With
contributions by Raúl A. Fernández, Benjamin Givan, Acácio Tadeu de
Camargo Piedade, Warren R. Pinckney Jr., Linda F. Williams, Christopher
G. Bakriges, Stefano Zenni, S. Frederick Starr, Bruce Johnson,
Christophine Ballantine, Michael Molasky, Johan Fornäs, and Andrew F.
Jones
Jazz is typically characterized as a uniquely American form
of artistic expression, and narratives of its history are almost always
set within the United States.
Yet, from its inception, this art
form exploded beyond national borders, becoming one of the first modern
examples of a global music sensation. Jazz Planet collects essays that concentrate for the first time on jazz created outside the United States.
What happened when this phenomenon met with indigenous musical
practices? What debates on cultural integrity did this “American”
styling provoke in far-flung places? Did jazz's insistence on individual
innovation and its posture as a music of the disadvantaged generate
shakeups in national identity, aesthetic values, and public morality?
Through new and previously published essays, Jazz Planet recounts the music's fascinating journeys to Asia, Europe, Africa, and Latin America.
What emerges is a concept of jazz as a harbinger of current
globalization, a process that has engendered both hope for a more
enlightened and tranquil future and resistance to the anticipated loss
of national identity and sovereignty.
Essays in this collection
describe the seldom-acknowledged contributions non-Americans have made
to the art and explore the social and ideological crises jazz initiated
around the globe. Was the rise of jazz in global prominence, they ask,
simply a result of its inherent charm? Was it a vehicle for colonialism,
Cold War politics, and emerging American hegemony?
Jazz Planet
provokes readers to question the nationalistic bias of most jazz
scholarship, and to expand the pantheon of great jazz artists to include
innovative musicians who blazed independent paths.
No comments:
Post a Comment