Review by Mark Romano
This album was recorded live in Los Angeles in 1948, and finds the great Wardell Gray amidst some of the finest musicians of the time. In the late 1940s, the West Coast jazz scene introduced the big band jazz concert idea to the public. At this time in his short career, Gray was starting his ascent and would achieve lasting fame in tenor sax history. The recorded sound on the album is tinny, given that it was recorded in a hall, and the echo is distracting. However, the compact disc cleaned much of this up, and the dueling between the two tenors shines right through. Vido Musso, the other fine tenor here, was with Stan Kenton for a time. His punchy style plays off the smoother swing of Gray. There's also some strong, bright soloing by Howard McGhee, Ernie Royal, Barney Kessel, and Red Callender. The rhythm section swings hard throughout the session, and Gray knows how to ride the wave with a vengeance. He had that effortless tone of Lester Young, and was full with the fire of bop at the same time. His improvisation was prodigious, and he could translate a landslide of ideas through his horn. The genius Erroll Garner, then only 35, renders a fine solo version of "Tenderly." The compact disc version adds the bonus cut "Sweet Georgia Brown." This is what ignited jazz at the summit sounded like in concert in the late 1940s. Recommended.
https://www.allmusic.com/album/way-out-wardell-mw0000234851
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Reseña de Mark Romano
Este álbum fue grabado en vivo en Los Ángeles en 1948, y encuentra al gran Wardell Gray en medio de algunos de los mejores músicos de la época. A fines de la década de 1940, la escena del jazz de la Costa Oeste presentó al público la idea de los conciertos de jazz de big band. En este momento de su corta carrera, Gray estaba comenzando su ascenso y alcanzaría una fama duradera en la historia del saxo tenor. El sonido grabado en el álbum es metálico, dado que fue grabado en una sala, y el eco distrae. Sin embargo, el disco compacto limpió gran parte de esto, y el duelo entre los dos tenores brilla a través. Vido Musso, el otro tenor excelente aquí, estuvo con Stan Kenton durante un tiempo. Su estilo contundente juega con el swing más suave del gris. También hay algunos solos fuertes y brillantes de Howard McGhee, Ernie Royal, Barney Kessel y Red Callender. La sección rítmica oscila con fuerza durante toda la sesión, y Gray sabe cómo subirse a la ola con fuerza. Tenía ese tono sin esfuerzo de Lester Young, y al mismo tiempo estaba lleno del fuego del bop. Su improvisación era prodigiosa y podía traducir una avalancha de ideas a través de su trompa. El genio Erroll Garner, entonces de solo 35 años, hace una excelente versión en solitario de " Tenderly."La versión en disco compacto agrega el corte extra" Sweet Georgia Brown."Así sonaba el jazz encendido en la cumbre en concierto a fines de la década de 1940. Recomendado.
https://www.allmusic.com/album/way-out-wardell-mw0000234851
A1 - Blue Lou - 6:05
A2 - Sweet Georgia Brown - 10:30
A3 - Tenderly - 3:00
B1 - Just You, Just Me - 10:00
B2 - One O'Clock Jump - 11:12
Credits:
Bass – Harry Babasin, Red Callender
Drums – Don Lamond, Jackie Mills
Guitar – Barney Kessel, Irving Ashby
Piano – Arnold Ross, Erroll Garner
Tenor Saxophone – Vido Musso, Wardell Gray
Trombone – Vic Dickenson
Trumpet – Ernie Royal, Howard McGhee
Note:
"These 1947 recordings were issued in the wake of West Coast tenor pioneer's untimely death in 1955 and show what a great loss Wardell Gray was to jazz. In the company of Howard McGhee, Erroll Garner and Barney Kessell, this is the bebop revolution brought to Los Angeles."
Label: Modern Records (2) – LMP-1204, Modern Records (2) – LMP 1204
Country: US
Released: 1956
Genre: Jazz
https://www.discogs.com/master/392567-Wardell-Gray-Way-Out-Wardell
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