Review by Steve Huey
Jackie McLean had always been a highly emotional soloist, so it makes sense that he was one of the first hard bop veterans to find a new voice in the burning intensity of jazz's emerging avant-garde. McLean had previously experimented with Coltrane's angular modes and scales and Ornette's concept of chordal freedom, but Let Freedom Ring was the landmark masterpiece where he put everything together and ushered in the era of the modernists at Blue Note. A number of saxophonists were beginning to explore the ability of the instrument to mimic human cries of passion, and here McLean perfected a long, piercing squeal capable of expressing joy, anguish, fury, and more. The music on Let Freedom Ring remained more rooted in hard bop structure than Coleman's, and McLean was still recognizably himself, but that was precisely what was revolutionary about the album: It validated the avant-garde aesthetic, demonstrating that it had enough value to convert members of the old guard, and wasn't just the province of radical outcasts. There are only four pieces, one of which is the surging Bud Powell ballad "I'll Keep Loving You"; the other three are McLean originals ("Melody for Melonae," "Rene," and "Omega," dedicated to his daughter, son, and mother respectively) that spotlight his tremendous inventiveness on extended material and amaze with a smoldering fire that never lets up. Pianist Walter Davis takes the occasional solo, but the record is McLean's statement of purpose, and he accordingly dominates the proceedings, with the busy, free-flowing dialogues of bassist Herbie Lewis and Ornette drummer Billy Higgins pushing him to even greater heights. The success of Let Freedom Ring paved the way for a bumper crop of other modernist innovators to join the Blue Note roster and, artistically, it still stands with One Step Beyond as McLean's greatest work.
https://www.allmusic.com/album/let-freedom-ring-mw0000188382
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Reseña de Steve Huey
Jackie McLean siempre había sido un solista muy emocional, así que tiene sentido que fuera uno de los primeros veteranos del hard bop en encontrar una nueva voz en la ardiente intensidad de la emergente vanguardia del jazz. McLean ya había experimentado antes con los modos y escalas angulares de Coltrane y el concepto de libertad de acordes de Ornette, pero Let Freedom Ring fue la obra maestra en la que lo unió todo y marcó el comienzo de la era de los modernistas en Blue Note. Varios saxofonistas empezaban a explorar la capacidad del instrumento para imitar los gritos humanos de pasión, y aquí McLean perfeccionó un chillido largo y desgarrador capaz de expresar alegría, angustia, furia y mucho más. La música de Let Freedom Ring seguía estando más arraigada en la estructura hard bop que la de Coleman, y McLean seguía siendo reconociblemente él mismo, pero eso era precisamente lo revolucionario del álbum: Validaba la estética vanguardista, demostrando que tenía suficiente valor para convertir a los miembros de la vieja guardia y que no era sólo cosa de marginados radicales. Sólo hay cuatro piezas, una de las cuales es la sobrecogedora balada de Bud Powell "I'll Keep Loving You"; las otras tres son originales de McLean ("Melody for Melonae", "Rene" y "Omega", dedicadas a su hija, su hijo y su madre respectivamente) que ponen de relieve su tremenda inventiva en el material extendido y sorprenden con un fuego ardiente que nunca cesa. El pianista Walter Davis hace algún que otro solo, pero el disco es una declaración de intenciones de McLean, y él domina el proceso, con los diálogos fluidos del bajista Herbie Lewis y el batería de Ornette, Billy Higgins, que le empujan a cotas aún mayores. El éxito de Let Freedom Ring allanó el camino para que otros innovadores modernistas se unieran a la lista de Blue Note y, artísticamente, sigue siendo, junto con One Step Beyond, el mejor trabajo de McLean.
https://www.allmusic.com/album/let-freedom-ring-mw0000188382
1 - Melody for Melonae
2 - I'll Keep Loving You
3 - Rene
4 - Omega
Credits:
Alto Saxophone – Jackie McLean
Artwork By [Cover Design] – Reid Miles
Bass – Herbie Lewis
Drums – Billy Higgins
Photography By – Francis Wolff
Piano – Walter Davis Jr.
Producer – Alfred Lion
Recorded By – Rudy Van Gelder
Notes:
Recorded on March 19, 1962.
Recorded At – Van Gelder Studio, Englewood Cliffs, New Jersey
Label: Blue Note – BST 84106
Format:
Vinyl, LP, Album
Country: US
Released: Apr 1963
Genre: Jazz
Style: Hard Bop
https://www.discogs.com/release/495110-Jackie-McLean-Let-Freedom-Ring
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