Review by Scott Yanow
Bassist Red Mitchell, who had led two fairly obscure sessions for
Bethlehem in 1955, came up with a gem on his lone Contemporary set as a
leader (which has been reissued as this CD). Based in Los Angeles at the
time, Mitchell utilized pianist Lorraine Geller and two up-and-coming
players: James Clay (who splits his time between tenor and flute) and,
in one of his first recording sessions, drummer Billy Higgins. The
quartet performs then-recent tunes by Miles Davis, Sonny Rollins and
Clifford Brown ("Sandu"), a pair of Mitchell originals, "Scrapple From
the Apple" and "Cheek to Cheek." Despite Higgins' and (to a lesser
extent) Clay's connections with Ornette Coleman, the music is strictly
high-quality modern mainstream bop of the era. Easily recommended to
collectors of straight-ahead jazz.
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Reseña de Scott Yanow
El bajista Red Mitchell, que había dirigido dos sesiones bastante
oscuras para Bethlehem en 1955, encontró una joya en su único set
contemporáneo como líder (que ha sido reeditado como este CD). Con sede
en Los Ángeles en ese momento, Mitchell utilizó a la pianista Lorraine
Geller y a dos músicos prometedores: James Clay (que divide su tiempo
entre tenor y flauta) y, en una de sus primeras grabaciones, el
baterista Billy Higgins. El cuarteto interpreta temas de Miles Davis,
Sonny Rollins y Clifford Brown ("Sandu"), un par de originales de
Mitchell, "Scrapple From the Apple" y "Cheek to Cheek". A pesar de las
conexiones de Higgins y (en menor medida) Clay con Ornette Coleman, la
música es estrictamente bop moderno de alta calidad de la época.
Fácilmente recomendable para coleccionistas de jazz.
Tracklist:
A1 - Scrapple From The Apple - 5:27
A2 - Rainy Night - 5:20
A3 - I Thought Of You - 5:17
A4 - Out Of The Blue - 6:15
B1 - Paul`s Pal - 6:55
B2 - Sandu - 5:31
B3 - Cheek To Cheek - 8:06
Credits:
Bass – Red Mitchell
Design [Cover] – George Kershaw
Drums – Billy Higgins
Engineer – Roy DuNann
Flute – James Clay
Liner Notes – Nat Hentoff
Photography By [Cover] – Hal Adams
Piano – Lorraine Geller
Producer – Lester Koenig
Tenor Saxophone – James Clay
Notes:
Recorded the night of March 26, 1957 at Contemporary's Studio in Los Angeles
Label: Contemporary Records – C3538
Released: 1957
Genre: Jazz
Style: Bop



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