Review
by Jim Todd
This session is valuable for the majestic playing of tenor great Coleman Hawkins, who performs on half of the eight tracks. Released on the Prestige subsidiary Moodsville -- a label that specialized in recordings with an intimate, reflective atmosphere -- the Moodsville sound doesn't sit comfortably on Hawkins. His playing is brilliantly relaxed, but it's not mood music. Leader Kenny Burrell's playing is much more in line with the Moodsville groove. The guitarist is not amplified as much as he is on his Prestige dates from this time. In fact, he performs on a nylon-string instrument almost as much as he does on his hollow-body electric. Unlike Hawkins, Burrell's subdued contribution is made to measure for this date. Listeners expecting to hear Burrell the hard bopper won't. The key moments come during the interaction between the guitarist and tenor player, especially during their exchanges on Burrell's "Montono Blues." The rhythm section, Hawkins' working band from this period (pianist Tommy Flanagan, bassist Major Holley, and drummer Eddie Locke) provides impeccable, sublime support.
https://www.allmusic.com/album/bluesy-burrell-mw0000233272
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Revisión
por Jim Todd
Esta sesión es valiosa por la majestuosa forma de tocar del gran tenor Coleman Hawkins, que actúa en la mitad de los ocho temas. Publicado en la filial de Prestige, Moodsville, un sello especializado en grabaciones con una atmósfera íntima y reflexiva, el sonido de Moodsville no le sienta bien a Hawkins. Su forma de tocar es brillantemente relajada, pero no es música de ambiente. La forma de tocar del líder Kenny Burrell está mucho más en consonancia con el ritmo de Moodsville. El guitarrista no está tan amplificado como en sus fechas de Prestige de esta época. De hecho, toca con un instrumento de cuerdas de nylon casi tanto como con su eléctrico de cuerpo hueco. A diferencia de Hawkins, la discreta contribución de Burrell está hecha a medida para esta fecha. Los oyentes que esperen escuchar a Burrell como un músico hard bopper no lo harán. Los momentos clave vienen durante la interacción entre el guitarrista y el tenorista, especialmente durante sus intercambios en "Montono Blues" de Burrell. La sección rítmica, la banda de trabajo de Hawkins de esta época (el pianista Tommy Flanagan, el bajista Major Holley y el batería Eddie Locke) proporciona un apoyo impecable y sublime.
https://www.allmusic.com/album/bluesy-burrell-mw0000233272
1 - Tres Palabras
Written-By – Osvaldo Farres - 6:40
2 - No More
Written-By – Russell, Camarata - 1:50
3 - Guilty
Written-By – Kahn, Akst, Whiting - 4:15
4 - Montono Blues
Written-By – Kenny Burrell - 4:40
5 - I Thought About You
Written-By – Van Heusen, Mercer - 4:40
6 - Out Of This World
Written-By – Arlen, Mercer - 4:50
7 - It's Getting Dark
Written-By – Burrell - 6:50
8 - I Never Knew
Written-By – Kahn, Fiorito - 5:19
Credits:
Alto Saxophone – Leo Wright (tracks: 8)
Bass – George Tucker (tracks: 8), Major Holley (tracks: 1 to 7)
Congas – Ray Barretto (tracks: 1 to 7)
Drums – Eddie Locke (tracks: 1 to 7), Jimmie Smith (tracks: 8)
Guitar – Kenny Burrell
Piano – Gildo Mahones (tracks: 8), Tommy Flanagan (tracks: 1 to 7)
Recorded By – Rudy Van Gelder
Tenor Saxophone – Coleman Hawkins (tracks: 1, 4 to 5, 7)
Notes
Recorded at Van Gelder Studio, Englewood Cliffs, NJ; September 14, 1962. (Track #8, bonus track on this disc, recorded August 15, 1963).
Label: Original Jazz Classics – 0025218692625, Prestige – 0025218692625, Moodsville – 0025218692625
Genre: Jazz
Style: Bop, Post Bop, Cool Jazz
https://www.discogs.com/release/3255651-Kenny-Burrell-With-Coleman-Hawkins-Bluesy-Burrell
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