Monday, May 4, 2026

Don Elliott • Double Trumpet Doings

  



Biography by Ron Wynn
An extremely popular player in the '50s, Don Elliott was a fine soloist in the swing mode. He first studied piano and accordion, then played baritone horn and mellophone in his high school band. He switched to trumpet while playing in local dance bands, and as a teen worked with fellow teen Bill Evans. Elliott studied harmony at the Institute of Musical Art in New York in the mid-'40s, then played trumpet in an army band. Following that, he studied arranging and vibes at the University of Miami in 1947. When he returned to New York, Elliott played with George Shearing, Teddy Wilson, and Benny Goodman. He later performed and recorded with Terry Gibbs and Buddy Rich before forming his own band. Elliott took "miscellaneous instrument" honors in Down Beat five straight years in the late '50s. During the '60s and '70s, he did Broadway shows and composed film scores and songs for radio and television commercials. He returned to jazz in 1975, serving as a guest soloist with the New York Jazz Repertory Company at Carnegie Hall.
https://www.allmusic.com/artist/don-elliott-mn0000150073/biography

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Biografía de Ron Wynn
Un jugador muy popular en los años 50, Don Elliott era un buen solista en el modo de swing. Primero estudió piano y acordeón, luego tocó el cuerno barítono y el melófono en la banda de su instituto. Se pasó a la trompeta mientras tocaba en bandas de baile locales, y de adolescente trabajó con su compañero Bill Evans. Elliott estudió armonía en el Instituto de Arte Musical de Nueva York a mediados de los 40, y luego tocó la trompeta en una banda del ejército. Después de eso, estudió arreglos y vibraciones en la Universidad de Miami en 1947. Cuando regresó a Nueva York, Elliott tocó con George Shearing, Teddy Wilson y Benny Goodman. Más tarde tocó y grabó con Terry Gibbs y Buddy Rich antes de formar su propia banda. Elliott recibió honores de "instrumentos varios" en el Down Beat cinco años seguidos a finales de los 50. Durante los años 60 y 70, hizo espectáculos en Broadway y compuso partituras de películas y canciones para anuncios de radio y televisión. Volvió al jazz en 1975, sirviendo como solista invitado con la New York Jazz Repertory Company en el Carnegie Hall.
https://www.allmusic.com/artist/don-elliott-mn0000150073/biography

  

Cameron Pierre • Pad up (Get Ready)



Guitarist - songwriter
Born in London, Cameron was raised on the Caribbean island of Dominica
Active in the brit 80's jazz scene. He has collaborated with Courtney Pine


 

 
 
 
 

Charles McPherson Quartet • Live at San Sebastián Jazz Festival

  


Charles McPherson was born in Joplin, Missouri and moved to Detroit at age nine. After growing up in Detroit, he studied with the renowned pianist Barry Harris and started playing jazz professionally at age 19. He moved from Detroit to New York in 1959 and performed with Charles Mingus from 1960 to 1972. While performing with Mingus, he collaborated frequently with Harris, Lonnie Hillyer (trumpet), and George Coleman (tenor sax).

Mr. McPherson has performed at concerts and festivals with his own variety of groups, consisting of quartets, quintets to full orchestras. Charles was featured at Lincoln Center showcasing his original compositions 15 years ago, and once again joined Wynton Marsalis and J@LC Orchestra in April, 2019 honoring his 80th Birthday where they arranged and performed 7 of Charles’ iconic original compositions.  Charles has toured the U.S., Europe, Japan, Africa and South America with his own group, as well as with jazz greats Barry Harris, Billy Eckstine, Lionel Hampton, Nat Adderly, Jay McShann, Phil Woods, Wynton Marsalis, Tom Harrell, Randy Brecker, James Moody, Dizzy Gillespie, and others.

McPherson has recorded as guest artist with Charlie Mingus, Barry Harris, Art Farmer, Kenny Drew, Toshiko Akiyoshi, the Carnegie Hall Jazz Orchestra, and the Lincoln Center Jazz Orchestra with Wynton Marsalis. He has recorded as a leader on Prestige, Fantasy, Mainstream, Discovery, Xanadu, Arabesque, Capri and several smaller labels in Europe and Japan.

Charles was the featured alto saxophonist in the Clint Eastwood film “Bird,” a biopic about Charlie Parker. Charles has received numerous awards, including the prestigious Don Redman Lifetime Achievement Award and an Honorary Doctor of Fine Arts from California State University San Marcos. Charles performed this past April at the NEA Jazz Master’s 2019 performance during Stanley Crouch’s tribute.  Widely recognized as a prolific composer, Charles is now Resident Composer for the San Diego Ballet, where he has written three original suites for chamber music and jazz combos.  In the summer of 2019, Dr. Donnie Norton will compile the entire book of Charles’ compositions for publication.

McPherson remains a strong, viable force on the jazz scene today. Throughout his six decades of being an integral performer of the music, Charles has not merely remained true to his Be Bop origins but has expanded on them. Stanley Crouch says in his New York Times article on Charles, “he is a singular voice who has never sacrificed the fluidity of his melody making and is held in high esteem by musicians both long seasoned and young.” Charles is a frequent guest at universities all over the world and also teaches privately.  Many of his former students have gone on to have careers of their own in jazz, and have earned National Jazz Student Awards. Charles had the honor of being the subject of the Ph.D. candidate Dr. Donnie Norton’s Doctoral Dissertation: “The Jazz Saxophone Style of Charles McPherson: An Analysis through Biographical Examination and Solo Transcription.”
https://charlesmcpherson.com/bio/

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Charles McPherson nació en Joplin, Missouri y se mudó a Detroit a los nueve años. Después de crecer en Detroit, estudió con el renombrado pianista Barry Harris y comenzó a tocar jazz profesionalmente a los 19 años. Se mudó de Detroit a Nueva York en 1959 y actuó con Charles Mingus de 1960 a 1972. Mientras actuaba con Mingus, colaboró frecuentemente con Harris, Lonnie Hillyer (trompeta) y George Coleman (saxo tenor).

McPherson ha actuado en conciertos y festivales con su propia variedad de grupos, que consisten en cuartetos, quintetos y orquestas completas. Charles apareció en el Lincoln Center mostrando sus composiciones originales hace 15 años, y una vez más se unió a Wynton Marsalis y J@LC Orchestra en abril de 2019 en honor a su 80 cumpleaños, donde arreglaron e interpretaron 7 de las icónicas composiciones originales de Charles.  Charles ha realizado giras por Estados Unidos, Europa, Japón, África y Sudamérica con su propio grupo, así como con grandes del jazz Barry Harris, Billy Eckstine, Lionel Hampton, Nat Adderly, Jay McShann, Phil Woods, Wynton Marsalis, Tom Harrell, Randy Brecker, James Moody, Dizzy Gillespie y otros.

McPherson ha grabado como artista invitado con Charlie Mingus, Barry Harris, Art Farmer, Kenny Drew, Toshiko Akiyoshi, la Carnegie Hall Jazz Orchestra y la Lincoln Center Jazz Orchestra con Wynton Marsalis. Ha grabado como líder en Prestige, Fantasy, Mainstream, Discovery, Xanadu, Arabesque, Capri y varios sellos más pequeños en Europa y Japón.

Charles fue el saxofonista alto destacado en la película de Clint Eastwood "Bird", una película biográfica sobre Charlie Parker. Charles ha recibido numerosos premios, incluido el prestigioso premio Don Redman Lifetime Achievement Award y un Doctorado Honorario en Bellas Artes de la Universidad Estatal de California en San Marcos. Charles actuó en abril pasado en la presentación de NEA Jazz Master 2019 durante el tributo de Stanley Crouch.  Ampliamente reconocido como un compositor prolífico, Charles es ahora compositor residente del Ballet de San Diego, donde ha escrito tres suites originales para música de cámara y combos de jazz.  En el verano de 2019, el Dr. Donnie Norton compilará el libro completo de las composiciones de Charles para su publicación.

McPherson sigue siendo una fuerza fuerte y viable en la escena del jazz de hoy. A lo largo de sus seis décadas de ser un intérprete integral de la música, Charles no solo se ha mantenido fiel a sus orígenes Be Bop, sino que se ha expandido sobre ellos. Stanley Crouch dice en su artículo del New York Times sobre Charles: "Es una voz singular que nunca ha sacrificado la fluidez de su melodía y es muy apreciada por músicos jóvenes y experimentados."Charles es un invitado frecuente en universidades de todo el mundo y también enseña en privado .   Muchos de sus antiguos alumnos han tenido carreras propias en el jazz y han ganado Premios Nacionales de Estudiantes de Jazz. Charles tuvo el honor de ser el tema de la Tesis Doctoral del candidato a doctorado Dr. Donnie Norton: "El Estilo de Saxofón de Jazz de Charles McPherson: Un Análisis a través del Examen Biográfico y la Transcripción Solista.”
https://charlesmcpherson.com/bio/


charlesmcpherson.com ...


Herb Ellis-Barney Kessel • San Francisco 1975, Late Show

 

 


Pete Fountain • New Orleans All Stars