Wednesday, May 13, 2026

João Donato e Seu Trio • A Bossa Muito Moderna



João Donato de Oliveira Neto is a Brazilian jazz and bossa nova pianist from Brazil. He first worked with Altamiro Carrilho and went on to perform with Antonio Carlos Jobim and Astrud Gilberto.

A professional at the age of 15, Donato played accordion at the Sinatra-Farney Fan Club.

He recorded for the first time with Altamiro Carrilho. Soon after he joined a band led by violinist Fafá Lemos that played in Brazilian nightclubs. His first solo album came out in 1953. He led the bossa nova band Os Namorados  which performed songs such as "Tenderly".

Donato became arranger and pianist for the band Garotos da Lua and was joined by João Gilberto. After moving to São Paulo, he played in the Luís César Orchestra and the band Os Copacabanas. In 1956 he recorded an album for Odeon that was produced by Antonio Carlos Jobim. Donato wrote "Minha Saudade" with Gilberto, and it became a hit. In an interview during the 1970s, Gilberto said Donato inspired the creation of bossa nova.

Jobs at nightclubs decreased when customers said they couldn't dance to his music. Musicians, too, found the music difficult to learn. Unable to find work in his home country, he left Brazil after his friend Nanai, a former member of Os Namorados, offered him a job in the U.S. During the next decade, he recorded with Mongo Santamaria, Tito Puente, Astrud Gilberto, Bud Shank, and Cal Tjader. His hits included "A Rã," and "Caranguejo", both recorded by Sergio Mendes. His album A Bad Donato (1970) was recorded with jazz bassist Ron Carter. He was music director for Gal Costa in 1974.

Alexandre Carvalho dos Santos wrote, "I recommend a João Donato gig not only to someone who is interested in first class music, an impressive pianist and a selection of historic compositions. I recommend it to anyone who needs an anti-depressive, an acupuncture session or any such other form of deep relaxation. I had my dose on a Sunday evening, from a show in São Paulo. A perfect timing to start a week believing that happiness exists, in spite of your boss". In 2010, Sambolero, credited as the João Donato Trio, earned the Latin Grammy for Best Latin Jazz Album at the 10th Latin Grammy Awards.

In 2016, he was nominated for the Latin Grammy Award for Best Instrumental Album for his album Donato Elétrico. The album was also chosen by the Brazilian edition of Rolling Stone magazine as the 11th best Brazilian album of 2016. His album Sintetizamor was named by Rolling Stone Brasil one of the best of 2017.
https://en.wikipedia.org/wiki/Jo%C3%A3o_Donato
Note: João Donato passed away on 17 July 2023.

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João Donato de Oliveira Neto es un pianista brasileño de jazz y bossa nova de Brasil. Trabajó primero con Altamiro Carrilho y luego con Antonio Carlos Jobim y Astrud Gilberto.

Profesional a la edad de 15 años, Donato tocó el acordeón en el Club de Fans de Sinatra-Farney.

Grabó por primera vez con Altamiro Carrilho. Poco después se unió a una banda liderada por el violinista Fafá Lemos que tocaba en clubes nocturnos brasileños. Su primer álbum en solitario salió en 1953. Dirigió la banda de bossa nova Os Namorados que interpretaba canciones como "Tenderly".

Donato se convirtió en arreglista y pianista de la banda Garotos da Lua y se le unió João Gilberto. Después de mudarse a São Paulo, tocó en la Orquesta Luís César y en la banda Os Copacabanas. En 1956 grabó un álbum para Odeón, producido por Antonio Carlos Jobim. Donato escribió "Minha Saudade" con Gilberto, y se convirtió en un éxito. En una entrevista en los años 70, Gilberto dijo que Donato inspiró la creación de la bossa nova.

Los trabajos en los clubes nocturnos disminuyeron cuando los clientes dijeron que no podían bailar con su música. Los músicos también encontraron que la música era difícil de aprender. Incapaz de encontrar trabajo en su país natal, se fue de Brasil después de que su amigo Nanai, ex miembro de Os Namorados, le ofreciera un trabajo en los EE.UU. Durante la siguiente década, grabó con Mongo Santamaría, Tito Puente, Astrud Gilberto, Bud Shank y Cal Tjader. Sus éxitos incluyeron "A Rã" y "Caranguejo", ambos grabados por Sergio Mendes. Su álbum A Bad Donato (1970) fue grabado con el bajista de jazz Ron Carter. Fue director musical de Gal Costa en 1974.

Alexandre Carvalho dos Santos escribió: "Recomiendo un concierto de João Donato no sólo a alguien que esté interesado en la música de primera clase, un pianista impresionante y una selección de composiciones históricas. Lo recomiendo a cualquiera que necesite un antidepresivo, una sesión de acupuntura o cualquier otra forma de relajación profunda. Tuve mi dosis un domingo por la noche, de un espectáculo en São Paulo. Un momento perfecto para empezar una semana creyendo que la felicidad existe, a pesar de tu jefe". En 2010, Sambolero, acreditado como el João Donato Trío, ganó el Grammy Latino por Mejor Álbum de Jazz Latino en los 10º Premios Grammy Latinos.

En 2016, fue nominado para el premio Grammy Latino al Mejor Álbum Instrumental por su álbum Donato Elétrico. El álbum también fue elegido por la edición brasileña de la revista Rolling Stone como el 11º mejor álbum brasileño de 2016. Su álbum Sintetizamor fue nombrado por Rolling Stone Brasil como uno de los mejores de 2017.
https://en.wikipedia.org/wiki/Jo%C3%A3o_Donato
Nota: João Donato falleció 17 de julio de 2023.


Tuesday, May 12, 2026

Grant Gordy • Grant Gordy

 



For several years Brooklyn-based guitarist Grant Gordy has been a major voice on the American "acoustic music" scene, and one of the most highly regarded young instrumentalists of his generation. Having held the guitar chair in the legendary David Grisman Quintet for six years, he's also worked alongside such musical luminaries as Edgar Meyer, Steve Martin, Tony Trischka and Darol Anger. Grant has performed all over North America and Europe, everywhere from Carnegie Hall to Montreal Jazz Festival; Jazz at Lincoln Center to Bonnaroo.

His music has been heard on NPR's Morning Edition, All Things Considered and Tiny Desk Concerts, and he's received attention from international music periodicals such as The Fretboard Journal, Acoustic Guitar Magazine, Japanese bluegrass publication Moonshiner, Just Jazz Guitar and Flatpicking Guitar Magazine.

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Durante varios años, el guitarrista de Brooklyn Grant Gordy ha sido una voz importante en la escena de la "música acústica" americana, y uno de los jóvenes instrumentistas más respetados de su generación. Habiendo ocupado la silla de guitarra en el legendario David Grisman Quintet durante seis años, también ha trabajado junto a luminarias musicales como Edgar Meyer, Steve Martin, Tony Trischka y Darol Anger. Grant ha actuado en toda América del Norte y Europa, en todas partes, desde el Carnegie Hall hasta el Festival de Jazz de Montreal; desde el Jazz del Lincoln Center hasta el Bonnaroo.

Su música se ha escuchado en la edición matutina de NPR, All Things Considered y Tiny Desk Concerts, y ha recibido la atención de publicaciones musicales internacionales como The Fretboard Journal, Acoustic Guitar Magazine, la publicación japonesa de bluegrass Moonshiner, Just Jazz Guitar y Flatpicking Guitar Magazine.
http://www.grantgordy.com/bio


www.grantgordy.com ...


Colaborador / Contribuitor:  Michel
 
 
 

Star Guitars: 101 Guitars That Rocked the World

 



These are the guitars so famous that their names are often household words: B. B. King’s Lucille, Eric Clapton’s Blackie, Stevie Ray Vaughan’s First Wife, Billy F Gibbons’ Pearly Gates, Neil Young’s Old Black, and many more. Here’s the first-ever illustrated history of the actual guitars of the stars that made the music.

Other best-selling guitar histories look at the rank-and-file models, but this book is unique in profiling the actual “star guitars”—the million-dollar babies, such as the 1968 Stratocaster that Jimi Hendrix burned at Woodstock, which sold at Sotheby’s auction house in 1993 for $1,300,000. Amateurs buy guitars to emulate the stars—Clapton’s Strat, Slash’s Les Paul—and this book explains the stars’ modifications, thus showing how others can recreate those famous tones.








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Made in Korea: Studies in Popular Music

 


Made in Germany: Studies in Popular Music