Review
by Steve Huey
Not
counting a couple of sessions he co-led with John Coltrane and Albert
Ayler, Complete Communion was the first album Don Cherry recorded as a
leader following his departure from the Ornette Coleman Quartet. It was
also one of the earliest showcases for the Argentinian tenor saxophonist
Gato Barbieri, who Cherry discovered during a stay in Rome. While the
music on Complete Communion was still indebted to Coleman's concepts,
Cherry injected enough of his own personality to begin differentiating
himself as a leader. He arranged the original LP as two continuous
side-long suites, each of which incorporated four different compositions
and was recorded in a single take. In practice, this meant that several
melodic themes popped up over the course of each side; all the
musicians free-associated off of each theme, engaging in intense,
abstract dialogues before moving on to the next. As the album's title
suggests, every member of the group not only solos, but shares the total
space selflessly. Bassist Henry Grimes and drummer Ed Blackwell both
play extremely active roles, especially Grimes, who solos powerfully and
sometimes carries the main riffs. Often the music sounds more like a
conversation, as opposed to a solo with support, because the musicians
make such intelligent use of space and dynamics, and wind up with a
great deal of crackling, volatile interplay as a result. The leader
remains recognizably himself, and his burnished tone is a nice contrast
with Barbieri's fiery approach; for his part, Barbieri's playing has a
lot of speechlike inflections, and he spends a lot of time in the upper
register of his horn, which makes him sound quite similar to Ornette at
times. As a whole, the project comes off remarkably well, establishing
Cherry as an avant-garde force to be reckoned with in his own right.
https://www.allmusic.com/album/complete-communion-mw0000051472
///////
Reseña
por Steve Huey
Sin
contar un par de sesiones que codirigió con John Coltrane y Albert
Ayler, Complete Communion fue el primer álbum que Don Cherry grabó como
líder tras su salida del Ornette Coleman Quartet. También fue uno de los
primeros escaparates para el saxofonista tenor argentino Gato Barbieri,
a quien Cherry descubrió durante una estancia en Roma. Aunque la música
de Complete Communion seguía siendo deudora de los conceptos de
Coleman, Cherry inyectó lo suficiente de su propia personalidad para
empezar a diferenciarse como líder. Organizó el LP original como dos
suites laterales continuas, cada una de las cuales incorporaba cuatro
composiciones diferentes y se grababa en una sola toma. En la práctica,
esto significaba que aparecían varios temas melódicos a lo largo de cada
cara; todos los músicos se asociaban libremente a partir de cada tema,
entablando diálogos intensos y abstractos antes de pasar al siguiente.
Como sugiere el título del álbum, cada miembro del grupo no sólo hace
solos, sino que comparte el espacio total desinteresadamente. El bajista
Henry Grimes y el batería Ed Blackwell desempeñan papeles
extremadamente activos, especialmente Grimes, que hace solos potentes y a
veces lleva los riffs principales. A menudo, la música suena más como
una conversación que como un solo con apoyo, porque los músicos hacen un
uso muy inteligente del espacio y la dinámica y, como resultado, acaban
con una gran cantidad de crepitantes y volátiles interacciones. El
líder sigue siendo reconocible, y su tono bruñido contrasta con la
fogosidad de Barbieri; por su parte, la interpretación de Barbieri tiene
muchas inflexiones discursivas, y pasa mucho tiempo en el registro
superior de su trompa, lo que le hace sonar bastante parecido a Ornette
en algunos momentos. En conjunto, el proyecto resulta notablemente bien,
estableciendo a Cherry como una fuerza vanguardista a tener en cuenta
por derecho propio.
https://www.allmusic.com/album/complete-communion-mw0000051472
- Complete Communion - 20:38
1.1 - Complete Communion
1.2 - And Now
1.3 - Golden Heart
1.4 - Remembrance
- Elephantasy - 19:36
2.1 - Elephantasy
2.2 - Our Feelings
2.3 - Bishmallah
2.4 - Wind, Sand And Stars
Record Company – Capitol Records, Inc.
Manufactured By – Capitol Records, Inc.
Phonographic Copyright ℗ – Capitol Records, Inc.
Copyright © – Capitol Records, Inc.
Recorded At – Van Gelder Studio, Englewood Cliffs, New Jersey
Bass – Henry Grimes
Cornet, Composed By – Don Cherry
Design [Cover] – Reid Miles
Design [Reissue] – Patrick Roques
Drums – Edward Blackwell*
Engineer [Recording] – Rudy Van Gelder
Liner Notes [Original] – Nat Hentoff
Mastered By [Transferred Using 24-bit Resolution] – Ron McMaster
Photography By [Cover And Liner Photographs] – Francis Wolff
Producer [Original Session] – Alfred Lion
Reissue Producer – Michael Cuscuna
Tenor Saxophone – Leandro "Gato" Barbieri
Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on December 24, 1965
Label: Blue Note – 7243 5 22673 2 3
Series: Blue Note Connoisseur Series
Country: US
Released: Feb 15, 2000
Genre: Jazz
Style: Free Jazz
https://www.discogs.com/release/3024696-Don-Cherry-Complete-Communion



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