Covering titles ranging from Rocketship X-M (1950) to Wall-E
(2008), these insightful essays measure the relationship between music
and science fiction film from a variety of academic perspectives.
Thematic sections survey specific compositions utilized in science
fiction movies; Broadway's relationship with the genre; science fiction
elements in popular songs; the conveyance of subjectivity and identity
through music; and such individual composers as Richard Strauss (2001: A Space Odyssey) and Bernard Herrmann (The Day the Earth Stood Still).
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