Sunday, July 5, 2026
Hank Marr • Greasy Spoon [link OK]
Hank Marr (30 January 1927 – 16 March 2004) was a jazz musician known for his work on the Hammond B-3 organ.
Natives of Columbus, Ohio, Hank Marr and tenor saxophonist Rusty Bryant co-led a group that toured for several years, beginning in 1958. Marr later led a group that featured James Blood Ulmer. Ulmer first recorded professionally with Marr in 1967–1968; they had previously toured in 1966–1967. Guitarists Freddie King (1961–1962) and Wilbert Longmire (1963–1964) also did recordings with Marr. In the late 1960s, Marr performed in a duo with guitarist Floyd Smith in Atlantic City, New Jersey.
Marr had two minor hit singles, "The Greasy Spoon" (U.S. No. 101, 1964) and "Silver Spoon" (U.S. No. 134, 1965)
https://en.wikipedia.org/wiki/Hank_Marr
Natives of Columbus, Ohio, Hank Marr and tenor saxophonist Rusty Bryant co-led a group that toured for several years, beginning in 1958. Marr later led a group that featured James Blood Ulmer. Ulmer first recorded professionally with Marr in 1967–1968; they had previously toured in 1966–1967. Guitarists Freddie King (1961–1962) and Wilbert Longmire (1963–1964) also did recordings with Marr. In the late 1960s, Marr performed in a duo with guitarist Floyd Smith in Atlantic City, New Jersey.
Marr had two minor hit singles, "The Greasy Spoon" (U.S. No. 101, 1964) and "Silver Spoon" (U.S. No. 134, 1965)
https://en.wikipedia.org/wiki/Hank_Marr
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Hank Marr (30 de enero de 1927 - 16 de marzo de 2004) fue un músico de jazz conocido por su trabajo con el órgano Hammond B-3.
Natural de Columbus, Ohio, Hank Marr y el saxofonista tenor Rusty Bryant codirigieron un grupo que realizó giras durante varios años, a partir de 1958. Más tarde, Marr dirigió un grupo en el que participaba James Blood Ulmer. Ulmer grabó por primera vez profesionalmente con Marr en 1967-1968; previamente habían realizado una gira en 1966-1967. Los guitarristas Freddie King (1961-1962) y Wilbert Longmire (1963-1964) también grabaron con Marr. A finales de la década de 1960, Marr formó dúo con el guitarrista Floyd Smith en Atlantic City, Nueva Jersey.
Marr tuvo dos éxitos menores, "The Greasy Spoon" (nº 101 en EE.UU., 1964) y "Silver Spoon" (nº 134 en EE.UU., 1965).
https://en.wikipedia.org/wiki/Hank_Marr
Natural de Columbus, Ohio, Hank Marr y el saxofonista tenor Rusty Bryant codirigieron un grupo que realizó giras durante varios años, a partir de 1958. Más tarde, Marr dirigió un grupo en el que participaba James Blood Ulmer. Ulmer grabó por primera vez profesionalmente con Marr en 1967-1968; previamente habían realizado una gira en 1966-1967. Los guitarristas Freddie King (1961-1962) y Wilbert Longmire (1963-1964) también grabaron con Marr. A finales de la década de 1960, Marr formó dúo con el guitarrista Floyd Smith en Atlantic City, Nueva Jersey.
Marr tuvo dos éxitos menores, "The Greasy Spoon" (nº 101 en EE.UU., 1964) y "Silver Spoon" (nº 134 en EE.UU., 1965).
https://en.wikipedia.org/wiki/Hank_Marr
Heine Hansen Trio • Signature
Heine
Hansen’s piano is playful, even bubbling and almost singing, like an
early bird in the first days of spring. On his long awaited debut album,
Hansen unfolds his signature sound on eleven new compositions of his
own. Until now, he was best known as a sideman – modest, but highly
respected as an elegant accompanist. In all probability Denmark’s most
ethereal, swinging jazz pianist.
A signature is something so
personal it can’t be replicated; Heine Hansen plays the piano with a
unique sense for applying rhythm and melody. With Thomas Fonnesbæk on
bass and Alex Riel on drums, a truly beautiful symbiosis of eloquent
melodies and precise playfulness emerges like rays of sunshine finding
their way through green leaves.
Heine Hansen is a talent in his
own league: This spring, he was awarded the Ben Webster Award of 2016.
Heine Hansen will be performing with Riel and Fonnesbæk during
Copenhagen Jazz Festival 2016 (July 1-10). Signature underscores
Hansen’s merits and connects Scandinavian simplicity with graceful
warmth.
https://www.storyvillerecords.com/products/signature
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El
piano de Heine Hansen es juguetón, incluso burbujeante y casi cantarín,
como un pájaro madrugador en los primeros días de la primavera. En su
esperado álbum de debut, Hansen despliega su sonido característico en
once nuevas composiciones propias. Hasta ahora, era más conocido como
músico de acompañamiento, modesto, pero muy respetado como acompañante
elegante. Con toda probabilidad, es el pianista de jazz más etéreo y
oscilante de Dinamarca.
Una firma es algo tan personal que no
puede reproducirse; Heine Hansen toca el piano con un sentido único para
aplicar el ritmo y la melodía. Con Thomas Fonnesbæk al bajo y Alex Riel
a la batería, surge una simbiosis realmente hermosa de melodías
elocuentes y jugueteo preciso, como rayos de sol que se abren paso entre
las hojas verdes.
Heine Hansen es un talento en su propia liga:
Esta primavera fue galardonado con el premio Ben Webster de 2016. Heine
Hansen actuará con Riel y Fonnesbæk durante el Festival de Jazz de
Copenhague 2016 (del 1 al 10 de julio). Signature subraya los méritos de
Hansen y conecta la sencillez escandinava con la calidez elegante.
https://www.storyvillerecords.com/products/signature
storyvillerecords.com ...
Key Depositfiles for 1 month
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It is important and I would appreciate that whoever is the lucky one, to comment that they have already succeeded.
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Cómo activar pass-Gold:
Una vez registrado ira a
https://depositfiles.org/gold/points.php
Al pie de la página web se indica:
"Si usted tiene (ha comprado) una clave Gold y desea activarla, introdúzcala aquí y haga clic en Activar"
LA SOLUCION A LA TRIVIA ES LA CONTRASEÑA.
Por favor, si ya cuentas con un pase para DepositFiles, abstente de participar para dar oportunidad a otros visitantes del blog de beneficiarse.
Es importante y agradecería que quien sea el afortunado, que comente que ya lo ha logrado.
The Ray Brown Trio • Soular Energy
Review from AllMusic (by Scott Yanow):
This album is important as an early milestone in pianist Gene Harris' second career. Harris, who had led the popular Three Sounds in the 1960s, had been living in obscurity in Boise, ID, for several years before he was urged by bassist Ray Brown to come to the West Coast for some recording sessions. Harris became a permanent member of Brown's regular trio for quite a few years before launching his own quartet. He had lost none of his technique, soul, or swing in the interim, as he shows throughout this fine release. Seven of the eight numbers (highlighted by "Exactly Like You," "Teach Me Tonight," and "Sweet Georgia Brown") feature Brown, Harris, and drummer Gerryck King playing soulful bop, while "Mistreated But Undefeated Blues" adds guitarist Emily Remler and the tenor of Red Holloway. An excellent effort.
https://www.allmusic.com/album/soular-energy-mw0000649426
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Resena de AllMusic (por Scott Yanow):
Este album es importante como un hito temprano en la segunda carrera del pianista Gene Harris. Harris, que habia liderado el popular Three Sounds en los anos 60, habia estado viviendo en el anonimato en Boise, ID, durante varios anos antes de ser instado por el bajista Ray Brown a venir a la Costa Oeste para algunas sesiones de grabacion. Harris se convirtio en miembro permanente del trio habitual de Brown durante bastantes anos antes de lanzar su propio cuarteto. No habia perdido nada de su tecnica, alma o swing en el interim, como demuestra a lo largo de este excelente lanzamiento. Siete de los ocho temas (destacados por "Exactly Like You," "Teach Me Tonight" y "Sweet Georgia Brown") presentan a Brown, Harris y el baterista Gerryck King tocando bop lleno de alma, mientras que "Mistreated But Undefeated Blues" suma a la guitarrista Emily Remler y el tenor de Red Holloway. Un excelente esfuerzo.
https://www.allmusic.com/album/soular-energy-mw0000649426
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