egroj world: Hank Jones & Tyree Glenn • Quintet & Sextet

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Monday, September 2, 2024

Hank Jones & Tyree Glenn • Quintet & Sextet



Although pianist Hank Jones gets first billing on this two-disc set from Lone Hill Jazz, it actually contains three complete Tyree Glenn-led sessions that were originally released on LP by Roulette Records as At the Embers, At the Roundtable and At the London House in 1957, 1958 and 1961. Featuring Glenn on trombone and vibraphone running through swing and bop standards backed by a world-class rhythm section of Jones, Milt Hinton and Jo Jones, Quintet/Sextet Complete Recordings makes a fine introduction to an often over-looked and completely professional jazz player. Among the highlights are Glenn's own "After the Rain" (not to be confused with the later John Coltrane composition by the same title), a jaunty "I Wanna Be Loved," and a shimmering vibraphone turn at "Limehouse Blues." Steve Leggett
 
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Aunque el pianista Hank Jones es el primero en facturar en este set de dos discos de Lone Hill Jazz, en realidad contiene tres sesiones completas dirigidas por Tyree Glenn que fueron originalmente publicadas en LP por Roulette Records como At the Embers, At the Roundtable y At the London House en 1957, 1958 y 1961. Con Glenn en el trombón y el vibráfono a través de estándares de swing y bop respaldados por una sección rítmica de clase mundial de Jones, Milt Hinton y Jo Jones, Quintet/Sextet Complete Recordings es una buena introducción a un jazzista completamente profesional que a menudo es pasado por alto. Entre lo más destacado está el propio "After the Rain" de Glenn (que no debe confundirse con la posterior composición de John Coltrane con el mismo título), un alegre "I Wanna Be Loved", y un brillante giro de vibráfono en "Limehouse Blues". Steve Leggett
 
 
 
Tracks
CD 1
1 Sinbad the Sailor (Svensson) 3:57
2 What Can I Tell My Heart (Tinturin, Lawrence) 4:06
3 Lonely Moments (Williams) 4:06
4 After the Rain (Glenn) 2:54
5 Tyree's Tune (Glenn, Hill) 3:23
6 Until the Real Thing Comes Along (Cahn, Chaplin, Freeman, Holiner, Nichols) 2:51
7 Without a Song (Rose, Youmans) 6:36
8 I Thought About You (Van Heusen, Mercer) 3:21
9 How High the Moon (Hamilton, Lewis) 3:11
10 I Wanna Be Loved (Green, Heyman, Rose) 2:27
11 Too Marvelous for Words (Mercer, Whiting) 3:52
12 Teach Me Tonight (Cahn, DePaul) 2:27
13 Sunday (Cohn, Krueger, Miller, Styne) 3:25
14 Just a Wearyin' for You (Carrie, Stanton, Jacobs, Bond) 2:12
15 There Will Never Be Another You (Gordon, Warren) 3:38
16 All of Me (Marks, Simons) 2:36
17 Royal Garden Blues (Williams, Williams) 3:34

CD 2
1 Wonder Why (Brodszky, Cahn) 2:33
2 Dear Old Southland (Creamer, Layton) 2:25
3 Them There Eyes (Pinkard, Tauber, Tracey) 2:26
4 Sweet and Lovely (Arnheim, LeMare, Tobias) 2:59
5 Marcheta (Schertzingler) 3:47
6 Limehouse Blues (Braham, Furber) 3:24
7 By and by When the Morning Comes (Fowler) 2:37
8 Stomping at the Savoy (Goodman, Razaf, Sampson, Webb) 2:47
9 On the Alamo (Jones, Kahn, Lyons) 2:58
10 Lonesome Road (Austin, Shilkret) 4:32
11 Some Other Spring (Herzog, Kitchings) 3:06
12 Waycross Walk (Glenn) 3:18
13 Mack the Knife (Weill) 3:12
14 'Til There Was You (Wilson) 2:43
15 Avalon (Jolson, Rose) 3:07
16 Learn to Croon (Coslow, Johnston) 2:14
17 Blue Lou (Mills, Sampson) 4:09
18 (Back Home Again In) Indiana (Hanley, McDonald) 2:56


Personnel
[CD 1, # 1, 3, 7 & 9]
Tyree Glenn - tb & vb [# 1 & 9]
Hank Jones - p
Mary Osborne - g
Tommy Potter - b
Jo Jones - dr
Recorded in New York ; March 28 & 29, 1957
[CD 1, # 2, 4-6, 8, 10 & 11]
Same as above ; except
Harold Shorty Baker - tp is added
Tyree Glenn - vb [# 8]
Recorded in New York ; March 28 & 29, 1957
[CD 2, # 1-6]
Tyree Glenn- tb & vb [# 3]
Hank Jones - p
Mary Osborne - g
Tommy Potter - b
Jo Jones - dr
Recorded at Roundtable, New York ; 1958
[CD 2, # 7 & 10]
Same as above, except
Milt Hinton - b, replaces Potter
Tyree Glenn - tb & vb [# 10]
Recorded at the London House, Chicago ; 1961
[CD 2, # 8 & 9, 11-18]
Same as [# 7 & 10]
Except
Harold Shorty Baker - tp, is added
Tyree Glenn - tb & vb [# 8, 11, 14 & 17]
Recorded at the London House, Chicago ; 1961 
 
 
 
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