Cumbia
is a musical form that originated in northern Colombia and then spread
throughout Latin America and wherever Latin Americans travel and settle.
It has become one of the most popular musical genre in the Americas.
Its popularity is largely due to its stylistic flexibility. Cumbia
absorbs and mixes with the local musical styles it encounters. Known for
its appeal to workers, the music takes on different styles and meanings
from place to place, and even, as the contributors to this collection
show, from person to person. Cumbia is a different music among the
working classes of northern Mexico, Latin American immigrants in New
York City, Andean migrants to Lima, and upper-class Colombians, who now
see the music that they once disdained as a source of national prestige.
The contributors to this collection look at particular manifestations
of cumbia through their disciplinary lenses of musicology, sociology,
history, anthropology, linguistics, and literary criticism. Taken
together, their essays highlight how intersecting forms of identity—such
as nation, region, class, race, ethnicity, and gender—are negotiated
through interaction with the music.
Contributors. Cristian Alarcón, Jorge Arévalo Mateus, Leonardo D'Amico, Héctor Fernández L'Hoeste, Alejandro L. Madrid, Kathryn Metz, José Juan Olvera Gudiño, Cathy Ragland, Pablo Semán, Joshua Tucker, Matthew J. Van Hoose, Pablo Vila
Contributors. Cristian Alarcón, Jorge Arévalo Mateus, Leonardo D'Amico, Héctor Fernández L'Hoeste, Alejandro L. Madrid, Kathryn Metz, José Juan Olvera Gudiño, Cathy Ragland, Pablo Semán, Joshua Tucker, Matthew J. Van Hoose, Pablo Vila
Héctor D. Fernández L'Hoeste
(Editor),
Pablo Vila
(Editor)
MORE Books ...
This file is intended only for preview!
I ask you to delete the file from your hard drive after reading it.
thank for the original uploader
No comments:
Post a Comment