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Once registered go to
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Cómo activar pass-Gold:
Una vez registrado ira a
https://depositfiles.org/gold/points.php
Al pie de la página web se indica:
"Si usted tiene (ha comprado) una clave Gold y desea activarla, introdúzcala aquí y haga clic en Activar"

Por favor, si ya cuentas con un pase para DepositFiles, abstente de participar para dar oportunidad a otros visitantes del blog de beneficiarse. 

Es importante y agradecería que quien sea el afortunado, que comente que ya lo ha logrado.

 

Brian Charette • Borderless

 

Review from A Green Man Review:
For a little over 30 years Brian Charette has been playing and recording on the organ — backing a variety of pop and jazz singers and leading his own groups. According to noted jazz writer Scott Yanow in the liner notes to Borderless, he's the first and so far only to make a full jazz album of solo organ music, and this is now his third such album, all of them on Steeplechase. Going by the evidence of this album and Yanow's thorough notes, Charette is quite an eclectic player. You'll find plenty of examples of the kind of jazz that other players of the Hammond B3 make, including a playful cover of Booker T's "Hip Hug-Her" and a cool take on Tadd Dameron's "Tadd's Delight," and especially Charette's own swinging opening track "Minors Must Be Accompanied By Adults." He lends his appropriately cool and dry vocals to the Antonio Carlos Jobim classic "Corcovado."
https://agreenmanreview.com/music-2/yves-brouquis-mean-what-you-say-and-brian-charettes-borderless/

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Resena de A Green Man Review:
Durante poco mas de 30 anos, Brian Charette ha tocado y grabado en el organo, acompanando a una variedad de cantantes de pop y jazz y liderando sus propios grupos. Segun el reconocido escritor de jazz Scott Yanow en las notas del liners de Borderless, es el primero y hasta ahora el unico en grabar un album completo de jazz de organo en solitario, y este es ya su tercer album de ese tipo, todos en Steeplechase. A juzgar por las evidencias de este album y las exhaustivas notas de Yanow, Charette es un musico bastante eclectic. Encontraras abundantes ejemplos del tipo de jazz que otros organistas de Hammond B3 ofrecen, incluyendo una version juguetona de "Hip Hug-Her" de Booker T y una lectura cool de "Tadd's Delight" de Tadd Dameron, y especialmente el propio y swingueante tema de apertura de Charette "Minors Must Be Accompanied By Adults." Presta sus vocales apropiadamente frias y secas al clasico de Antonio Carlos Jobim "Corcovado."
https://agreenmanreview.com/music-2/yves-brouquis-mean-what-you-say-and-brian-charettes-borderless/

www.briancharette.com ...

The Nat Birchall Quartet • The Storyteller - A Musical Tribute to Yusef Lateef

Editorial Review

With 20 years passing since his first foray into recorded jazz, Nat Birchall now ranks as one of the premier saxophonists of his generation. With several highly acclaimed albums in the locker, he now returns with his most ambitious project yet – a tribute to the legend that is Yusef Lateef.

“When Jazzman Gerald first mentioned to me the idea of doing an album as a tribute to the jazz giant Dr Yusef A. Lateef, my first thought was "Where on earth do I start?" Lateef was such a colossus of music, and his scope so broad, that I couldn't hope to begin to cover his musical universe. He was a master of the tenor saxophone, a master of the flute, a master ballad player, a master blues player. Not to mention his skills as a composer and arranger and of course his exploration and use of musical methodology and instruments from all over the world.“

“I’ve always been a great admirer of Lateef, and the challenge was intriguing, so I decided to give it go. We interpreted some of his own compositions (Brother John, Morning & Ching Miau) as well as some compositions by others that he made his own by careful arrangement and interpretation (Love Theme from Spartacus, Ringo Oiwake). I also wrote some original songs that, while certainly not written in his style, might be said to fall into his very broad approach to music making.”

“I also wanted to utilise as many different instruments as possible, something I hadn't explored too much until this album. So it was a nice opportunity to finally get around to playing some of the many small instruments I've collected over the years; the Turkish zurna, the mbira from Zimbabwe, the balaphon from Mali and the arghul from Egypt. We have also tried to use varied time signatures in the music, so we have songs in 3/4, 5/4 and 7/4 time, as well as the standard 4/4.”

“Ultimately the best music tells a story to the listener and takes them to places they might not have imagined themselves. Yusef Lateef certainly did that, and as such was a master storyteller.”

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Reseña Editorial

Han pasado 20 años desde su primera incursión en el jazz grabado y Nat Birchall se ha convertido en uno de los mejores saxofonistas de su generación. Con varios álbumes muy aclamados en la recámara, ahora regresa con su proyecto más ambicioso hasta la fecha: un homenaje a la leyenda que es Yusef Lateef.

"Cuando Jazzman Gerald me mencionó por primera vez la idea de hacer un álbum en homenaje al gigante del jazz Dr. Yusef A. Lateef, lo primero que pensé fue: "¿Por dónde demonios empiezo?". Lateef era un coloso de la música, y su campo de acción tan amplio, que no podía aspirar a empezar a abarcar su universo musical. Era un maestro del saxofón tenor, un maestro de la flauta, un maestro de la balada, un maestro del blues. Por no hablar de sus dotes como compositor y arreglista y, por supuesto, de su exploración y utilización de metodología musical e instrumentos de todo el mundo."

"Siempre he sido un gran admirador de Lateef, y el reto era intrigante, así que decidí intentarlo. Interpretamos algunas de sus propias composiciones (Brother John, Morning & Ching Miau), así como algunas composiciones de otros que él hizo suyas mediante cuidadosos arreglos e interpretaciones (Love Theme from Spartacus, Ringo Oiwake). También escribí algunas canciones originales que, aunque ciertamente no están escritas en su estilo, podría decirse que entran dentro de su amplísimo enfoque de la creación musical."

"También quería utilizar tantos instrumentos diferentes como fuera posible, algo que no había explorado demasiado hasta este álbum. Así que fue una buena oportunidad para tocar por fin algunos de los muchos instrumentos pequeños que he ido coleccionando a lo largo de los años: la zurna turca, la mbira de Zimbabue, el balafón de Mali y el arghul de Egipto. También hemos intentado utilizar compases variados en la música, así que tenemos canciones en 3/4, 5/4 y 7/4, además del 4/4 estándar".

"En última instancia, la mejor música cuenta una historia al oyente y le lleva a lugares que quizá ni él mismo hubiera imaginado. Yusef Lateef sin duda lo hacía, y como tal era un maestro de la narración".

www.natbirchall.com ...

Arno Krijger Trio • Live At The Crow

Small, intimate club date at what sounds to be Arno's home turf joined by veteran drummer Billy Hart who has toured with Jimmy Smith, Wes Montgomery, Eddie Harris, and Pharoah Sanders and others. Smokin' set.

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Pequeña e íntima cita en lo que parece ser el territorio de Arno, con el veterano baterista Billy Hart, que ha estado de gira con Jimmy Smith, Wes Montgomery, Eddie Harris, Pharoah Sanders y otros. Un set muy bueno. 

 

 

arnokrijger.nl ...

Roy Brown • Hard Luck Blues

Roy Brown (Nueva Orleans, 10 de septiembre de 1925 - San Fernando (California), 25 de marzo de 1981) fue un cantante estadounidense de blues, rockabilly y rhythm and blues.
Uno de los pioneros del rock and roll a partir de su interpretación de temas como "Hip Shakin' Baby", "Good Rockin' Tonight" y "Ain't No Rockin' No More" para la compañía DeLuxe Records en 1947. La canción fue "Good Rockin' Tonight" inmediatamente versionada por artistas como Wynonie Harris, Elvis Presley, Ricky Nelson, Jerry Lee Lewis, Paul McCartney y muchos otros. El estilo de Brown, melismático y con una fuerte impronta del gospel, influyó fuertemente en cantantes como B.B. King, Bobby Bland, Elvis Presley y Little Richard, entre otros.

 

Roy James Brown (September 10, 1925 – May 25, 1981) was an American R&B singer, songwriter and musician, who had a significant influence on the early development of rock and roll and changed the direction rhythm and blues was headed in. His original song and hit recording "Good Rocking Tonight" was covered by Wynonie Harris, Elvis Presley, Bruce Springsteen, Ricky Nelson, Jerry Lee Lewis, Pat Boone, James Brown, the Doors, and the rock group Montrose. Brown was the first singer in recording history to sing R&B songs with a gospel-steeped delivery, which was then considered taboo by many churches. In addition, his melismatical pleading, vocal style influenced such notable artists as B.B. King, Bobby Bland, Elvis Presley, Jackie Wilson, James Brown and Little Richard. more info ...