premier, combina a Mann (que aquí también toca flautín, clarinete y tenor) con Buddy Collette (alternando entre flauta, clarinete, tenor y alto) en un quinteto con el pianista Jimmy Rowles, el bajista Buddy Clark y el baterista Mel Lewis. Los resultados son generalmente agradables, aunque algo livianos, con melodías oscuras como "Here's Buddy", "Pop Melody" de Rowles, "Here's Pete" y "Theme from' Theme From '" de Mann alternando con tres estándares y "Morning After" de Chico Hamilton."El aspecto más interesante de esta música ligeramente oscilante es el cambio constante de las voces principales en sus diversos cuernos.
https://www.allmusic.com/album/flute-fraternity-mw0000037566
En la década de 1950, Herbie Mann compartió con frecuencia el centro de atención en fechas récord con otros flautistas. Este LP de V. S. O. P., reedición de un set originalmente para Mode y también disponible por un tiempo en Premier, combina a Mann (que aquí también toca flautín, clarinete y tenor) con Buddy Collette (alternando entre flauta, clarinete, tenor y alto) en un quinteto con el pianista Jimmy Rowles, el bajista Buddy Clark y el baterista Mel Lewis. Los resultados son generalmente agradables, aunque algo livianos, con melodías oscuras como "Here's Buddy", "Pop Melody" de Rowles, "Here's Pete" y "Theme from' Theme From '" de Mann alternando con tres estándares y "Morning After" de Chico Hamilton."El aspecto más interesante de esta música ligeramente oscilante es el cambio constante de las voces principales en sus diversos cuernos.
https://www.allmusic.com/album/flute-fraternity-mw0000037566
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